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Author: Helen Harrison
Publisher:
ISBN: 9780933793194
Category :
Languages : en
Pages : 208
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Book Description
Guild Hall, one of the first multidisciplinary centers in the country to combine a museum, theater, and education space under one roof, was established in 1931 as a gathering place for community where an appreciation for the arts would serve to encourage greater civic participation. For nearly nine decades, Guild Hall has embraced this open-minded vision and provided a welcoming environment for the public to engage with art exhibitions, performances, and educational offerings. Art and artists have long been the engine of Guild Hall's activities and the institution continues to find innovative ways to support creativity in everyone. To celebrate Guild Hall's 90th year, Guild Hall for All documents the people and events that shaped creative culture on the East End since 1931. With artists at the epicenter of activity, Guild Hall has welcomed some of the most influential creators of our time including Childe Hassam, Elaine and Willem de Kooning, Lee Krasner, Arthur Miller, Jackson Pollock, Thornton Wilder, and Tennessee Williams. Films first shown at Guild Hall would become classics, emerging artists, legends. This rich history is edited by the Director of the Pollock-Krasner House and Study Center Helen Harrison with contributing essays from art historian Phyllis Braff, journalist Bess Rattray, Executive Director Andrea Grover, prefaced by Chairman of the Board Marty Cohen. Former Board President Alec Baldwin penned the foreword.
Author: Helen Harrison
Publisher:
ISBN: 9780933793194
Category :
Languages : en
Pages : 208
Get Book Here
Book Description
Guild Hall, one of the first multidisciplinary centers in the country to combine a museum, theater, and education space under one roof, was established in 1931 as a gathering place for community where an appreciation for the arts would serve to encourage greater civic participation. For nearly nine decades, Guild Hall has embraced this open-minded vision and provided a welcoming environment for the public to engage with art exhibitions, performances, and educational offerings. Art and artists have long been the engine of Guild Hall's activities and the institution continues to find innovative ways to support creativity in everyone. To celebrate Guild Hall's 90th year, Guild Hall for All documents the people and events that shaped creative culture on the East End since 1931. With artists at the epicenter of activity, Guild Hall has welcomed some of the most influential creators of our time including Childe Hassam, Elaine and Willem de Kooning, Lee Krasner, Arthur Miller, Jackson Pollock, Thornton Wilder, and Tennessee Williams. Films first shown at Guild Hall would become classics, emerging artists, legends. This rich history is edited by the Director of the Pollock-Krasner House and Study Center Helen Harrison with contributing essays from art historian Phyllis Braff, journalist Bess Rattray, Executive Director Andrea Grover, prefaced by Chairman of the Board Marty Cohen. Former Board President Alec Baldwin penned the foreword.
Author: Alexis Rockman
Publisher: Delmonico Books
ISBN: 9781942884958
Category : Art
Languages : en
Pages : 112
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Book Description
The shipwreck narrative is used to explore globalization, colonization and climate change in the masterful works of contemporary American painter Alexis Rockman In Shipwrecks, Alexis Rockman (born 1962) looks at the world's waterways as a network by which all of history has traveled. The transport of language, culture, art, architecture, cuisine, religion, disease and warfare can all be traced along the routes of seafaring vessels dating back to and in some cases predating the earliest recorded civilizations. Through depictions of historic and obscure shipwrecks and their lost cargoes, Rockman addresses the impact--both factual and extrapolated--the migration of goods, people, plants and animals has on the planet. This timely publication, which includes essays from leading scholars, is propelled by impending climate disaster and the current largest human migration in history, taking place in part by waterway.
Author: Graham Greenglass
Publisher: Casemate Publishers
ISBN: 1526715430
Category : History
Languages : en
Pages : 283
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Book Description
This is the first ever comprehensive history, guide and companion to the Guildhall, City of London.After the Romans deserted Londinium, where and when does Londons history restart? The answer lies within the highly visible, but rarely seen, ceremonial centre of the City of London: Guildhall.This fascinating complex of government buildings is central to Londons development, from Saxon times to the 21st century. It is the scene of royal banquets and historic trials, home to one of Londons finest art galleries and archive to the nations most comprehensive library of London books.Roman Londons only amphitheatre lies beneath, visible today and publicly accessible for the first time in seventeen hundred years. The City of London Police Museum relocated in 2016 to a larger, newly designed, accessible space within Guildhall Library.A history of Guildhall was last published in the 1920s. It was heavily bombed in 1940 and this will be the first book to record Guildhalls remarkable architectural and cultural resurrection since the end of the war. Photographs and images previously unpublished will be included and for the first time this book will also feature a comprehensive guide to Guildhalls many publicly accessible areas.Only one British building hosts banquets for British monarchs and visiting heads of state: Guildhall. Only one London building has a continuous story since Roman London: Guildhall. Only one building has governed the City and still directs its future: Guildhall. This illustrated history and companion to one of Londons most important and oldest buildings will prove indispensible to all interested in Londons history.
