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Author: Julio González
Publisher: Hannibal
ISBN: 9789492677136
Category : Art
Languages : en
Pages : 0
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Book Description
- Prestigious monograph on sculptor Julio González and his important friendship with Pablo Picasso Spanish artist Julio González (1876-1942) ranks alongside Constantin Brancusi (1876-1957) and Pablo Picasso (1881-1973) as one of the most important sculptors of the twentieth century. Featuring insightful essays and lavish illustrations of more than 100 works of art, as well as intimate photographs and documents, this book charts González's personal evolution from traditional metalworker in his father's workshop in Barcelona to avant-garde sculptor in Paris.The publication focuses on the unique collaboration and friendship between González and Picasso, which played a decisive role in the development of González's unique and innovative style. For Picasso, it opened doors to different forms of expression in sculpture. The book also explores González's friendships with other artists, including Brancusi, Pablo Gargallo and Hans Hartung. Essays by Carmen Fernández Aparicio (Reina Sofía, Madrid), Picasso specialist Marilyn McCully, professor of Art History Valeriano Bozal and curator Laura Stamps (Gemeentemuseum Den Haag).
Author: Julio González
Publisher: Hannibal
ISBN: 9789492677136
Category : Art
Languages : en
Pages : 0
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Book Description
- Prestigious monograph on sculptor Julio González and his important friendship with Pablo Picasso Spanish artist Julio González (1876-1942) ranks alongside Constantin Brancusi (1876-1957) and Pablo Picasso (1881-1973) as one of the most important sculptors of the twentieth century. Featuring insightful essays and lavish illustrations of more than 100 works of art, as well as intimate photographs and documents, this book charts González's personal evolution from traditional metalworker in his father's workshop in Barcelona to avant-garde sculptor in Paris.The publication focuses on the unique collaboration and friendship between González and Picasso, which played a decisive role in the development of González's unique and innovative style. For Picasso, it opened doors to different forms of expression in sculpture. The book also explores González's friendships with other artists, including Brancusi, Pablo Gargallo and Hans Hartung. Essays by Carmen Fernández Aparicio (Reina Sofía, Madrid), Picasso specialist Marilyn McCully, professor of Art History Valeriano Bozal and curator Laura Stamps (Gemeentemuseum Den Haag).
Author: María del Carmen González
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 76
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Book Description
Published to accompany the exhibition held at MoMA QNS, New York, 13 February - 19 May 2003, this book features a selection from the exhibition catalogue, as well as essays on the relationship between both the artists and their work.
Author: Sir Roland Penrose
Publisher: Univ of California Press
ISBN: 9780520042070
Category : Art
Languages : en
Pages : 578
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Book Description
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
Author: Christina Diaz Gonzalez
Publisher: Knopf Books for Young Readers
ISBN: 0375869298
Category : Juvenile Fiction
Languages : en
Pages : 322
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Book Description
Ani, a 12-year-old Basque girl, and Mathias, a 14-year-old German Jew, become friends and then spies in the weeks leading up to the bombing of Guernica in April 1937.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 698
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Book Description
Author: Hilton Kramer
Publisher: Routledge
ISBN: 1351486187
Category : Art
Languages : en
Pages : 648
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Book Description
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
Author: John Richardson
Publisher: Knopf
ISBN: 030749649X
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Author: William Tucker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Author: John Richardson
Publisher: Knopf
ISBN: 0525656758
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.
