Author: Peter Altmeier-Mort
Publisher:
ISBN: 9780987641144
Category :
Languages : en
Pages : 66
Book Description
An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.
Guitar Music of Spain and Latin America
Author: Peter Altmeier-Mort
Publisher:
ISBN: 9780987641144
Category :
Languages : en
Pages : 66
Book Description
An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.
Publisher:
ISBN: 9780987641144
Category :
Languages : en
Pages : 66
Book Description
An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.
30 Easy Spanish Guitar Solos
Author: Mark Phillips
Publisher: Cherry Lane Music
ISBN: 9781603780599
Category : Music
Languages : en
Pages : 63
Book Description
(Easy Guitar). Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.
Publisher: Cherry Lane Music
ISBN: 9781603780599
Category : Music
Languages : en
Pages : 63
Book Description
(Easy Guitar). Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.
Whose Spain?
Author: Samuel Llano
Publisher: Oxford University Press
ISBN: 0199996458
Category : Music
Languages : en
Pages : 312
Book Description
From the very beginning of the nineteenth century, many elements of Spanish culture carried an air of 'exoticism' for the French-and nothing played more important of a role in shaping the French idea of Spain than the country's musical tradition. However, as Samuel Llano argues in Whose Spain?, perceptions and representations of Spanish musical identities changed in the early twentieth century, due to the emergence of the hispanistes. These specialists on Spanish music and culture, who wrote encyclopedic and 'scientific' articles on 'Spanish music,' strived to endow the world of Spanish music with a sense of authority and knowledge. Yet, the writings of those hispanistes and other music critics showed a highly sensationalist attitude, aimed at describing 'Spanish music' in a way that was instrumental to the interests of French musicians. At the same time, the Spanish fought to articulate their own identities through the creation and performance of new musical works. In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' and the discourse's connection with French politics and culture. He also studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, given the enhanced possibilities of performance for cultural and critical engagement. The study covers the period 1908 to 1929, when representations of 'Spanish music' in the writings of the hispaniste Henri Collet and other French musicians underwent several transformations, mostly sparked by the need to reformulate French identity during and after the First World War. Ultimately, Llano demonstrates that definitions of 'French' and 'Spanish' music were to some extent interdependent, and that the public performances of these pieces even helped the musical community in France to begein to reformulate their notions of 'Spanish music' and identity.
Publisher: Oxford University Press
ISBN: 0199996458
Category : Music
Languages : en
Pages : 312
Book Description
From the very beginning of the nineteenth century, many elements of Spanish culture carried an air of 'exoticism' for the French-and nothing played more important of a role in shaping the French idea of Spain than the country's musical tradition. However, as Samuel Llano argues in Whose Spain?, perceptions and representations of Spanish musical identities changed in the early twentieth century, due to the emergence of the hispanistes. These specialists on Spanish music and culture, who wrote encyclopedic and 'scientific' articles on 'Spanish music,' strived to endow the world of Spanish music with a sense of authority and knowledge. Yet, the writings of those hispanistes and other music critics showed a highly sensationalist attitude, aimed at describing 'Spanish music' in a way that was instrumental to the interests of French musicians. At the same time, the Spanish fought to articulate their own identities through the creation and performance of new musical works. In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' and the discourse's connection with French politics and culture. He also studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, given the enhanced possibilities of performance for cultural and critical engagement. The study covers the period 1908 to 1929, when representations of 'Spanish music' in the writings of the hispaniste Henri Collet and other French musicians underwent several transformations, mostly sparked by the need to reformulate French identity during and after the First World War. Ultimately, Llano demonstrates that definitions of 'French' and 'Spanish' music were to some extent interdependent, and that the public performances of these pieces even helped the musical community in France to begein to reformulate their notions of 'Spanish music' and identity.