Author: Al Hirschfeld
Publisher: Knopf
ISBN: 1101874988
Category : Art
Languages : en
Pages : 338
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Book Description
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
Author: Ruth Appelhof
Publisher:
ISBN: 9788833670164
Category : Antiques & Collectibles
Languages : en
Pages : 192
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Book Description
* Lee Krasner is one of the major women artists of the 20th century* This memoir is full of firsthand material based on interviews with Krasner and with her friends, fellow artists, gallerists, and curators* Often seen in her role as Pollock's companion and then widow, Krasner made important contributions to the development of American Abstract Expressionism Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) - the subject of this very personal memoir inspired by Ruth Appelhof's 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock's widow, she is regarded more by 'art-world insiders' as the producer of a major body of work that influenced the evolution of contemporary art - in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner's contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner's relationships with others - friends, art-world luminaries, artists, and other 'summer sitters' allowed into her private sanctuary - through interviews. Those recollections will offer a window into the artist's intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades. Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.
Author: Mark Sarvas
Publisher: Bloomsbury Publishing USA
ISBN: 1608196577
Category : Fiction
Languages : en
Pages : 273
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Book Description
In this critically acclaimed novel, Harry Rent finds himself young and single and lost after the passing of his wife. Although numbed by his life's unexpected turn, Harry becomes fixated on Molly, an obsidian-haired, twenty-two-year-old waitress. Meanwhile, Harry is forced to fend off Clare, his sister-in-law, who is convinced that Harry is somehow responsible for her sister's untimely death. At once deeply moving and darkly comedic, Harry, Revised is an extraordinary novel about the measure of a man's worth by a wonderful, emerging talent.
Author: Linsey Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 354
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Book Description
A dark god rises, and a queen to meet him... As librarian in the most gorgeous library in the world, I'm living my book nerd dreams. The hallowed halls are my haven, until the specter of a dark god begins to haunt my days and nights. When he kidnaps me, the lethally beautiful god gains a name: Hades. That should make me Persephone, but I'm no goddess. I barely have any magic. So why does he want me? The mystery deepens at his fortress, where I must learn my neglected magic. I'll do whatever it takes to foil his deadly plans and escape, including seducing the brooding dark god. But there's more to him than I realized. More to us. Despite the cracks that I put in his armor, he still wants me for a darker purpose--something that would bring about the end of the world. It's up to me to stop him. And maybe, to save him.
Author: Edward Albee
Publisher: Dramatists Play Service Inc
ISBN: 0822223171
Category :
Languages : en
Pages : 50
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Book Description
When you emerge from this impish comic playwright's glittering tribute to Molière, written entirely in verse, your head will be so dizzy with syncopated rhyme that you'll almost expect to find yourself speaking and thinking in chiming couplets...[Ives] add The truism that families come in all shapes and sizes is illuminated with haunting beauty...in this exquisitely wrought comedy-drama...a piercing portrait of the contemporary social architecture, in which the distance between people can be widened or collaps
![Guild-Hall Feoffment Estates, as contained in the Decree of the twenty-second of July, 1771. [Indenture and schedule.] MS. notes PDF](https://books.google.com/books/content/images/frontcover/2TlfAAAAcAAJ?fife=w80-h100)
Author: BURY SAINT EDMUNDS. Guildhall Feoffment
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: Linsey Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
I've got one thing to say to the fated mate who wants to kill me: Bite Me. I can handle anyone who walks into my pub. Except him--the most powerful vampire who ever lived. The First. Dark, damaged, and hot as hell. He says I'm his one and only Vampire Bride, and that five years ago, I buried him alive. Obviously he's crazy, because I don't remember any of that. All I know is that if I want to escape his vengeance, I have to help him infiltrate a deadly secret society. I'm going to use the time to prove that I didn't try to kill him, and that I'm not his Vampire Bride. Because if I am, he'll kill me. But his wrath starts to falter as our mutual hate turns to heat. Now, I'm starting to wonder if maybe he's right. But whatever happens in the end, there's no escaping our twisted fate.
