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Author: Nam June Paik
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Nam June Paik
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Nam June Paik
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Hanna Hölling
Publisher: Univ of California Press
ISBN: 0520288904
Category : Art
Languages : en
Pages : 262
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Book Description
Two works -- Conceptual and material aspects of media art -- Musical roots of performed and performative media -- Zen for film -- Changeability and multimedia art -- Time and conservation -- Heterotemporalities -- The material and the immaterial archive -- Archival implications -- Conclusion: the many archai of conservation and curation
Author: Simon Shaw-Miller
Publisher: Bloomsbury Publishing
ISBN: 1350203432
Category : Art
Languages : en
Pages : 336
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Book Description
Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena.
Author: Elayne Zalis
Publisher: Elayne Zalis
ISBN: 1434841138
Category : Blogs
Languages : en
Pages : 161
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Book Description
This "blook" preserves the musings on media and memory that Elayne Zalis posted on her blog, VirtualDayz, from June 27, 2005, to July 15, 2006 (see http: //www.virtualdayz. blogspot.com/). Both private and public archives inspire her reflections, which explore media in transition, a range that encompasses film, video, print, digital arts, and the Web. She is interested in what artists and writers are doing and in what critics and scholars are saying
Author: Gerald Lyn Early
Publisher: University of Michigan Press
ISBN: 9780472089567
Category : Music
Languages : en
Pages : 252
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Book Description
How Motown changed the landscape of American popular culture
Author: John Godfrey
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher: Hal Leonard Corporation
ISBN: 9780634048135
Category : Music
Languages : en
Pages : 116
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Book Description
General Reference
Author: Ravi Shankar
Publisher: National Poetry Review Press
ISBN: 9781935716082
Category : Poetry
Languages : en
Pages : 74
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Book Description
"The poems in Deepening Groove proceed in elegant triplets that drift effortlessly down the page on waves of sound, serenely self-confident. The subjects are animals, trees, flowers, fish, the weather, and the human condition, all mixed up in a heady stew that simmers quietly one minute, and shimmers brightly the next. This is a book of savvy, delicious surprises." -Wyn Cooper "In Deepening Groove, Ravi Shankar's poems are small wonders of defining, seeing, and sound. He is a poet fascinated with transformations and here are shiftings of dust and sand, loon calls, flutterings of insects, changing tides and splendid cascades- always information-driven, often rapturous with Hopkins-like intensities, imperatives, and trochaic stresses. What I'm most taken by is how the poems both see and feel simultaneously: In "Dark," "Darkness in New England has a flavor close / to anise, a texture plush as peat moss." In "Bats," the bats' flight is "carrying away pieces of us, / a maelstrom too faint to see, turning to ellipsis...." In virtually all these poems, to quote words from "Willard Pond," there is "a sense // that the distance between the alternate / universes humans" [and other creatures on Earth] "inhabit is smaller / than ever imagined and more astonishing." And although the poems give special pleasures on first encounters, they contain-as in "The Oyster"-"secrets that require / a knife to pry open and vinegar to serve." Deepening Groove shows Ravi Shankar is truly, now, one of America's finest younger poets." -Dick Allen Ravi Shankar is Executive Director of Drunken Boat and Co-Director of the Creative Writing Program at Central Connecticut State University. His first full length book was Instrumentality (Word Press, 2004). Along with Tina Chang and Nathalie Handal, he edited Language for a New Century: Contemporary Poetry from Asia, the Middle East & Beyond (W.W. Norton & Co.). He has appeared in the New York Times and the Chronicle of Higher Education, and on the BBC and NPR. He teaches in Fairfield University's MFA Program and in the first international MFA Program at City University of Hong Kong.
Author: Kenneth Silverman
Publisher: Northwestern University Press
ISBN: 0810128306
Category : Biography & Autobiography
Languages : en
Pages : 497
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Book Description
A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. !--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--
