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Author: Lea Rosson DeLong
Publisher: Brunnier Art Museum University Art Museums Iowa State Univer
ISBN:
Category : Art and literature
Languages : en
Pages : 280
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Book Description
Author: Lea Rosson DeLong
Publisher: Brunnier Art Museum University Art Museums Iowa State Univer
ISBN:
Category : Art and literature
Languages : en
Pages : 280
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Book Description
Author: R. Tripp Evans
Publisher: Knopf
ISBN: 0307594335
Category : Art
Languages : en
Pages : 433
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Book Description
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”
Author: Jane Milosch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Examines "American Gothic" painter Grant Wood's period in Cedar Rapids, Iowa, describing his studio/residence and discussing his body of work, including not only his paintings, drawings, and prints but his work in wood, metal, and interior design.
Author: Cynthia Saltzman
Publisher: Farrar, Straus and Giroux
ISBN: 0374710392
Category : History
Languages : en
Pages : 221
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Book Description
One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
Author: Lea Rosson DeLong
Publisher:
ISBN: 9781888223781
Category : Art, American
Languages : en
Pages : 398
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Book Description
Author: Thomas Hoving
Publisher: Chamberlain Brothers
ISBN:
Category :
Languages : en
Pages : 180
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Book Description
The story behind one of the most famous paintings in American art. The stern, sober countenance of the elderly farmer. The quiet, loyal character of his prim wife. Few other paintings are so instantly recognizable as Grant Wood's masterpiece American Gothic. Bestselling Chicago author Thomas Hoving brings to life Wood himself and illuminates, as only he can, the allure of this iconic painting. This is the lively biography of Grant Wood, whose roots grew deep in the heartland of America, a poor kid in a small Iowa town. His painting was a reflection of the place where he lived and the world he knew. It is also a biography of the painting itself, from its inspiration, to its controversial unveiling at a juried exhibition at the Art Institute of Chicago-where it earned derision, praise, and a bronze medal-to its eventual acceptance and recognition as a true original work of art. Today it ranks with the Mona Lisa and Edvard Munch's The Scream as one of the most well-known (and parodied) paintings in the world-and it remains a beloved piece of Americana.
Author: Grant Wood
Publisher: Pomegranate
ISBN: 0876544855
Category : Painters
Languages : en
Pages : 136
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Book Description
Richly illustrated, the book examines Wood's modernist tendencies, ranging from abstract design principles to the lasting influence of paintings by Georges Seurat and German Neue Schlichkeit artists. Also provides the most detailed account available of the artists working methods.
Author: Roy R. Behrens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
An encyclopedic sourcebook for camouflage enthusiasts in all research areas who want to explore the history and development of camouflage (artistic, biological and military) since the 19th century. Richly illustrated with historic photographs, diagrams and drawings. Includes subject timeline, bibliography and index.
Author: James M. Dennis
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 46
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Book Description
Author: Susan Wood
Publisher: Abrams
ISBN: 1683350979
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
From humble beginnings sketching Iowa’s cornfields and rolling hills as a child, Grant Wood became the father of regionalism, an artistic movement that celebrated the simple and real-life surroundings of the people. When studying art in Europe in the early 20th century, Grant couldn’t find a style that touched his heart quite right. Impressionism, cubism, and abstract art didn’t reflect his view of the world. It wasn’t until he stumbled upon Gothic art that Grant recognized something familiar. Back home in America, Grant asked his sister and his dentist to pose for what would become the founding, iconic image of regionalism and a uniquely American work of art. Grant’s art celebrated hard-working Americans who finally saw themselves in fine art. American Gothic is a picture-book biography that explores the birth of the famous painting, the movement that made it possible, and the artist who created it all.
