Gravures des XVIIe et XVIIIe siècles, Tableaux anciens - Miniatures, Tableaux modernes, Meubles, Tapisseries PDF Download
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Author: Hôtel Drouot
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Languages : fr
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
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Category : Art
Languages : en
Pages : 1046
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
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Category : Art
Languages : en
Pages : 1038
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Author: Harvard University. Fine Arts Library
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Category : Art
Languages : en
Pages : 642
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Author: Marius Paulme
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Languages : fr
Pages : 36
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Category : Art
Languages : en
Pages : 312
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Publisher: Macmillan Reference USA
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Category : Antiques & Collectibles
Languages : en
Pages : 632
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Languages : fr
Pages : 0
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Author: Elizabeth A. H. Cleland
Publisher: Metropolitan Museum of Art
ISBN: 0300208057
Category : Art
Languages : en
Pages : 416
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Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
