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Author: Marvin D'Lugo
Publisher: Bloomsbury Publishing USA
ISBN: 0313370176
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
This guide to Spanish film documents the film industry's interpretation of the isolating effects of the cultural traditionalism of the early twentieth century to the expanding international popularity of such films as Trueba's Belle Epoque, Aranda's Amantes, and Bigas Luna's Jamón, Jamón, and such actors as Victoria Abril, Carmen Maura, and Antonio Banderas. This is the first volume in a new Greenwood series that discusses, historically and critically, films, directors, and actors in film industries throughout the world. Each volume will include a detailed historical introduction and will provide an in-depth treatment of the most important films and individuals involved in the industry. End-of-entry bibliographies provide sources for further reading and appendixes provide additional useful information. The Guides will be valuable to scholars, students, and film buffs. Spanish cinema is in many ways a microcosm of the tensions and conflicts that have shaped the evolution of the nation over the course of this century. Spanish film as a cultural institution is rarely divorced from the political and social currents that have shaped the larger Spanish culture torn as it was between tendencies of localism and internationalism. It languished in industrial and artistic underdevelopment for many years under Franco; it is now, however, experiencing international recognition while remaining rooted in the specificity of its own popular cultural styles.
Author: Marvin D'Lugo
Publisher: Bloomsbury Publishing USA
ISBN: 0313370176
Category : Performing Arts
Languages : en
Pages : 302
Get Book Here
Book Description
This guide to Spanish film documents the film industry's interpretation of the isolating effects of the cultural traditionalism of the early twentieth century to the expanding international popularity of such films as Trueba's Belle Epoque, Aranda's Amantes, and Bigas Luna's Jamón, Jamón, and such actors as Victoria Abril, Carmen Maura, and Antonio Banderas. This is the first volume in a new Greenwood series that discusses, historically and critically, films, directors, and actors in film industries throughout the world. Each volume will include a detailed historical introduction and will provide an in-depth treatment of the most important films and individuals involved in the industry. End-of-entry bibliographies provide sources for further reading and appendixes provide additional useful information. The Guides will be valuable to scholars, students, and film buffs. Spanish cinema is in many ways a microcosm of the tensions and conflicts that have shaped the evolution of the nation over the course of this century. Spanish film as a cultural institution is rarely divorced from the political and social currents that have shaped the larger Spanish culture torn as it was between tendencies of localism and internationalism. It languished in industrial and artistic underdevelopment for many years under Franco; it is now, however, experiencing international recognition while remaining rooted in the specificity of its own popular cultural styles.
Author: Barry Jordan
Publisher: Bloomsbury Academic
ISBN: 9780340807453
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
How did the Franco dictatorship and subsequent transition to democracy impact upon Spanish film-making? What is meant by nuevo cine espanol or espanolada? How do you say "close-up" or "tracking shot" in Spanish? What sort of critical methods and tools can we apply to study Spanish cinema and what resources are available to us? This book answers these and many more questions, providing crucial information and examples of analysis normally found in separate volumes. This book will be an indispensable resource for students and teachers of Spanish cinema. Topics include: -A history of Spanish cinema from 1896 to 2003 -An overview of Film Studies Basics applied to Spanish films. -A review of key critical concepts such as auteurism, genre and stars. -A critical review of Spanish film theory. -Case studies on issues of national identity and gender in Spanish cinema. -A glossary of technical terms in English and Spanish, as well as bibliographies of both English and Spanish works.
Author: Marsha Kinder
Publisher: Duke University Press
ISBN: 9780822319382
Category : History
Languages : en
Pages : 388
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Book Description
In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
Author: Barry Jordan
Publisher:
ISBN: 9781849662727
Category : Electronic books
Languages : en
Pages : 229
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Book Description
Author: Salvador Jiménez Murguía
Publisher: Rowman & Littlefield
ISBN: 1442271337
Category : Performing Arts
Languages : en
Pages : 581
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Book Description
Under the Franco regime (1939-1976), films produced in Spain were of poor quality, promoted the regime’s agenda, or were heavily censored. After the dictator’s death, the Spanish film industry transitioned into a new era, one in which artists were able to more freely express themselves and tackle subjects that had been previously stifled. Today, films produced in Spain are among the most highly regarded in world cinema. The Encyclopedia of Contemporary Spanish Films features nearly 300 entries on the written by a host of international scholars and film critics. Beginning with movies released after Franco’s death, this volume documents four decades of films, directors, actresses and actors of Spanish cinema. Offering a comprehensive survey of films, the entries address such topics as art, culture, society and politics. Each includes comprehensive production details and provides brief suggestions for further reading. Through its examination of the films of the post-Franco period, this volume offers readers valuable insights into Spanish history, politics, and culture. An indispensable guide to one of the great world cinemas, The Encyclopedia of Contemporary Spanish Films will be of interest to students, academics, and the general public alike.
Author: Tatjana Pavlović
Publisher: John Wiley & Sons
ISBN: 9781444304800
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
100 Years of Spanish Cinema provides an in-depth look at themost important movements, films, and directors of twentieth-centurySpain from the silent era to the present day. A glossary of film terms provides definitions of essentialtechnical, aesthetic, and historical terms Features a visual portfolio illustrating key points of many ofthe films analyzed Includes a clear, concise timeline to help students quicklyplace films and genres in Spain’s political, economical, andhistorical contexts Discusses over 20 films including Amor Que Mata, Un ChienAndalou, Viridana, El Verdugo, El Crimen de Cuenca, and Pepi, Luci, Born
Author: Joan Ramon Resina
Publisher: State University of New York Press
ISBN: 079147805X
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Encourages a deep reading of a selection of essential Spanish films.
Author: Elizabeth Scarlett
Publisher: University of Michigan Press
ISBN: 0472052454
Category : Drama
Languages : en
Pages : 211
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Book Description
How Spanish directors have handled religious themes, with their highly-charged political implications, from the historical avant-garde to 2010
Author: Jo Labanyi
Publisher: John Wiley & Sons
ISBN: 1119170133
Category : Performing Arts
Languages : en
Pages : 677
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Book Description
A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research
Author: Danny Shipka
Publisher: McFarland
ISBN: 0786486090
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
The exploitation film industry of Italy, Spain and France during the height of its popularity from 1960 to 1980 is the focus of this entertaining history. With subject matter running the gamut from Italian zombies to Spanish werewolves to French lesbian vampires, the shocking and profoundly entertaining motion pictures of the "Eurocult" genre are discussed from the standpoint of the films and the filmmakers, including such internationally celebrated auteurs as Mario Bava, Jess Franco, Jean Rollin and Paul Naschy. The Eurocult phenomenon is also examined in relation to the influences that European culture and environment have had on the world of exploitation cinema. The author's insight and expertise contribute to a greater understanding of what made these films special--and why they have remained so popular to later generations.