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Author: Colin B. Bailey
Publisher: Getty Publications
ISBN: 0892365641
Category : Architecture
Languages : en
Pages : 100
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Book Description
Jean-Baptiste Greuze's diminutive picture of a rosy-cheeked girl wringing out her linen was one of fourteen works that he exhibited at the Salon of 1761 in Paris. This lively and engrossing book traces the history of the Getty Museum's painting, compares the work to other laundresses painted by Greuze, and explores social mores and the role of artists model in the eighteenth century. It provides an enlightening account of Greuze's life and times and the influences on his work.
Author: Colin B. Bailey
Publisher: Getty Publications
ISBN: 0892365641
Category : Architecture
Languages : en
Pages : 100
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Book Description
Jean-Baptiste Greuze's diminutive picture of a rosy-cheeked girl wringing out her linen was one of fourteen works that he exhibited at the Salon of 1761 in Paris. This lively and engrossing book traces the history of the Getty Museum's painting, compares the work to other laundresses painted by Greuze, and explores social mores and the role of artists model in the eighteenth century. It provides an enlightening account of Greuze's life and times and the influences on his work.
Author: Edgar Munhall
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 292
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Book Description
Catalogue of an exhibition held at The Frick Collection, New York, May 14-Aug. 4, 2002, and at The J. Paul Getty Museum, Los Angeles, Sept. 10-Dec. 1, 2002. Exhibition curated by Edgar Munhall, Curator Emeritus of The Frick Collection, who also wrote the catalogue. Includes catalogue entries for 95 graphic works, and one painted self-portrait, by Jean-Baptiste Greuze (1725-1805). Each entry accompanied by one or more illustrations. Includes summary biography and selected bibliography. Foreword by Samuel Sachs II and Deborah Gribbon.
Author: Alys Eyre Macklin
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 40
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Book Description
Jean-Baptiste Greuze was a French painter of portraits, genre scenes, and history painting. Many of his works belong to the masterpieces of fine arts, and he is considered one of the most outstanding painters in the history of arts. The presented here book contains the biography of Greuze, the analysis of the time in which he lived, and a description of some of his most known paintings.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Anita Brookner
Publisher: Elektrohas
ISBN: 9780236176786
Category : Art, French
Languages : en
Pages : 176
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Book Description
Author:
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 62
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Book Description
Author: Harold Armitage
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 57
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Book Description
"Greuze" by Harold Armitage. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Raya Yotova
Publisher:
ISBN: 9781986111621
Category :
Languages : en
Pages : 80
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Book Description
Jean-Baptiste Greuze (1725 - 1805) was a French painter of portraits, genre scenes, and history painting. Settled in Paris, Greuze soon won the notice and support of the well-known connoisseur La Live de Jully, the brother-in-law of Madame d'Epinay. In 1755 Greuze exhibited his Aveugle trompe, upon which he was immediately certified by the Academy. Towards the close of the same year he left France for Italy, in company with the Abbe Louis Gougenot. Gougenot had some acquaintance with the arts, and was highly valued by the Academicians, who, during his journey with Greuze, elected him an honorary member of their body on account of his studies in mythology and allegory. In 1765 he reached the zenith of his powers and reputation. In that year he was represented with no less than thirteen works, amongst which may be cited "La Jeune Fille qui pleure son oiseau mort", "La Bonne Mere", "Le Mauvais fils puni" (Louvre) and "La Malediction paternelle" (Louvre). The Academy took occasion to press Greuze for his diploma picture, the execution of which had been long delayed, and forbade him to exhibit on their walls until he had complied with their regulations. Greuze wished to be received as a historical painter, and produced a work which he intended to vindicate his right to despise his qualifications as a genre artist. The Academicians received their new member with all due honours, but at the close of the ceremonies the Director addressed Greuze in these words: "Sir, the Academy has accepted you, but only as a genre painter; Greuze, greatly incensed, quarrelled with his confreres, and ceased to exhibit until, in 1804, the Revolution had thrown open the doors of the Academy to all the world. In the following year, on 4 March 1805, he died in great poverty.
Author: Mark Ledbury
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
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Book Description
This volume reinterprets the work of the dramatist Michel-Jean Sedaine and the artist Jean-Baptiste Greuze, in the context of their innovative engagement with discourses of genre in eighteenth-century France, and in the light of new archival evidence. It reveals the complexity and audacity of both men's work, and restablishes the less well-known as a figure of major importance.
Author: Colin B. Bailey
Publisher: Yale University Press
ISBN: 9780300089868
Category : Art
Languages : en
Pages : 374
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Book Description
During the final decades of the ancient regime, prominent collectors in Paris commissioned and collected French paintings of the period, works by Greuze, Fragonard, David and others that together comprised 'l'Ecole Francoise' - the French School. In this book, an art historian discusses six of these collectors and the collections they assembled, showing that private patronage in this period was revitalized by this patriotic desire to collect contemporary art. Colin B. Bailey explains why a taste for modern art emerged at this time and how it was encouraged and fostered. Examining the relationship between artist and patron, he discusses the degree of influence these enlightened patrons and collectors expected to exercise when new works were being commissioned. Bailey shows that collectors of eighteenth-century French painting seem not to have made rigid distinctions between the various genres or styles of the Academy's practitioners. Instead, history paintings and genre paintings - both rococo and neo-classical - were exhibited proudly on their walls as superb examples of the French School.
