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Author: Susan E. Gustafson
Publisher: Bloomsbury Publishing USA
ISBN: 1501315781
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Throughout his literary work Goethe portrays characters who defy and reject 18th and 19th century ideals of aristocratic and civil families, notions of heritage, assumptions about biological connections, expectations about heterosexuality, and legal mandates concerning marriage. The questions Goethe's plays and novels pose are often modern and challenging: Do social conventions, family expectations, and legal mandates matter? Can two men or two women pair together and be parents? How many partners or parents should there be? Two? One? A group? Can parents love children not biologically related to them? Do biological parents always love their children? What is the nature of adoptive parents, children, and families? Ultimately, what is the fundamental essence of love and family? Gustafson demonstrates that Goethe's conception of the elective affinities is certainly not limited to heterosexual spouses or occasionally to men desiring men. A close analysis of Goethe's explication of affinities throughout his literary production reveals his rejection of loveless relationships (for example, arranged marriages) and his acceptance and promotion of all relationships formed through spontaneous affinities and love (including heterosexual, same-sex, nonexclusive, group, parental, and adoptive).
Author: Susan E. Gustafson
Publisher: Bloomsbury Publishing USA
ISBN: 1501315781
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Throughout his literary work Goethe portrays characters who defy and reject 18th and 19th century ideals of aristocratic and civil families, notions of heritage, assumptions about biological connections, expectations about heterosexuality, and legal mandates concerning marriage. The questions Goethe's plays and novels pose are often modern and challenging: Do social conventions, family expectations, and legal mandates matter? Can two men or two women pair together and be parents? How many partners or parents should there be? Two? One? A group? Can parents love children not biologically related to them? Do biological parents always love their children? What is the nature of adoptive parents, children, and families? Ultimately, what is the fundamental essence of love and family? Gustafson demonstrates that Goethe's conception of the elective affinities is certainly not limited to heterosexual spouses or occasionally to men desiring men. A close analysis of Goethe's explication of affinities throughout his literary production reveals his rejection of loveless relationships (for example, arranged marriages) and his acceptance and promotion of all relationships formed through spontaneous affinities and love (including heterosexual, same-sex, nonexclusive, group, parental, and adoptive).
Author: Daniel Purdy
Publisher: Camden House
ISBN: 9781571134257
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
This is the 17th volume of a series which provides criticism on works by Goethe. It contains readings of Goethe's works and perspectives on Goethe as a writer.
Author:
Publisher: Boydell & Brewer
ISBN: 9781879751026
Category :
Languages : de
Pages : 302
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Book Description
Author: Johann Wolfgang von Goethe
Publisher: Gingko Library
ISBN: 1909942413
Category : Poetry
Languages : en
Pages : 470
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Book Description
In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.
Author: Simon Richter
Publisher: Boydell & Brewer
ISBN: 1571135677
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Invoking Goethe's name has become fashionable again. With new methods and technologies of reading threatening to render literature virtual and insubstantial, we have the sense that 'Goethe's ghosts' - the otherwise neglected voices and traditions that, finding their most trenchant expression in Goethe, inform the Western storehouse of literature - can show us long-forgotten dimensions of literature. Inspired by the distinguished Goethe scholar Jane Brown, the contributors to this volume take a rich variety of approaches to Goethe: cultural studies, history of the book, semiotics, deconstruction, colonial studies, feminism, childhood studies, and eco-criticism.
Author: Elystan Griffiths
Publisher: Studies in German Literature L
ISBN: 1640140646
Category : History
Languages : en
Pages : 295
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Book Description
Analyzes the transformation of German-language pastoral from a portrayal of the idyllic lives of herdsmen into a vehicle for the concerns and aspirations of the middle class.
