Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 880
Book Description
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
Book Description
Baker's Biographical Dictionary of Popular Musicians Since 1990
Author:
Publisher: New York : Schirmer Reference
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
From M.C. Hammer to ZZ Top, this volume surveys musical artists who have made a significant impact on current popular culture.
Publisher: New York : Schirmer Reference
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
From M.C. Hammer to ZZ Top, this volume surveys musical artists who have made a significant impact on current popular culture.
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Grove's Dictionary of Music and Musicians
Author: Sir George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
Book Description
Bibliotheca Americana
Author: Joseph Sabin
Publisher:
ISBN:
Category : America
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 420
Book Description
Music Fundamentals for Dance
Author: Nola Nolen Holland
Publisher: Human Kinetics
ISBN: 149258133X
Category : Performing Arts
Languages : en
Pages : 138
Book Description
Music Fundamentals for Dance provides students with a fundamental understanding of music and how it applies to dance performance, composition, and teaching. This valuable reference helps professional choreographers, dance educators, and dancers expand their knowledge of music and understand the relationships between music and dance. Fundamentals of Music for Dance helps dancers understand of the elements of music—form and structure, musical time, melody, texture, and score reading—and how they relate to dance performance and choreography. They will learn music vocabulary for easier communication with other dancers, musicians, and conductors. Overviews of musical forms, styles, and genres are complemented by an examination of their relation to dance and choreography. Each chapter ends with exercises, activities, and projects that offer students a range of active learning experiences to connect music fundamentals to their dance training. An accompanying web resource contains these features: • Extended learning activities and support materials, including practice opportunities combining music skills with dance or choreography, chapter summaries, a glossary, websites, and handouts to help students practice music skills • Music clips on the website offer ready-made examples, which students can use in applying concepts from the book Written by an experienced dance educator, dancer, and choreographer, Music Fundamentals for Dance is the only current text that explains essential concepts of music and examines these concepts in relation to dance performance, composition, and teaching. By providing readers with a foundation of music knowledge, Music Fundamentals for Dance assists both future and current professionals in understanding the art form that will enhance their contributions as performers, choreographers, and educators.
Publisher: Human Kinetics
ISBN: 149258133X
Category : Performing Arts
Languages : en
Pages : 138
Book Description
Music Fundamentals for Dance provides students with a fundamental understanding of music and how it applies to dance performance, composition, and teaching. This valuable reference helps professional choreographers, dance educators, and dancers expand their knowledge of music and understand the relationships between music and dance. Fundamentals of Music for Dance helps dancers understand of the elements of music—form and structure, musical time, melody, texture, and score reading—and how they relate to dance performance and choreography. They will learn music vocabulary for easier communication with other dancers, musicians, and conductors. Overviews of musical forms, styles, and genres are complemented by an examination of their relation to dance and choreography. Each chapter ends with exercises, activities, and projects that offer students a range of active learning experiences to connect music fundamentals to their dance training. An accompanying web resource contains these features: • Extended learning activities and support materials, including practice opportunities combining music skills with dance or choreography, chapter summaries, a glossary, websites, and handouts to help students practice music skills • Music clips on the website offer ready-made examples, which students can use in applying concepts from the book Written by an experienced dance educator, dancer, and choreographer, Music Fundamentals for Dance is the only current text that explains essential concepts of music and examines these concepts in relation to dance performance, composition, and teaching. By providing readers with a foundation of music knowledge, Music Fundamentals for Dance assists both future and current professionals in understanding the art form that will enhance their contributions as performers, choreographers, and educators.
Humanism and the Reform of Sacred Music in Early Modern England
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Sergey Prokofiev and His World
Author: Simon Alexander Morrison
Publisher: Princeton University Press
ISBN: 0691138958
Category : Biography & Autobiography
Languages : en
Pages : 594
Book Description
"Look after your son's talents" : The literary notebook of Mariya Prokofieva / introductory essay, commentary, and translation by Pamela Davidson -- The Krzhizhanovsky-Prokofiev collaboration on "Eugene Onegin", 1936 (a lesser-known casualty of the Pushkin death jubilee) / introductory essay, commentary, and translation by Caryl Emerson -- Prokofiev and Atovmyan : Correspondence, 1933-1952 / introduction and commentary by Nelly Kravetz ; translation by Simon Morrison -- Prokofiev's immortalization / Leonid Maximenkov -- "I came too soon" : Prokofiev's early career in America / Stephen D. Press -- Lieutenant Kizhe : New media, new means / Kevin Bartig -- Observations on Prokofiev's sketchbooks / Mark Aranovsky ; translation by Jason Strudler -- Prokofiev on the Los Angeles Limited / Elizabeth Bergman -- Between two aesthetics : The revision of Pilnyak's "Mahogany" and Prokofiev's Fourth symphony / Marina Frolova-Walker -- After Prokofiev / Peter J. Schmelz -- Beyond death and evil : Prokofiev's spirituality and Christian Science / Leon Botstein.
Publisher: Princeton University Press
ISBN: 0691138958
Category : Biography & Autobiography
Languages : en
Pages : 594
Book Description
"Look after your son's talents" : The literary notebook of Mariya Prokofieva / introductory essay, commentary, and translation by Pamela Davidson -- The Krzhizhanovsky-Prokofiev collaboration on "Eugene Onegin", 1936 (a lesser-known casualty of the Pushkin death jubilee) / introductory essay, commentary, and translation by Caryl Emerson -- Prokofiev and Atovmyan : Correspondence, 1933-1952 / introduction and commentary by Nelly Kravetz ; translation by Simon Morrison -- Prokofiev's immortalization / Leonid Maximenkov -- "I came too soon" : Prokofiev's early career in America / Stephen D. Press -- Lieutenant Kizhe : New media, new means / Kevin Bartig -- Observations on Prokofiev's sketchbooks / Mark Aranovsky ; translation by Jason Strudler -- Prokofiev on the Los Angeles Limited / Elizabeth Bergman -- Between two aesthetics : The revision of Pilnyak's "Mahogany" and Prokofiev's Fourth symphony / Marina Frolova-Walker -- After Prokofiev / Peter J. Schmelz -- Beyond death and evil : Prokofiev's spirituality and Christian Science / Leon Botstein.
Judaism and Islam One God One Music
Author: Merav Rosenfeld-Hadad
Publisher: BRILL
ISBN: 9004412638
Category : Music
Languages : en
Pages : 311
Book Description
In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song’s texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas. The link to Dr. Merav Rosenfeld-Hadad's international book launch can be found here: International Book Launch Judaism and Islam: One God One Music
Publisher: BRILL
ISBN: 9004412638
Category : Music
Languages : en
Pages : 311
Book Description
In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song’s texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas. The link to Dr. Merav Rosenfeld-Hadad's international book launch can be found here: International Book Launch Judaism and Islam: One God One Music
The Athenaeum
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 864
Book Description