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Author: Alice Jardine
Publisher: Cornell University Press
ISBN: 1501742272
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Jardine's command of French theory is awesome. Even more impressive is the fact that she manages to delve into the subject without ever losing sight of certain impertinent American questions. "-Jane Gallop, Department of French and Italian, Miami University Gynesis: from the Greek—gyn- signifying woman, and -sis designating process. In her book, Alice Jardine charts the territories and landscapes of contemporary French thought, focusing on such concepts as "woman" and "the feminine," and relating them to the problem of modernity. Interdisciplinary in her approach, she confronts and addresses important psychoanalytic, philosophical, and fictional texts that are largely the work of male writers. In Part One Jardine charts the general boundaries of what she describes as the "problematization" of woman, and in Part Two she explores three major topologies of contemporary French thought—the breakdown of the Cartesian Subject, the default of Representation, and the demise of Man's Truth. Part Three analyzes the work of Jacques Lacan, Jacques Derrida, and Gilles Deleuze, three major French thinkers who, according to Jardine, are deeply involved in the process of gynesis, and discusses their readings of such writers as Marguerite Duras, Maurice Blanchot, and Michel Tournier. A final section turns to the question of comparativism by discussing male American and French writers—those self-consciously exploring the conceptual territories mapped in Part Two. Looking at her texts from the vantage point of an American feminist, Jardine voices the hope that feminism and modernity will not become mutually exclusive and, by the same token, that feminism will not grow less concerned with the question of female stereotyping. A brilliant and engaging book that will undoubtedly provoke controversy, Gynesis should find a large audience among students of contemporary thought—including feminists, literary and cultural critics, and philosophers.
Author: Alice Jardine
Publisher: Cornell University Press
ISBN: 1501742272
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Jardine's command of French theory is awesome. Even more impressive is the fact that she manages to delve into the subject without ever losing sight of certain impertinent American questions. "-Jane Gallop, Department of French and Italian, Miami University Gynesis: from the Greek—gyn- signifying woman, and -sis designating process. In her book, Alice Jardine charts the territories and landscapes of contemporary French thought, focusing on such concepts as "woman" and "the feminine," and relating them to the problem of modernity. Interdisciplinary in her approach, she confronts and addresses important psychoanalytic, philosophical, and fictional texts that are largely the work of male writers. In Part One Jardine charts the general boundaries of what she describes as the "problematization" of woman, and in Part Two she explores three major topologies of contemporary French thought—the breakdown of the Cartesian Subject, the default of Representation, and the demise of Man's Truth. Part Three analyzes the work of Jacques Lacan, Jacques Derrida, and Gilles Deleuze, three major French thinkers who, according to Jardine, are deeply involved in the process of gynesis, and discusses their readings of such writers as Marguerite Duras, Maurice Blanchot, and Michel Tournier. A final section turns to the question of comparativism by discussing male American and French writers—those self-consciously exploring the conceptual territories mapped in Part Two. Looking at her texts from the vantage point of an American feminist, Jardine voices the hope that feminism and modernity will not become mutually exclusive and, by the same token, that feminism will not grow less concerned with the question of female stereotyping. A brilliant and engaging book that will undoubtedly provoke controversy, Gynesis should find a large audience among students of contemporary thought—including feminists, literary and cultural critics, and philosophers.
Author: Irene Rima Makaryk
Publisher: University of Toronto Press
ISBN: 9780802068606
Category : Literary Criticism
Languages : en
Pages : 676
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Book Description
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
Author: Susan Stanford Friedman
Publisher: Princeton University Press
ISBN: 1400822572
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
In this powerful work, Susan Friedman moves feminist theory out of paralyzing debates about us and them, white and other, first and third world, and victimizers and victims. Throughout, Friedman adapts current cultural theory from global and transnational studies, anthropology, and geography to challenge modes of thought that exaggerate the boundaries of gender, race, ethnicity, sexuality, class, and national origin. The author promotes a transnational and heterogeneous feminism, which, she maintains, can replace the proliferation of feminisms based on difference. She argues for a feminist geopolitical literacy that goes beyond fundamentalist identity politics and absolutist poststructuralist theory, and she continually focuses the reader's attention on those locations where differences are negotiated and transformed. Pervading the book is a concern with narrative: the way stories and cultural narratives serve as a primary mode of thinking about the politically explosive question of identity. Drawing freely on modernist novels, contemporary film, popular fiction, poetry, and mass media, the work features narratives of such writers and filmmakers as Gish Jen, Julie Dash, June Jordon, James Joyce, Gloria Anzald%a, Neil Jordon, Virginia Woolf, Mira Nair, Zora Neale Hurston, E. M. Forster, and Irena Klepfisz. Defending the pioneering role of academic feminists in the knowledge revolution, this work draws on a wide variety of twentieth-century cultural expressions to address theoretical issues in postmodern feminism.
Author: Amy X Bryce
Publisher: AuthorHouse
ISBN: 1491826185
Category : Fiction
Languages : en
Pages : 239
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Book Description
No matter what is a story of how love can involve ups and downs. Gynesis and Deshawn have been on a roller coaster since the moment they first saw each other. Will their love survive the madness of the insane other woman?