Author: Mary Helen Dupree
Publisher: Bucknell University Press
ISBN: 1611480256
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
In the last three decades of the eighteenth century, a small but significant number of German actresses, including Sophie Albrecht (1757-1840), Marianne Ehrmann (1755-1795) and Elise BYrger (1769-1833), began to publish poetry, autobiography, drama and short fiction under their own names. These 'actress-writers' came of age at a time when the status of the actress was beginning to be radically redefined in accordance with Enlightenment aesthetics and the cult of sensibility, as the model of the enterprising actress-director in the tradition of Caroline Neuber gave way to an idealizing view of the actress as sentimental heroine. The Mask and the Quill: Actress-Writers in Germany from Enlightenment to Romanticism, is an exploration of this generation of actress-writers, their significance for German literary and cultural history, and their attempts to come to terms with the new image of the actress through literature and performance. In their texts and performances, Albrecht, Ehrmann and BYrger articulated an entirely new sense of what it meant to be an actress and a woman writer. They identified themselves with the cult of sensibility, with the theater reform movement, and above all with an image of the actress as GefYhlsschauspielerin or 'actress of emotion,' which emerged in the mid-1770s in response to the death of the Hamburg tragedienne Charlotte Ackermann (1757-1775). While some scholars have described this generation as a silent one, forced to submit to increasingly passive ideals of domesticity, actress-writers of the era defied this trend by using the image of the GefYhlsschauspielerin as a passport to literary activity. Their close relationship to theater and the nascent genre of 'paratheatrical literature' provided them with a public voice, access to literary circles and a language with which to articulate their identity as actresses and as writers. More importantly, it provided them with a space from which to critique contemporary notions of gender and virtue. Drawing on the methodologies of New Historicism and discourse analysis, The Mask and the Quill engages in readings of a broad spectrum of late-eighteenth- and early-nineteenth-century texts and cultural practices, from autobiographical fiction and lyric poetry to funeral rites and tableaux vivants. Through readings of diverse source material, it sheds light on an underrepresented group whose lives and works resist conventional notions about women's cultural contributions to the Goethezeit and beyond.
Author: Astrida Orle Tantillo
Publisher: University of Pittsburgh Pre
ISBN: 0822970643
Category : Philosophy
Languages : en
Pages : 256
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Book Description
Better known as a poet and dramatist, Johann Wolfgang von Goethe (1749–1832) was also a learned philosopher and natural scientist. Astrida Orle Tantillo offers the first comprehensive analysis of his natural philosophy, which she contends is rooted in creativity.Tantillo analyzes GoetheÆs main scientific texts, including his work on physics, botany, comparative anatomy, and metereology. She critically examines his attempts to challenge the basic tenets of Newtonian and Cartesian science and to found a new natural philosophy. In individual chapters devoted to different key principles, she reveals how this natural philosophy—which questions rationalism, the quantitative approach to scientific inquiry, strict gender categories, and the possibility of scientific objectivity—illuminates GoetheÆs standing as both a precursor and critic of modernity.Tantillo does not presuppose prior knowledge of Goethe or science, and carefully avoids an overreliance on specialized jargon. This makes The Will to Create accessible to a wide audience, including philosophers, historians of science, and literary theorists, as well as general readers.
Author: Astrida Orle Tantillo
Publisher: Camden House
ISBN: 9781571132123
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The first book-length examination in English of the critical reception of Goethe's daring novel The Elective Affinities. From the time of its publication to today, Goethe's famous novel The Elective Affinities (Die Wahlverwandtschaften, 1809), has aroused a storm of critical confusion. Critics in every age have vehemently disagreed about its content (whether it defends the institution of marriage, radically supports its dissolution, or even whether it is about marriage at all), its style (whether it is romantic, realistic, modern, or postmodern) and its tone (whether it is tragic, anti-romantic, or ironic). The present study begins by focusing upon the reaction of Goethe's contemporaries, and then discusses Goethe's own efforts -- in light of the initial negative critical reaction -- toshape the novel's reception. It continues by viewing the novel through the lens of 19th-century Hegelianism, positivism, and biographical studies, and by exploring the relationship between the novel's 19th-century reception and the growth of psychoanalytic theory and German nationalism. Moving on to the 20th century, the book considers the re-evaluation of Goethe's scientific works, the impact of World War II on the novel's interpreters, and the growing influence of literary theory. Here particular emphasis is placed upon Walter Benjamin's seminal essay on the novel and upon the criticism that the essay has inspired. Astrida Orle Tantillo is assistant professor of German at the University of Illinois at Chicago.
Author: Lorna Fitzsimmons
Publisher: Lehigh University Press
ISBN: 1611461235
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.
