Author: M. Y.. Brouillaud
Publisher:
ISBN:
Category :
Languages : fr
Pages : 340

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Author: Yves Brouillaud
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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Author: C. Gouy
Publisher:
ISBN:
Category :
Languages : fr
Pages : 221

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Author:
Publisher:
ISBN: 9782275029672
Category :
Languages : fr
Pages : 0

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Le guide pratique de procédure à l'usage de l'avocat a été conçu comme un vade-mecum (étymologiquement "viens avec moi"). De nombreux magistrats, avocats et anciens avoués ont confronté leur expérience pour dégager la quintessence des différentes procédures civiles, commerciales, sociales et pénales qu'un avocat doit maîtriser. Il présente de manière chronologique et stratégique l'ensemble des démarches à suivre et les questions à se poser à chaque étape de la procédure. Il est enrichi de plus de 230 modèles d'actes d'avocat et de procédure. Il accompagne les élèves avocats dans leur formation, les jeunes avocats pour leurs premiers pas devant les juridictions et les avocats plus expérimentés sur de nouveaux champs d'expertise. Cette nouvelle édition, actualisée, intègre les dernières jurisprudences utiles et les réformes opérées.

Author: Claudius Gouy
Publisher: Librairie du "Journal des notaires et des avocats
ISBN:
Category :
Languages : fr
Pages : 221

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Author: Yves Salats
Publisher:
ISBN:
Category :
Languages : fr
Pages : 525

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Author: Aliénor Kamara-Cavarroc
Publisher:
ISBN: 9782275029535
Category :
Languages : fr
Pages : 936

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Author: E.. Menguy
Publisher:
ISBN:
Category :
Languages : fr
Pages : 578

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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 982

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Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287

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In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.