Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Gluck and the French Theatre in Vienna
Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Gluck
Author: Patricia Howard
Publisher: Routledge
ISBN: 1351565354
Category : Music
Languages : en
Pages : 421
Book Description
This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck?s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
Publisher: Routledge
ISBN: 1351565354
Category : Music
Languages : en
Pages : 421
Book Description
This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck?s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
Haydn, Mozart, and the Viennese School, 1740-1780
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Christoph Willibald Gluck
Author: Patricia Howard
Publisher: Routledge
ISBN: 1136718613
Category : Music
Languages : en
Pages : 175
Book Description
Christoph Willibald Gluck composed for operas in such a way that served the story and related the poetic quality of music. He possessed a gift for creating unity between the art forms that comprise a ballet or opera. This bibliography and guide ties together the different writings on this artist, providing faster access to the information on his life and work.
Publisher: Routledge
ISBN: 1136718613
Category : Music
Languages : en
Pages : 175
Book Description
Christoph Willibald Gluck composed for operas in such a way that served the story and related the poetic quality of music. He possessed a gift for creating unity between the art forms that comprise a ballet or opera. This bibliography and guide ties together the different writings on this artist, providing faster access to the information on his life and work.
Opera and the Political Imaginary in Old Regime France
Author: Olivia Bloechl
Publisher: University of Chicago Press
ISBN: 022652289X
Category : History
Languages : en
Pages : 301
Book Description
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Publisher: University of Chicago Press
ISBN: 022652289X
Category : History
Languages : en
Pages : 301
Book Description
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Tanz und Musik
Author: Christelle Cazaux
Publisher: Schwabe Verlag (Basel)
ISBN: 379654973X
Category : Music
Languages : en
Pages : 442
Book Description
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
Publisher: Schwabe Verlag (Basel)
ISBN: 379654973X
Category : Music
Languages : en
Pages : 442
Book Description
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
Enlightenment Cosmopolitanism
Author: David Adams
Publisher: Routledge
ISBN: 1351568124
Category : Foreign Language Study
Languages : en
Pages : 185
Book Description
Enlightenment Cosmopolitanism brings together ten innovative contributions by outstanding scholars working across a wide array of disciplines in the humanities and social sciences. Interdisciplinary in its methodology and compass, with a strong comparative European dimension, the volume examines discourses ranging from literature, historiography, music and opera to anthropology and political philosophy. It makes an original contribution to the study of 18th-century ideas of universal peace, progress and wealth as the foundation of future debates on cosmopolitanism. At the same time, it analyses examples of counter-reaction to these ideas and discusses the relevance of the Enlightenment for subsequent polemics on cosmopolitanism, including 21st-century debates in sociology, politics and legal theory.
Publisher: Routledge
ISBN: 1351568124
Category : Foreign Language Study
Languages : en
Pages : 185
Book Description
Enlightenment Cosmopolitanism brings together ten innovative contributions by outstanding scholars working across a wide array of disciplines in the humanities and social sciences. Interdisciplinary in its methodology and compass, with a strong comparative European dimension, the volume examines discourses ranging from literature, historiography, music and opera to anthropology and political philosophy. It makes an original contribution to the study of 18th-century ideas of universal peace, progress and wealth as the foundation of future debates on cosmopolitanism. At the same time, it analyses examples of counter-reaction to these ideas and discusses the relevance of the Enlightenment for subsequent polemics on cosmopolitanism, including 21st-century debates in sociology, politics and legal theory.
The Modern Castrato
Author: Patricia Howard
Publisher: Oxford University Press, USA
ISBN: 0199365202
Category : Biography & Autobiography
Languages : en
Pages : 265
Book Description
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing.
Publisher: Oxford University Press, USA
ISBN: 0199365202
Category : Biography & Autobiography
Languages : en
Pages : 265
Book Description
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing.
Victorian Culture and Classical Antiquity
Author: Simon Goldhill
Publisher: Princeton University Press
ISBN: 1400840074
Category : History
Languages : en
Pages : 377
Book Description
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Publisher: Princeton University Press
ISBN: 1400840074
Category : History
Languages : en
Pages : 377
Book Description
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Engaging Haydn
Author: Mary Hunter
Publisher: Cambridge University Press
ISBN: 1139536591
Category : Music
Languages : en
Pages : 363
Book Description
Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition.
Publisher: Cambridge University Press
ISBN: 1139536591
Category : Music
Languages : en
Pages : 363
Book Description
Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition.