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Author: Gisela Stein
Publisher: Springer Science & Business Media
ISBN: 9401531714
Category : Social Science
Languages : en
Pages : 231
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Book Description
Franz Grillparzer was not a man of extravagance either in phrase or conduct. His life as an individual and artist is marked by a reticence, an aversion to the unveiling of the inner SOul,1 that is perhaps best matched by the concise style and expression of his works. This art of effective restraint is particularly visible in the dramas where often a single word or indeed an utter silence carries the greatest emotional impact. There is an absolute lack of sound and fury signifying nothing; even in the frenzy of inspiration 2 Grillparzer carefully chooses words that best convey his thoughts and for purely emotional release he turns to another medium which he sharply distinguished from poetry: to music. If this poet then who knows no empty phrases applies terms like 'betrothed of the gods',3 'mother of all greatness',4 'mighty 5 lever of the universe', 'messenger of divine happiness'6 to one and the same concept at different times, we may assume that he here expresses something deeply anchored in his being. And indeed, the motif of concentration ('Sammlung') and inspiration ('Begeisterung') is one that we meet again and again in the poetry, the diaries and the dramas. This emotional state is at all times highly revered and greatly sought by the poet - it is, in fact, made a condition of creative productivity and, as the years pass, finally develops into a condition of life itself in the prophecy of 'Libussa'.
Author: Gisela Stein
Publisher: Springer Science & Business Media
ISBN: 9401531714
Category : Social Science
Languages : en
Pages : 231
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Book Description
Franz Grillparzer was not a man of extravagance either in phrase or conduct. His life as an individual and artist is marked by a reticence, an aversion to the unveiling of the inner SOul,1 that is perhaps best matched by the concise style and expression of his works. This art of effective restraint is particularly visible in the dramas where often a single word or indeed an utter silence carries the greatest emotional impact. There is an absolute lack of sound and fury signifying nothing; even in the frenzy of inspiration 2 Grillparzer carefully chooses words that best convey his thoughts and for purely emotional release he turns to another medium which he sharply distinguished from poetry: to music. If this poet then who knows no empty phrases applies terms like 'betrothed of the gods',3 'mother of all greatness',4 'mighty 5 lever of the universe', 'messenger of divine happiness'6 to one and the same concept at different times, we may assume that he here expresses something deeply anchored in his being. And indeed, the motif of concentration ('Sammlung') and inspiration ('Begeisterung') is one that we meet again and again in the poetry, the diaries and the dramas. This emotional state is at all times highly revered and greatly sought by the poet - it is, in fact, made a condition of creative productivity and, as the years pass, finally develops into a condition of life itself in the prophecy of 'Libussa'.
Author: University of Wisconsin
Publisher:
ISBN:
Category : Greek drama (Tragedy)
Languages : en
Pages : 404
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Book Description
Author: Violetta L. Waibel
Publisher: V&R Unipress
ISBN: 3847004816
Category : Philosophy
Languages : en
Pages : 630
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Book Description
"Detours" explores the reception of Kant's works in Vienna, Austria and Eastern Europe from a historical point of view and focuses on six topics: Kant and Censorship, Kant and Karl Leonhard Reinhold, who was the first Kantian born in Vienna and became a precursor for German and Austrian Kant reception in Jena, Kant and Eastern Europe, Kant and his Poets, Kant and Phenomenology and Kant and the Vienna Circle. In this way, the ambivalent perception of Kant in Austria becomes clearer: On the one hand Kant was censored and criticized harshly but on the other hand Kant's philosophy was studied actively in the "underground".
Author: Franz Grillparzer
Publisher:
ISBN:
Category : Aesthetics
Languages : de
Pages : 494
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Book Description
Author: William C. Reeve
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773567690
Category : History
Languages : en
Pages : 303
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Book Description
Reeve not only offers a close textual analysis of the drama from the aspect of separation but shows how Libussa and its author fit into the development of the history of ideas in nineteenth-century Europe. He contends that Grillparzer's work reflects Bachofen, Neumann, Nietzsche, Freud, and Lacan. Using Freudian psychoanalysis, Neumann's investigation of the female archetype, and anthropological studies, Reeve argues that Grillparzer's tragedy portrays the struggle between matriarchy and patriarchy, nurturers and warriors, and rural and urban cultures. Since Libussa proves unable to overcome the gender bias of here male subjects, the play concludes with a symbolic statement of masculine superiority as man and woman remain intellectually and physically apart. Reeve's analysis draws parallels with Grillparzer's other two completed posthumous tragedies, Ein Bruderzwist in Habsburg and Die Jüdin von Toledo, relating his findings to the greater context of nineteenth-century German drama.