The Art of Classical Guitar
Author: Peter Altmeier-Mort
Publisher: Lorenz Publishing Company
ISBN: 9780646062693
Category : Guitar
Languages : en
Pages : 147
Book Description
A highly detailed teaching method that continues and extends the instrumental principles of Vol. 1 in this tutor series. It takes the student from approximately a 2nd to 5th grade standard.
Publisher: Lorenz Publishing Company
ISBN: 9780646062693
Category : Guitar
Languages : en
Pages : 147
Book Description
A highly detailed teaching method that continues and extends the instrumental principles of Vol. 1 in this tutor series. It takes the student from approximately a 2nd to 5th grade standard.
Recording the Classical Guitar
Author: Mark Marrington
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 453
Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 453
Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Los Romeros
Author: Walter Aaron Clark
Publisher: University of Illinois Press
ISBN: 0252050592
Category : Music
Languages : en
Pages : 488
Book Description
Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.
Publisher: University of Illinois Press
ISBN: 0252050592
Category : Music
Languages : en
Pages : 488
Book Description
Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.
Spanish Classics for Guitar in Tablature
Author: Isaac Albéniz
Publisher: Music Sales Amer
ISBN: 9780711934115
Category : Music
Languages : en
Pages : 119
Book Description
Twelve classic pieces from one of Spain's most significant composers, Isaac Albeniz.
Publisher: Music Sales Amer
ISBN: 9780711934115
Category : Music
Languages : en
Pages : 119
Book Description
Twelve classic pieces from one of Spain's most significant composers, Isaac Albeniz.
Fingerpicking Latin Standards: 15 Songs Arranged for Solo Guitar in Standard Notation & Tab
Author: Hal Leonard Corp
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423416494
Category : Music
Languages : en
Pages : 0
Book Description
(Guitar Solo). 15 carefully arranged, intermediate-level solos with melody and harmony combined for rich and satisfying performance material. This volume includes: Aquellos Ojos Verdes (Green Eyes) * Call Me * Desafinado (Off Key) * The Girl from Ipanema (Garota De Ipanema) * Little Boat * More (Ti Guardero Nel Cuore) * Quiet Nights of Quiet Stars (Corcovado) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * So Nice (Summer Samba) * Triste * Watch What Happens * and more.
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423416494
Category : Music
Languages : en
Pages : 0
Book Description
(Guitar Solo). 15 carefully arranged, intermediate-level solos with melody and harmony combined for rich and satisfying performance material. This volume includes: Aquellos Ojos Verdes (Green Eyes) * Call Me * Desafinado (Off Key) * The Girl from Ipanema (Garota De Ipanema) * Little Boat * More (Ti Guardero Nel Cuore) * Quiet Nights of Quiet Stars (Corcovado) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * So Nice (Summer Samba) * Triste * Watch What Happens * and more.
The Classical Guitar Compendium
Author: Bridget Mermikides
Publisher: Hal Leonard
ISBN: 1480364215
Category : Music
Languages : en
Pages : 264
Book Description
(Guitar Solo). Bring the world of classical music to guitarists of all levels! This collection features classical guitar technical studies from Sor, Tarrega, Guiliani, Carcassi, and Aguado, as well as presenting fresh guitar arrangements of well-known classical masterpieces. Repertoire compositions are included from the likes of Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Massenet, Mozart, Pachelbel, Ravel, Schumann, Tchaikovsky, Wagner and more. Many audio examples are also included with guitar solo performances by the author.
Publisher: Hal Leonard
ISBN: 1480364215
Category : Music
Languages : en
Pages : 264
Book Description
(Guitar Solo). Bring the world of classical music to guitarists of all levels! This collection features classical guitar technical studies from Sor, Tarrega, Guiliani, Carcassi, and Aguado, as well as presenting fresh guitar arrangements of well-known classical masterpieces. Repertoire compositions are included from the likes of Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Massenet, Mozart, Pachelbel, Ravel, Schumann, Tchaikovsky, Wagner and more. Many audio examples are also included with guitar solo performances by the author.
The Cambridge Companion to Rhythm
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371
Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371
Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.