Author: Smith Andrew
Publisher: Edinburgh University Press
ISBN: 9781474443449
Category : History
Languages : en
Pages : 0
Book Description
The first detailed analysis of Gothic literature and trauma in World War One This book examines the representation of the ghost-soldier in literature published from 1914-1934 both marking the presence of trauma and attempting to make sense of trauma. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review. Andrew Smith is Professor of Nineteenth-Century English Literature at the University of Sheffield where he co-directs the Centre for the History of the Gothic. He is the author or editor of over twenty published books including Gothic Death 1740-1914: A Literary History (2016) and The Ghost Story 1840-1920: A Cultural History (2010).
Gothic Fiction and the Writing of Trauma, 1914-1934
Author: Smith Andrew
Publisher: Edinburgh University Press
ISBN: 9781474443449
Category : History
Languages : en
Pages : 0
Book Description
The first detailed analysis of Gothic literature and trauma in World War One This book examines the representation of the ghost-soldier in literature published from 1914-1934 both marking the presence of trauma and attempting to make sense of trauma. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review. Andrew Smith is Professor of Nineteenth-Century English Literature at the University of Sheffield where he co-directs the Centre for the History of the Gothic. He is the author or editor of over twenty published books including Gothic Death 1740-1914: A Literary History (2016) and The Ghost Story 1840-1920: A Cultural History (2010).
Publisher: Edinburgh University Press
ISBN: 9781474443449
Category : History
Languages : en
Pages : 0
Book Description
The first detailed analysis of Gothic literature and trauma in World War One This book examines the representation of the ghost-soldier in literature published from 1914-1934 both marking the presence of trauma and attempting to make sense of trauma. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review. Andrew Smith is Professor of Nineteenth-Century English Literature at the University of Sheffield where he co-directs the Centre for the History of the Gothic. He is the author or editor of over twenty published books including Gothic Death 1740-1914: A Literary History (2016) and The Ghost Story 1840-1920: A Cultural History (2010).
Critical Readings on Hammer Horror Films
Author: Fernando Gabriel Pagnoni Berns
Publisher: Taylor & Francis
ISBN: 1040090044
Category : Social Science
Languages : en
Pages : 246
Book Description
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed. Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings. This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Publisher: Taylor & Francis
ISBN: 1040090044
Category : Social Science
Languages : en
Pages : 246
Book Description
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed. Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings. This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Future Folk Horror
Author: Simon Bacon
Publisher: Rowman & Littlefield
ISBN: 1666921246
Category : Social Science
Languages : en
Pages : 347
Book Description
Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes folk horror by looking at its recent popularity in novels and films such as The Ritual (2011), The Witch (2015), and Candyman (2021). Countering traditional views of the genre as depictions of the monstrous, rural, and pagan past trying to consume the present, the contributors to this collection posit folk horror as being able to uniquely capture the anxieties of the twenty-first century, caused by an ongoing pandemic and the divisive populist politics that have arisen around it. Further, this book shows how, through its increasing intersections with other genres such as science fiction, the weird, and eco-criticism as seen in films and texts like The Zero Theorum (2013), The Witcher (2007–2021), and Annihilation (2018) as well as through its engagement with topics around climate change, racism, and identity politics, folk horror can point to other ways of being in the world and visions of possible futures.
Publisher: Rowman & Littlefield
ISBN: 1666921246
Category : Social Science
Languages : en
Pages : 347
Book Description
Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes folk horror by looking at its recent popularity in novels and films such as The Ritual (2011), The Witch (2015), and Candyman (2021). Countering traditional views of the genre as depictions of the monstrous, rural, and pagan past trying to consume the present, the contributors to this collection posit folk horror as being able to uniquely capture the anxieties of the twenty-first century, caused by an ongoing pandemic and the divisive populist politics that have arisen around it. Further, this book shows how, through its increasing intersections with other genres such as science fiction, the weird, and eco-criticism as seen in films and texts like The Zero Theorum (2013), The Witcher (2007–2021), and Annihilation (2018) as well as through its engagement with topics around climate change, racism, and identity politics, folk horror can point to other ways of being in the world and visions of possible futures.
Gothic Literature
Author: Andrew Smith
Publisher: Edinburgh University Press
ISBN: 0748647430
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:* A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments* An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.
Publisher: Edinburgh University Press
ISBN: 0748647430
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:* A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments* An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.
Gothic and Theory
Author: Jerrold E. Hogle
Publisher: Edinburgh University Press
ISBN: 1474427790
Category : Gothic fiction (Literary genre)
Languages : en
Pages : 344
Book Description
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
Publisher: Edinburgh University Press
ISBN: 1474427790
Category : Gothic fiction (Literary genre)
Languages : en
Pages : 344
Book Description
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
Women and the Gothic
Author: Avril Horner
Publisher: Edinburgh University Press
ISBN: 1474409512
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity.Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works
Publisher: Edinburgh University Press
ISBN: 1474409512
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity.Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works
Twenty-First-Century Children's Gothic
Author: Chloe Germaine Buckley
Publisher: Edinburgh University Press
ISBN: 1474430201
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Brings Ben Jonson to the twenty-first century by reading Volpone through psychoanalysis, poststructuralism and Marxism
Publisher: Edinburgh University Press
ISBN: 1474430201
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Brings Ben Jonson to the twenty-first century by reading Volpone through psychoanalysis, poststructuralism and Marxism
The Silence of Dean Maitland
Author: Maxwell Gray
Publisher:
ISBN:
Category : Criminals
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Criminals
Languages : en
Pages : 396
Book Description
Scottish Gothic
Author: Carol Margaret Davison
Publisher: Edinburgh University Press
ISBN: 1474408206
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors - all specialists in their fields - combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.
Publisher: Edinburgh University Press
ISBN: 1474408206
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors - all specialists in their fields - combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.
Edinburgh Companion to Twentieth-Century British and American War Literature
Author: Adam Piette
Publisher: Edinburgh University Press
ISBN: 0748653937
Category : History
Languages : en
Pages : 719
Book Description
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
Publisher: Edinburgh University Press
ISBN: 0748653937
Category : History
Languages : en
Pages : 719
Book Description
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