Author: Clemens Ruthner
Publisher: Peter Lang
ISBN: 9780820463759
Category : Drama
Languages : en
Pages : 156
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Book Description
This book is a collection of essays by prominent North American and European experts in Austrian literature concerning the Austrian playwright and author Franz Grillparzer, his relationship to various literary traditions, and his reception from the nineteenth century to the present. The chapters originated at a symposium held in February of 2003 at the University of Alberta sponsored by the University of Alberta's Wirth Institute for Austrian and Central European Studies.
Author: Martha B. Helfer
Publisher: Northwestern University Press
ISBN: 0810127946
Category : History
Languages : en
Pages : 260
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Book Description
Between 1749 and 1850--the formative years of the so-called Jewish Question in Germany--the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.
Author: Irving Massey
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110935562
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
The work begins with an attempt to understand the philosophy of Nazism and its attendant anti-Semitism, as a necessary prelude to the study of philo-Semitism, which also displays a continuous tradition to the present day. Most of the non-Jewish authors in Germany in the nineteenth century expressed both anti-Semitic and philo-Semitic views (as did most of the German-Jewish authors of that same time); the following work deals with philo-Semitic texts by the non-Jewish authors of the period. The writer who provides the largest body of relevant material is Leopold von Sacher-Masoch, but works by Gutzkow, Bettine von Arnim, Annette von Droste-Hülshoff, Hebbel, Freytag, Raabe, Fontane, Grillparzer, Ebner-Eschenbach, Anzengruber, and Ferdinand von Saar are also examined, as are several tales by the Alsatian authors Erckmann and Chatrian. There is a short chapter on women and philo-Semitism. The conclusion draws attention to the feelings of guilt that are revealed in a number of the texts.
Author: Sonja Boos
Publisher: Springer Nature
ISBN: 3030828166
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
The Emergence of Neuroscience and the German Novel: Poetics of the Brain revises the dominant narrative about the distinctive psychological inwardness and introspective depth of the German novel by reinterpreting the novel’s development from the perspective of the nascent discipline of neuroscience, the emergence of which is coterminous with the rise of the novel form. In particular, it asks how the novel’s formal properties—stylistic, narrative, rhetorical, and figurative—correlate with the formation of a neuroscientific discourse, and how the former may have assisted, disrupted, and/or intensified the medical articulation of neurological concepts. This study poses the question: how does this rapidly evolving field emerge in the context of nineteenth century cultural practices and what were the conditions for its emergence in the German-speaking world specifically? Where did neuroscience begin and how did it broaden in scope? And most crucially, to what degree does it owe its existence to literature?
Author: Katy Heady
Publisher: Camden House
ISBN: 1571134174
Category : History
Languages : en
Pages : 231
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Book Description
The effects -- both inhibitory and creative -- of the 1819-1848 censorship on German-language literary writing. In 1819, the German Confederation promulgated the infamous "Carlsbad Decrees," establishing censorship standards aimed at thwarting the political aspirations of post-Napoleonic Germany's rapidly emerging public sphere. This most comprehensive system of state censorship to that point in German lands remained in place until the revolutions of 1848, and is widely acknowledged to have had a profound influence on public discourse. However, although censorship during the period has been the object of much scholarly interest, little is known about its precise effects on literary writing. This book redresses that situation through detailed studies of six works composed and published in different parts of the Confederation by three prominent writers: Christian Dietrich Grabbe, Heinrich Heine, and Franz Grillparzer. By analyzing successive versions of these works, the study illustrates the thematic, linguistic, and aesthetic constraints censorship placed upon their writing, as well as the variety of literary evasion strategies that it stimulated. It demonstrates that while censorship inhibited and distorted German literary writing, it also led to the emergence of distinctively complex and inventive modes of literary expression that came to mark the epoch. Katy Heady received her PhD in German from the University of Sheffield in 2007.
