Author: Alison Stones
Publisher:
ISBN: 9781909400061
Category : Illumination of books and manuscripts, Gothic
Languages : en
Pages : 365
Book Description
Gothic Manuscripts 1260-1320
Author: Alison Stones
Publisher:
ISBN: 9781909400061
Category : Illumination of books and manuscripts, Gothic
Languages : en
Pages : 365
Book Description
Publisher:
ISBN: 9781909400061
Category : Illumination of books and manuscripts, Gothic
Languages : en
Pages : 365
Book Description
Gothic Manuscripts
Author: Alison Stones
Publisher:
ISBN: 9781909400078
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781909400078
Category :
Languages : en
Pages : 0
Book Description
Gothic Manuscripts
Author: Alison Stones
Publisher:
ISBN: 9781909400054
Category :
Languages : en
Pages : 0
Book Description
This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited
Publisher:
ISBN: 9781909400054
Category :
Languages : en
Pages : 0
Book Description
This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited
The Dynamics of the Medieval Manuscript
Author: Karen Pratt
Publisher: V&R unipress GmbH
ISBN: 3847107542
Category : History
Languages : en
Pages : 401
Book Description
This collection of essays examines the various dynamic processes by which texts are preserved, transmitted, and modified in medieval multi-text codices, focusing on the meanings generated by new contexts and the possible reader experiences provoked by novel configurations and material presentation. Containing essays on text collections from many different European countries and in a wide range of medieval languages, this volume sheds new light on common trends and regional differences in the history of book production and reading practices.
Publisher: V&R unipress GmbH
ISBN: 3847107542
Category : History
Languages : en
Pages : 401
Book Description
This collection of essays examines the various dynamic processes by which texts are preserved, transmitted, and modified in medieval multi-text codices, focusing on the meanings generated by new contexts and the possible reader experiences provoked by novel configurations and material presentation. Containing essays on text collections from many different European countries and in a wide range of medieval languages, this volume sheds new light on common trends and regional differences in the history of book production and reading practices.
Illuminating the Border of French and Flemish Manuscripts, 1270–1310
Author: Lisa Moore Hunt
Publisher: Routledge
ISBN: 1135868301
Category : History
Languages : en
Pages : 262
Book Description
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Publisher: Routledge
ISBN: 1135868301
Category : History
Languages : en
Pages : 262
Book Description
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia’s physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Illuminating the Borders of Northern French and Flemish Manuscripts, 1270-1310
Author: Elizabeth Moore Hunt
Publisher: Taylor & Francis
ISBN: 0415977606
Category : Art
Languages : en
Pages : 264
Book Description
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Publisher: Taylor & Francis
ISBN: 0415977606
Category : Art
Languages : en
Pages : 264
Book Description
This study first examines the marginal repertoire in two well-known manuscripts, the Psalter of Guy de Dampierre and an Arthurian Romance, within their material and codicological contexts. This repertoire then provides a template for an extended study of the marginal motifs that appear in eighteen related manuscripts, which range from a Bible to illustrated versions of the encyclopedias of Vincent de Beauvais and Brunetto Latini. Considering the manuscript as a whole work of art, the marginalia's physical relationship to nearby texts and images can shed light on the reception of these illuminated books by their medieval viewers.
Gothic Europe 1200-1450
Author: Derek Pearsall
Publisher: Routledge
ISBN: 1317889525
Category : History
Languages : en
Pages : 308
Book Description
This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
Publisher: Routledge
ISBN: 1317889525
Category : History
Languages : en
Pages : 308
Book Description
This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
Inscribing Knowledge in the Medieval Book
Author: Rosalind Brown-Grant
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513117
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513117
Category : Literary Criticism
Languages : en
Pages : 456
Book Description
This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.
A Companion to Medieval Art
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
French Gothic Ivories
Author: Sarah M. Guerin
Publisher: Cambridge University Press
ISBN: 1009041622
Category : Art
Languages : en
Pages : 1078
Book Description
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.
Publisher: Cambridge University Press
ISBN: 1009041622
Category : Art
Languages : en
Pages : 1078
Book Description
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.