Author: Mary Eagleton
Publisher: Routledge
ISBN: 1317900057
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Looks at the work of a range of critics, including Elaine Showalter, Kate Millett, Gayatri Chakravorty Spivak and the French feminists. The critical approaches encompass Marxist feminism and contemporary critical theory as well as other forms of discourse. It also provides an overview of the developments in feminist literary theory, and covers all the major debates within literary feminism, including "male feminism".
Author: Danielle Shlomit Sofer
Publisher: MIT Press
ISBN: 0262045192
Category : Music
Languages : en
Pages : 427
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Book Description
An investigation of sexual themes in electronic music since the 1950s, with detailed case studies of “electrosexual music” by a wide range of creators. In Sex Sounds, Danielle Shlomit Sofer investigates the repeated focus on sexual themes in electronic music since the 1950s. Debunking electronic music’s origin myth—that it emerged in France and Germany, invented by Pierre Schaeffer and Karlheinz Stockhausen, respectively—Sofer defines electronic music more inclusively to mean any music with an electronic component, drawing connections between academic institutions, radio studios, experimental music practice, hip-hop production, and histories of independent and commercial popular music. Through a broad array of detailed case studies—examining music that ranges from Schaeffer’s musique concrète to a video workshop by Annie Sprinkle—Sofer offers a groundbreaking look at the social and cultural impact sex has had on audible creative practices. Sofer argues that “electrosexual music” has two central characteristics: the feminized voice and the “climax mechanism.” Sofer traces the historical fascination with electrified sex sounds, showing that works representing women’s presumed sexual experience operate according to masculinist heterosexual tropes, and presenting examples that typify the electroacoustic sexual canon. Noting electronic music history’s exclusion of works created by women, people of color, women of color, and, in particular Black artists, Sofer then analyzes musical examples that depart from and disrupt the electroacoustic norms, showing how even those that resist the norms sometimes reinforce them. These examples are drawn from categories of music that developed in parallel with conventional electroacoustic music, separated—segregated—from it. Sofer demonstrates that electrosexual music is far more representative than the typically presented electroacoustic canon.
Author: Susannah Radstone
Publisher: Routledge
ISBN: 1134918860
Category : Education
Languages : en
Pages : 264
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Book Description
Looking at a diverse range of texts including Marilyn French's The Women's Room, Philip Roth's Patrimony, the writings of Walter Benjamin and Fredric Jameson, and films such as Cinema Paradiso, Susannah Radstone argues that though time has been foregrounded in theories of postmodernism, those theories have ignored the question of time and sexual difference. The Sexual Politics of Time proposes that the contemporary western world has witnessed a shift from the age of confession to the era of memory. In a series of chapters on confession, nostalgia, the 'memories of boyhood' film and the memoir, Susannah Radstone sets out to complicate this claim. Developing her argument through psychoanalytic theory, she proposes that an attention to time and sexual difference raises questions not only about the analysis and characterization of texts, but also about how cultural epochs are mapped through time. The Sexual Politics of Time will be of interest to students and researchers of time, memory, difference and cultural change, in subjects such as Media and Cultural Studies, Sociology, Film Studies.
Author: Mary Eagleton
Publisher: John Wiley & Sons
ISBN: 1405183136
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
Now in its third edition, Feminist Literary Theory remains the most comprehensive, single volume introduction to a vital and diverse field Fully revised and updated to reflect changes in the field over the last decade Includes extracts from all the major critics, critical approaches and theoretical positions in contemporary feminist literary studies Features a new section, Writing 'Glocal', which covers feminism's dialogue with postcolonial, global and spatial studies Revised chapter introductions provide readers with helpful contextual information while extensive notes offer recommendations for further reading
Author: Dr Tamara Harvey
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409475050
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Inventive in its approach and provocative in its analysis, this study offers fresh readings of the arguments and practices of four seventeenth-century Euro-American women: Anne Bradstreet, Anne Hutchinson, Sor Juana Inés de la Cruz, and Marie de l'Incarnation. Tamara Harvey here compares functionalist treatments of the body by these women, offering a new way to think of corporeality as a device in literary and religious expressions of modesty by women. In doing so, Harvey explores the engagement of these women in ongoing religious, political, scientific and social debates that would have been understood by the authors' contemporaries in both Europe and America.
Author: Stephen Barker
Publisher: State University of New York Press
ISBN: 0791495779
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
This book examines the nature of change in history, philosophy, and culture. Precisely because the idea of change is so vast, the book's strategy is to exercise some control over it by organizing itself as a structured progression of theoretical, political, and ideological concerns whose focus is on change. Barker begins with the idea of history and historicity and proceeds through an investigation of the relationship of semiotics and hermeneutics to change, to topography and topology as functions of change, to sexuality and gender as political aspects of a hypothetical theory of change, and to the seemingly culminative issue of life and death themselves as functions of change. Finally, the book concludes with a "coda" concerning alterity both as concept and as lived and literary phenomenon ranging from the avant-garde's "drunkenness" to the alterity of the characters in Chinese poetry. Not only does the book not attempt to make categorical statements about the nature of change, but it delights in an open-ended discussion of the implications and reverberations of change throughout the world of human experience.
