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Author: National Information Standards Organization (U.S.)
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 20
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Book Description
This document defines fifteen metadata elements for resource description in a cross-disciplinary information environment.
Author: National Information Standards Organization (U.S.)
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 20
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Book Description
This document defines fifteen metadata elements for resource description in a cross-disciplinary information environment.
Author:
Publisher:
ISBN:
Category : Catholic literature
Languages : en
Pages : 576
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Book Description
Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
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Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Author: Cathedral Church (CALCUTTA). Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Ann W. Astell
Publisher: Cornell University Press
ISBN: 1501720694
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal. Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century—ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize—the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas. The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
Author: Paul J. Alexander
Publisher: Univ of California Press
ISBN: 0520312430
Category : Religion
Languages : en
Pages : 248
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Book Description
Throughout Christian history, apocalyptic visions of the approaching end of time have provided a persistent and enigmatic theme for history and prophecy. Apocalyptic literature played a particularly important role in the medieval world, where legends of the Antichrist, Gog and Magog, and the Last Roman Emperor were widely circulated. Although scholars have long recognized that a body of Byzantine prophetic literature served as the source for these ideas, the Byzantine textual tradition, its sources, and the way in which it was transmitted to the West have neve been thoroughly understood. For more than fifteen years prior to his death in 1977, Paul J. Alexander devoted his energies to the clarification of the Byzantine apocalyptic tradition. These studies, left uncompleted at his death, trace the development of a textual tradition that passed from Syriac through Greek to Slavonic and Latin literature. Using a combination of philological and historical detection, the author establishes the time, place, and circumstances of composition for each of the major surviving texts, identifying lost works known only through descriptions. In showing how Byzantine prophecy served as a bridge between ancient eschatological works and the medieval West, Alexander demonstrates that apocalyptic literature represents a creative source for the expression of political and religious thought in the medieval world. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Pauline Allen
Publisher: BRILL
ISBN: 9004344705
Category : History
Languages : en
Pages : 343
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Book Description
Preliminary Material /Pauline Allen and Elizabeth Jeffreys -- Introduction /Pauline Allen and Elizabeth Jeffreys -- Inheriting the Fifth Century: Who Bequeathed What? /Philip Rousseau -- Writing the Reign of Justinian: Malalas versus Theophanes /Roger Scott -- Procopius and the Samaritans /Katherine Adshead -- Bury, Malalas and the Nika Riot /Michael Jeffreys -- The Chronicle of John Malalas, Book I: A Commentary /Elizabeth Jeffreys -- The Use of Pagan Mythology in the Christian Empire with Particular Reference to the Dionysiaca of Nonnus /Wolfgang Liebeschuetz -- Notes of Christian Epigrams in Book One of the Greek Anthology /Barry Baldwin -- The Reading of Paul the Silentiary /Ian Martlew -- Early Monasticism and Ps. Denys /Daniel Callam -- Impact of St Sabas: The Legacy of Palestinian Monasticism /Kathleen Hay -- Aspects of Spiritual Direction: The Palestinian Tradition /John Chryssavgis -- Junillus Africanus' Instituta Regularia Divinae Legis in its Justinianic Context /Michael Maas -- The Silence of the Sources: The Sixth Century and East-Syrian 'Antiochene ' Exegesis /Corrie Molenberg -- Severus of Antioch and the Homily: The End of the Beginning? /Pauline Allen -- The Sixth Century: A Turning-Point for Byzantine Homiletics? /Mary Cunningham -- Through the Tunnel with Leontius of Jerusalem: The Sixth-Century Transformation of Theology /Patrick Gray -- Christ's Image versus Christology: Thoughts on the Justinianic Era as Threshold of an Epoch /Karl-Heinz Uthemann -- Sixth-Century Art and Architecture in 'Old Rome ': End or Beginning? /Joan Barclay Lloyd -- Sixth-Century Ravenna from the Perspective of Abbot Agnellus /Ann Moffatt -- Forming and Transforming Proto-Byzantine Urban Public Space /Michael Milojević -- Byzantium, Planet Earth and the Solar System /Paul Farquharson -- Climatic Change in the Fifth and Sixth Centuries? /Johannes Koder -- General Index /Pauline Allen and Elizabeth Jeffreys -- Contributors /Pauline Allen and Elizabeth Jeffreys.
Author: David Aers
Publisher: Penn State Press
ISBN: 0271042915
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Author: Alexander Badawy
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 420
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Book Description
Professor Alexander Badawy has written and profusely illustrated this rich study of the works of Coptic Egyptians starting in the early Christian period following the Antique and ending with the assimilation of Coptic art into that of Islam. Coptic Art and Archaeologyis based on extensive archaeological excavations and on researchers' accounts. In developing his thesis on the nature of the Coptic spirit in the arts, Professor Badawy—an archaeologist and art historian—has drawn upon his own firsthand observations plus a wealth of materials from museums all over the world. The result is a comprehensive examination of the Coptic arts. The text is illustrated with photographs (including the author's own), with plans of excavated sites, and with the author's restored perspectives. It is a journey through the sites and discoveries that have provided present knowledge of the Coptic civilization: a journey that included the architecture of houses and towns, fortified and unfortified monasteries, murals, paintings, and sculpture in several media, textiles, ceramics, and illuminated manuscripts. All are described in painstaking detail and historical context by the author. Illustrations are keyed to the text, which in turn demonstrates that Coptic art was in many ways a "people's art"—an art of the middle and lower classes—and not invariably a religious art. Developments in style reflected the changing fortunes of the Egyptian Christians, and this, too, is carefully traced and the examples are noted in the text and in illustrations. Professor Badawy concludes the book with a study of the effects of Coptic art on European artistic traditions. The remarkable comprehensiveness of this book will make it a basic tool of professional art historians and archaeologists, and it seems inevitable that the extensive and detailed descriptions of the extant works of Coptic artists will stimulate additional research into this area of art history. The professional and the student will find especially helpful the extensive footnotes, bibliography of international sources listed by subject area (e.g. Sculpture, Architecture, Painting), and the literally hundreds of illustrations that provide an unparalleled single-book source of examples of Coptic art. For those who cannot make the pilgrimage to the actual sites or visit the museum collections all over the world, Professor Badawy has provided the next best thing: a painstakingly detailed representative description of the treasures that are known. This is also a book for the layman who can enjoy the evidences of the Coptic genius in ornamentation and gain an appreciation of the influences of history and politics on the art and culture of a people.
Author: Oriana Baddeley
Publisher:
ISBN:
Category : Christian antiquities
Languages : en
Pages : 128
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Book Description
