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Author: Peter Douglas Ward
Publisher: Penguin (Non-Classics)
ISBN: 9780143034711
Category : Science
Languages : en
Pages : 300
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Book Description
Based on more than a decade's research in South Africa's Karoo Desert, this remarkable journey of discovery and real-life adventure deep into Earth's history is offered by a renowned scientist. Photo insert.
Author: Peter Douglas Ward
Publisher: Penguin (Non-Classics)
ISBN: 9780143034711
Category : Science
Languages : en
Pages : 300
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Book Description
Based on more than a decade's research in South Africa's Karoo Desert, this remarkable journey of discovery and real-life adventure deep into Earth's history is offered by a renowned scientist. Photo insert.
Author: Stephen R. Wilk
Publisher: Oxford University Press
ISBN: 019988773X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.
Author: Arthur Holland Michel
Publisher: HarperCollins
ISBN: 0544971663
Category : Technology & Engineering
Languages : en
Pages : 341
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Book Description
The fascinating history and unnerving future of high-tech aerial surveillance, from its secret military origins to its growing use on American citizens Eyes in the Sky is the authoritative account of how the Pentagon secretly developed a godlike surveillance system for monitoring America's enemies overseas, and how it is now being used to watch us in our own backyards. Whereas a regular aerial camera can only capture a small patch of ground at any given time, this system—and its most powerful iteration, Gorgon Stare—allow operators to track thousands of moving targets at once, both forwards and backwards in time, across whole city-sized areas. When fused with big-data analysis techniques, this network can be used to watch everything simultaneously, and perhaps even predict attacks before they happen. In battle, Gorgon Stare and other systems like it have saved countless lives, but when this technology is deployed over American cities—as it already has been, extensively and largely in secret—it has the potential to become the most nightmarishly powerful visual surveillance system ever built. While it may well solve serious crimes and even help ease the traffic along your morning commute, it could also enable far more sinister and dangerous intrusions into our lives. This is closed-circuit television on steroids. Facebook in the heavens. Drawing on extensive access within the Pentagon and in the companies and government labs that developed these devices, Eyes in the Sky reveals how a top-secret team of mad scientists brought Gorgon Stare into existence, how it has come to pose an unprecedented threat to our privacy and freedom, and how we might still capitalize on its great promise while avoiding its many perils.
Author: Galen Surlak-Ramsey
Publisher: Tiny Fox Press LLC
ISBN: 9781946501097
Category : Fiction
Languages : en
Pages : 326
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Book Description
"THE GODS ARE FUNNY. Except when you piss them off. Then they suck. They really, really suck. (Really). Alexander Weiss discovers this tidbit when he inadvertently insults Athena, Goddess of Wisdom, and she casts him away on a forgotten isle filled with statues. Being marooned is bad enough, but the fact that the island is also the home of Euryale, elder sister to Medusa, makes the situation a touch worse. The only thing keeping Alex from being petrified is the fact that Euryale has taken a liking to the blundering mortal. For now. What follows next is a wild, adventurous tale filled with heroes, gods, monsters, love, and war that is nothing short of legendary" -- back cover
Author: Jane O'Loughlin
Publisher: Magic Bean
ISBN: 9781863744218
Category : Perseus (Greek mythology)
Languages : en
Pages : 31
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Book Description
Perseus - the Gorgon slayer (Classics S.)
Author: Julia Golding
Publisher: Marshall Cavendish
ISBN: 9780761453772
Category : Juvenile Fiction
Languages : en
Pages : 332
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Book Description
Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.
Author: Натаниель Готорн
Publisher: Litres
ISBN: 5043821507
Category : Fiction
Languages : en
Pages : 44
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Book Description
Author: Lewis A. Lawson
Publisher: BRILL
ISBN: 940120182X
Category : Social Science
Languages : en
Pages : 437
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Book Description
The thesis of A Gorgon’s mask: The Mother in Thomas Mann’s Fiction depends upon three psychoanalytic concepts: Freud’s early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich’s analysis of the grotesque-comic sublimation, and Edmund Bergler’s analysis of writer’s block. Mann’s crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother’s notice. But to defend himself from being overcome by the Gorgon-mother’s stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer’s block. Mann’s late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverkühn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer’s block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann’s narrative art, to students of Mann’s work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity.
Author: Paul Coates
Publisher: Cambridge University Press
ISBN: 0521384095
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.
Author: William R. Brashear
Publisher: University of Georgia Press
ISBN: 0820332585
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
William R. Brashear deals with tragedy, not as a dramatic literary genre, but as a basic way of experiencing the universe and of reacting to it. The writer of tragedy forces readers to confront much more than a tragic flaw in a single character; he forces them to confront the gorgon's head itself, the ultimate chaos of the universe. For him, Aristotle's intellectualization of tragedy distorted it for centuries because the tragic sense of life is experiential and intuitive rather than logical and syllogistic. In the later works of Schopenhauer, Nietzsche, and Spangler, Brashear finds the beginnings of the understanding of tragedy that developed in nineteenth- and twentieth-century literature. In careful considerations of such writers as Shakespeare, Tennyson, Conrad, Housman, Shaw, O'Neill, and Arthur Miller, Brashear refines his views of tragedy and tests their validity. The chapter on Tennyson supersedes and goes well beyond The Living Will, his earlier study of the poet. Brashear's discussions of individual writers reinforce each other and point to several important conclusions about the tragic vision and tragic art. Most significant among his conclusions is that tragedy is often taken to be more benign and positive than it really is and that if the tragic experience is essentially healthy and rewarding, it is so because it involves a confrontation that broadens, strengthens, and stabilizes and not because it suggests any ultimate solution to the human condition.
