Greek Monumental Bronze Sculpture of the Fifth and Fourth Centuries B.C. PDF Download
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Author: Caroline Houser
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
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Book Description
Author: Caroline Houser
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
Get Book Here
Book Description
Author: Caroline Houser
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Caroline Houser
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 144
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Book Description
Author: Caroline Houser
Publisher:
ISBN:
Category :
Languages : en
Pages : 361
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Book Description
Author: Caroline Mae Houser
Publisher:
ISBN:
Category :
Languages : en
Pages : 722
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Book Description
Author: Caroline Houser
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Carol C. Mattusch
Publisher: Cornell University Press
ISBN: 9780801431821
Category : Art
Languages : en
Pages : 286
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Book Description
Carol C. Mattusch discusses the dating of bronzes based on criteria of technique and style, and considers technical innovations in the art of portraiture. Most controversially, she offers evidence that Greek artists cast bronzes in series based on a single model.
Author: Jens M. Deahner
Publisher: Getty Publications
ISBN: 1606064398
Category : Art
Languages : en
Pages : 18
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Book Description
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.
Author: C. Houser
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Carol C. Mattusch
Publisher: Cornell University Press
ISBN: 150173878X
Category : History
Languages : en
Pages : 271
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Book Description
One of the world's leading authorities on ancient bronze sculpture, Carol C. Mattusch urges us to discard the terms "Greek original" and "Roman copy" and to adopt instead terms that distinguish unique works from those produced in series and those produced as variations on a theme. She discusses the dating of bronzes based on criteria of technique and style, and considers technical innovations in the art of portraiture. Most controversially, she offers evidence that Greek artists cast bronzes in series based on a single model. Mattusch points out that examples of series castings can be found among the statuettes and vessel attachments from the Geometric and Orientalizing periods. From the Classical period onward, statues also appear to have been cast in series. Certain styles and types of images that achieved widespread popularity during the Hellenistic and Roman periods were produced in large quantities and in several different places. This book will raise important new questions in the field of Classical bronze sculpture. How long might a single model remain in use and how far might casts from it be transported for production? What is the significance of an artist's signature on a work in a series and what influence was wielded by the potential buyer? And, given these issues, what should the criteria be for distinguishing Greek works from Roman ones? Classical Bronzes is generously illustrated, including an eight-page color insert.
