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Author: Timothy D Taylor
Publisher: Routledge
ISBN: 1135254087
Category : Art
Languages : en
Pages : 296
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Book Description
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
Author: Timothy D Taylor
Publisher: Routledge
ISBN: 1135254087
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
Author: Timothy D Taylor
Publisher: Routledge
ISBN: 113525415X
Category : Art
Languages : en
Pages : 300
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Book Description
Global Pop examines the rise of "world musics" and "world beat", and some of the musicians associated with these recent genres such as Peter Gabriel, Ladysmith Black Mambazo, and Johnny Clegg. Drawing on a wide range of sources - academic, popular, cyber, interviews, and the music itself - Global Pop charts an accessible path through many of the issues and contradictions surrounding the contemporary movement of people and musics worldwide. Global Pop examines the range of discourses employed in and around world music, demonstrating how the central concept of authenticity is wielded by musicians, fans, and other listeners, and looks at some of these musics in detail, examining ways they are caught up in forms of domination and resistance. The book also explores how some cross-cultural collaborations may fashion new musics and identities through innovative combinations of sounds and styles.
Author: Timothy Dean Taylor
Publisher: Psychology Press
ISBN: 9780415918725
Category : Popular music
Languages : en
Pages : 300
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Book Description
Western pop music draws heavily upon music from other cultures, bringing music and musicians from outside the west to a wide audience. The author surveys this phenomenon to provide the reader with a timely account of its impact on modern culture.
Author: Fatima Bhutto
Publisher:
ISBN: 9781733623704
Category : PERFORMING ARTS
Languages : en
Pages : 206
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Book Description
A lively, inside look at how Bollywood, Turkish soap operas, and K-Pop are challenging America's cultural dominance around the world.
Author: Elsa Coustou
Publisher: Yale University Press
ISBN: 0300216998
Category : Art
Languages : en
Pages : 267
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Book Description
A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
Author: Paul R. Ehrlich
Publisher:
ISBN: 9781568495873
Category : Social Science
Languages : en
Pages : 0
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Book Description
Author: Harris M. Berger
Publisher: Univ. Press of Mississippi
ISBN: 9781578065363
Category : Language Arts & Disciplines
Languages : en
Pages : 388
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Book Description
Cultural Studies -- Ethnomusicology Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music. Related issues confront performers of Latin music in the U.S., drum and bass MCs in Toronto, and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond. For pop musicians, this issue brings up a number of complex questions. Which languages or dialects will best express my ideas? Which will get me a record contract or a bigger audience? What does it mean to sing or listen to music in a colonial language? A foreign language? A regional dialect? A "native" language? Examining popular music from a range of world cultures, the authors explore these questions and use them to address a number of broader issues, including the globalization of the music industry, the problem of authenticity in popular culture, the politics of identity, multiculturalism, and the emergence of English as a dominant world language. The chapters are written in a highly accessible style by scholars from a variety of fields, including ethnomusicology, popular music studies, anthropology, culture studies, literary studies, folklore, and linguistics. Harris M. Berger is associate professor of music at Texas A&M University. He is the author of Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (1999). Michael Thomas Carroll is professor of English at New Mexico Highlands University. He is the author of Popular Modernity in America: Experience, Technology, Mythohistory (2000) and co-editor, with Eddie Tafoya, of Phenomenological Approaches to Popular Culture (2000).
Author: Alison Bashford
Publisher: Columbia University Press
ISBN: 0231519524
Category : History
Languages : en
Pages : 481
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Book Description
Concern about the size of the world's population did not begin with the "population bomb" in 1968. It arose in the aftermath of World War I and was understood as an issue with far-reaching ecological, agricultural, economic, and geopolitical consequences. The world population problem concerned the fertility of soil as much as the fertility of women, always involving both "earth" and "life." Global Population traces the idea of a world population problem as it evolved from the 1920s through the 1960s. The growth and distribution of the human population over the planet's surface came deeply to shape the characterization of "civilizations" with different standards of living. It forged the very ideas of development, demographically defined three worlds, and, for some, an aspirational "one world." Drawing on international conference transcripts and personal and organizational archives, this book reconstructs the twentieth-century population problem in terms of migration, colonial expansion, globalization, and world food plans. Population was a problem in which international relations and intimate relations were one. Global Population ultimately shows how a geopolitical problem about sovereignty over land morphed into a biopolitical solution, entailing sovereignty over one's person.
Author: Asli Demirguc-Kunt
Publisher: World Bank Publications
ISBN: 1464812683
Category : Business & Economics
Languages : en
Pages : 228
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Book Description
In 2011 the World Bank—with funding from the Bill and Melinda Gates Foundation—launched the Global Findex database, the world's most comprehensive data set on how adults save, borrow, make payments, and manage risk. Drawing on survey data collected in collaboration with Gallup, Inc., the Global Findex database covers more than 140 economies around the world. The initial survey round was followed by a second one in 2014 and by a third in 2017. Compiled using nationally representative surveys of more than 150,000 adults age 15 and above in over 140 economies, The Global Findex Database 2017: Measuring Financial Inclusion and the Fintech Revolution includes updated indicators on access to and use of formal and informal financial services. It has additional data on the use of financial technology (or fintech), including the use of mobile phones and the Internet to conduct financial transactions. The data reveal opportunities to expand access to financial services among people who do not have an account—the unbanked—as well as to promote greater use of digital financial services among those who do have an account. The Global Findex database has become a mainstay of global efforts to promote financial inclusion. In addition to being widely cited by scholars and development practitioners, Global Findex data are used to track progress toward the World Bank goal of Universal Financial Access by 2020 and the United Nations Sustainable Development Goals.The database, the full text of the report, and the underlying country-level data for all figures—along with the questionnaire, the survey methodology, and other relevant materials—are available at www.worldbank.org/globalfindex.
Author: Shane Homan
Publisher: McGraw-Hill Education (UK)
ISBN: 0335229867
Category : Social Science
Languages : en
Pages : 269
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Book Description
From Björn Again to the Illegal Eagles, from Black Stabbath to the Essex Pistols and the Bootleg Beatles, tribute bands comprise a significant sector of many national music scenes. Access All Eras is the first book to examine the tribute and cover band phenomenon and its place within the global popular music industry. The ability of tributes to reinforce or challenge the very idea of stardom is explored through studies of imitations of various iconic pop and rock performers, including Elvis, the Beatles, Jimi Hendrix, ABBA and the Beach Boys. Analysis of such tribute acts can tell us much about how the meanings of performers and performance circulate globally, and are resisted or accommodated by local music cultures in the commercialisation of live and recorded memories. The book also looks at music industry attitudes towards imitation, including copyright issues and the use of multimedia performance techniques to deliver the ‘authentic’ tribute experience. It offers an insight into how understandings of nostalgia and celebrity circulate within contemporary society and are connected with other media and leisure industries. Access All Eras is key reading for students in popular music, media studies, cultural studies, arts, music, sociology, performing arts and popular culture studies.
