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Author: Ned Schantz
Publisher: Oxford University Press
ISBN: 0199714622
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Although female communication networks abound in many contexts and have received a good measure of critical scrutiny, no study has addressed their unique significance within narrative culture writ large. Filling this conspicuous gap, Ned Schantz presents a lively exploration of the phenomenon, resituating novelistic culture as central even as he ranges across media and the myriad technologies that attend them. Charting the emergence of female networks via the most prominent modes of communication--gossip, letters, and phones--Schantz brings his study to life with unconventional interpretations of classic British novels and popular Hollywood films spanning multiple genres and time periods. With incisive readings of Clarissa, Emma, and Evelina, Schantz shows how gossip both draws sympathy and is repressed by dominant male culture in a recurrent pattern of avowal and disavowal. The epistolary novel added a rhythm to communication that was generative of fantasy, which in turn informed "telephonic film," a development depicted in analyses of movies such as Sorry, Wrong Number; Vertigo; Terminator; and You've Got Mail. Schantz highlights the way the telephone works as a structuring device, not merely a prop, one that shapes the plot and suggests provocative formal implications. While this study traverses an uncanny realm of lost messages and false suitors, telepathy and artificial intelligence, locked rooms and time-traveling stalkers, these occult concerns only confirm the importance of female communication at its most basic level. Illuminating and accessible--Gossip, Letters, Phones reveals female networks as one of narrative's most supple and persistent elements in literature and cinema.
Author: Ned Schantz
Publisher: Oxford University Press
ISBN: 0199714622
Category : Literary Criticism
Languages : en
Pages : 199
Get Book Here
Book Description
Although female communication networks abound in many contexts and have received a good measure of critical scrutiny, no study has addressed their unique significance within narrative culture writ large. Filling this conspicuous gap, Ned Schantz presents a lively exploration of the phenomenon, resituating novelistic culture as central even as he ranges across media and the myriad technologies that attend them. Charting the emergence of female networks via the most prominent modes of communication--gossip, letters, and phones--Schantz brings his study to life with unconventional interpretations of classic British novels and popular Hollywood films spanning multiple genres and time periods. With incisive readings of Clarissa, Emma, and Evelina, Schantz shows how gossip both draws sympathy and is repressed by dominant male culture in a recurrent pattern of avowal and disavowal. The epistolary novel added a rhythm to communication that was generative of fantasy, which in turn informed "telephonic film," a development depicted in analyses of movies such as Sorry, Wrong Number; Vertigo; Terminator; and You've Got Mail. Schantz highlights the way the telephone works as a structuring device, not merely a prop, one that shapes the plot and suggests provocative formal implications. While this study traverses an uncanny realm of lost messages and false suitors, telepathy and artificial intelligence, locked rooms and time-traveling stalkers, these occult concerns only confirm the importance of female communication at its most basic level. Illuminating and accessible--Gossip, Letters, Phones reveals female networks as one of narrative's most supple and persistent elements in literature and cinema.
Author: Ned Schantz
Publisher: Oxford University Press
ISBN: 0195335910
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
For over two hundred years of narrative culture, when female characters try to get together, crazy things happen. Indeed, the greater the means at women's disposal, the more severe and twisted is the anxious reaction. Behind this broad anxiety lurks the powerful ideal of sympathetic and strategic female networks, an ideal that takes its intimate shape from the expectations of communications media, and that underwrites the very culture that would deny it. Ned Schantz examines novelistic culture from the British novel to Hollywood film as a series of responses to the threat and promise of female networks. Reading texts from Clariss;, Emma; and The Portrait of a Lady, to Sorry, Wrong Number; Vertigo; and You've Got Mail, Schantz argues that a recurring gothic nightmare haunts plots of courtship, marriage, and female advancement even as the female networks themselves illuminate the path to clarity. And while this study must of necessity visit an uncanny realm of lost messages and false suitors, telepathy and artificial intelligence, locked rooms and time-traveling stalkers, these occult concerns only confirm the tangible, material power at stake in the most basic modes of female communication, in gossip, letters, and phones.
Author: John Bruns
Publisher: Northwestern University Press
ISBN: 0810139979
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.
Author: Amanda Konkle
Publisher: Syracuse University Press
ISBN: 0815655185
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
With an off-putting title and a decidedly retrograde premise, the CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show’s sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries—the Hollywood musical, the romantic comedy, the music video—while resisting stereotypes associated with contemporary life. The essays in this collection underscore the show’s ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show’s “authenticity” or quality.
Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822352877
Category : Computers
Languages : en
Pages : 359
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Book Description
Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Author: Lara Anderson
Publisher: Cambridge Scholars Publishing
ISBN: 1443820938
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Literary naturalism, within the Hispanic context, has traditionally been read as a graphic realist school or movement linked predominantly to late nineteenth century literary production. The essays in Au Naturel: (Re)Reading Hispanic Naturalism—written by scholars from different generations, nationalities and ideological backgrounds—propose a major revisionist contribution to the study of Hispanic naturalism. Based on a theoretical proposal that re-semanticizes naturalismo as a diachronic counter-metanarrative phenomenon that transcends the chronological and geographic limitations imposed by traditional criticism on naturalism, the collection provides new readings of traditional naturalist fare as well as re-readings of works that have not been read, within the bounds of conventional criticism, as naturalist. Re-read within the proposed theoretical framework, its essays demonstrate the countless ways in which Hispanic naturalist texts–literary and more recently, filmic—continue to frankly engage the societal problematics that has impeded true social, political, economic and cultural progress from taking place in the Hispanic world from the turbulent fin-de-siècle period of the nineteenth century through the present day, globalized context. Au Naturel: (Re)Reading Hispanic Naturalism is thus also an open invitation to the scholarly community to re-consider other socio-critical works within the Hispanic naturalist context that observe and reflection upon social issues that continue to plague Hispanic society today.
Author: Tania Modleski
Publisher: Routledge
ISBN: 1317417283
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.
Author: Robert MacDougall
Publisher: University of Pennsylvania Press
ISBN: 0812245695
Category : History
Languages : en
Pages : 344
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Book Description
The Bell System dominated telecommunications in the United States and Canada for most of the twentieth century, but its monopoly was not inevitable. In the decades around 1900, ordinary citizens—farmers, doctors, small-town entrepreneurs—established tens of thousands of independent telephone systems, stringing their own wires to bring this new technology to the people. Managed by opportunists and idealists alike, these small businesses were motivated not only by profit but also by the promise of open communication as a weapon against monopoly capital and for protection of regional autonomy. As the Bell empire grew, independents fought fiercely to retain control of their local networks and companies—a struggle with an emerging corporate giant that has been almost entirely forgotten. The People's Network reconstructs the story of the telephone's contentious beginnings, exploring the interplay of political economy, business strategy, and social practice in the creation of modern North American telecommunications. Drawing from government documents in the United States and Canada, independent telephone journals and publications, and the archives of regional Bell operating companies and their rivals, Robert MacDougall locates the national debates over the meaning, use, and organization of the telephone industry as a turning point in the history of information networks. The competing businesses represented dueling political philosophies: regional versus national identity and local versus centralized power. Although independent telephone companies did not win their fight with big business, they fundamentally changed the way telecommunications were conceived.
Author: Sidney Gottlieb
Publisher: Indiana University Press
ISBN: 0861969871
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
When Richard Schickel stated unequivocally in 1972 that "We're living in a Hitchcock world, all right", he did so without even mentioning the film that now stands at the top of the Sight & Sound Greatest Films of All Time poll: Vertigo. That omission needs to be redressed when we think about the Hitchcock world we live in now. Haunted by Vertigo: Hitchcock's Masterpiece Then and Now gathers essays that offer a variety of approaches to what many consider to be Hitchcock's signature film, one that shows him operating at full strength as a cinematic artist portraying some of the defining elements of modern life: romantic exhilaration and anxiety, the attractiveness and elusiveness of love, and the interpenetration of pain, pleasure, life, and death in our psyche and our culture. The pieces in this volume explore numerous aspects of how, broadly speaking, Vertigo is about characters haunted by memories and desires; how the film itself is haunted by numerous literary and cinematic fore- bearers; and how it continues to haunt not only filmmakers but artists working in other media as well. Essays that concentrate on formative or interpretive contexts of the film, including Greek mythology, early German cinema, film noir, an ensemble of (mostly) French writers and filmmakers, andmodern and postmodern art are complemented by others that present close readings of hidden details in the film, its use of multiple gazes that underscore its meaning and drama, the darker sides of even gestures of love and hospitality, and how the film embodies Hitchcock's "late style". Taken together the essays in the volume reinforce how Vertigo is, like the majestic trees visited by the two main characters in the film, sempervirens – an enduring masterpiece of then, now, and, we can safely say, the future.
Author: Jonathan Goldberg
Publisher: Duke University Press
ISBN: 0822374048
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the "impossible situation" in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to normative forms of value and a powerful tool for creating new potentials.
