Glamorous Movie Stars of the Thirties Paper Dolls PDF Download
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Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 048623715X
Category : Juvenile Nonfiction
Languages : en
Pages : 19
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Book Description
Crawford, MacDonald, Lombard, Harlow, Garbo, Bennett, Garland, and Carroll with 38 authentic film costumes. 16 plates in full color.
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 048623715X
Category : Juvenile Nonfiction
Languages : en
Pages : 19
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Book Description
Crawford, MacDonald, Lombard, Harlow, Garbo, Bennett, Garland, and Carroll with 38 authentic film costumes. 16 plates in full color.
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 9780486271415
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
"America's Singing Sweethearts," accompanied by 25 costumes from "Naughty Marietta," "Rose Marie," "Maytime," "Bittersweet," "The Girl of the Golden West," "Sweethearts," "New Moon," and "I Married an Angel."
Author: Ert
Publisher: Courier Corporation
ISBN: 9780486236278
Category : Juvenile Nonfiction
Languages : en
Pages : 38
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Book Description
From the studio of the world famous theatrical and fashion designer Erte come these fabulous designs and the six sophisticated fashion paper dolls who were made to wear them. Never before has so famous a designer fashioned complete wardrobes for a book of paper dolls. The gowns, coats, hats and accessories for every season are striking and elegant and come complete with tassels, long trains, fur muffs, capes, sashes, eccentric pockets and other extravagant flourishes - all the well-known trademarks of Erte, rendered in full color according to his specific instructions. Each doll has her own wardrobe, with 43 costumes in all. Cut out the dolls and all their outfits and you not only have a panorama of costume design of the early 20th century, but a valuable collection of the works of one of the world's foremost designers.
Author: Arnold Arnold
Publisher: Courier Corporation
ISBN: 9780486231761
Category : Juvenile Nonfiction
Languages : en
Pages : 46
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Book Description
Paper dolls to cut out, with costumes representative of the period between 1915-1920.
Author: Grace G. Drayton
Publisher: Courier Corporation
ISBN: 9780486237114
Category : Juvenile Nonfiction
Languages : en
Pages : 78
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Book Description
Paper dolls, with costumes representative of the clothes, pets, and toys for the Dingle Dell characters between 1913-1925 and clothes from other countries for Dolly Dingle.
Author: Tom Tierney
Publisher: Courier Dover Publications
ISBN: 0486441326
Category : Juvenile Nonfiction
Languages : en
Pages : 20
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Book Description
Sixteen lovely legends, among them Brigitte Bardot, Juliette Binoche, Leslie Caron, Danielle Darrieux, and Catherine Deneuve. Biographical notes; costume descriptions.
Author: Grayce Piemontesi
Publisher: Courier Corporation
ISBN: 0486251934
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
This collection of classic Shirley Temple paper dolls reprints two rare books published in the 1930s. Includes three lifelike dolls varying in size from 20 7/8" (covers two pages) to 5 7/8" and 18 delightful outfits: pleated and ruffled party dresses; pinafores for home and school; sunsuits for the beach and backyard; belted raincoat; perky sailor suit; and many accessories.
Author: Lucy Fischer
Publisher: Columbia University Press
ISBN: 9780231500579
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Grand, sensational, and exotic, Art Deco design was above all modern, exemplifying the majesty and boundless potential of a newly industrialized world. From department store window dressings to the illustrations in the Sears, Roebuck & Co. catalogs to the glamorous pages of Vogue and Harper's Bazar, Lucy Fischer documents the ubiquity of Art Deco in mainstream consumerism and its connection to the emergence of the "New Woman" in American society. Fischer argues that Art Deco functioned as a trademark for popular notions of femininity during a time when women were widely considered to be the primary consumers in the average household, and as the tactics of advertisers as well as the content of new magazines such as Good Housekeeping and the Woman's Home Companion increasingly catered to female buyers. While reflecting the growing prestige of the modern woman, Art Deco-inspired consumerism helped shape the image of femininity that would dominate the American imagination for decades to come. In films of the middle and late 1920s, the Art Deco aesthetic was at its most radical. Female stars such as Greta Garbo, Joan Crawford, and Myrna Loy donned sumptuous Art Deco fashions, while the directors Cecil B. DeMille, Busby Berkeley, Jacques Feyder, and Fritz Lang created cinematic worlds that were veritable Deco extravaganzas. But the style soon fell into decline, and Fischer examines the attendant taming of the female role throughout the 1930s as a growing conservatism challenged the feminist advances of an earlier generation. Progressively muted in films, the Art Deco woman—once an object of intense desire—gradually regressed toward demeaning caricatures and pantomimes of unbridled sexuality. Exploring the vision of American womanhood as it was portrayed in a large body of films and a variety of genres, from the fashionable musicals of Josephine Baker, and Fred Astaire and Ginger Rogers to the fantastic settings of Metropolis, The Wizard of Oz, and Lost Horizon, Fischer reveals America's long standing fascination with Art Deco, the movement's iconic influence on cinematic expression, and how its familiar style left an indelible mark on American culture.
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 9780486242859
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
Her name was Maria do Carmo Miranda Da Cunha, but to millions around the world she was known as the "Brazilian Bombshell" ... the very essence of Latin fun, verve and vitality. From her first American film appearance in a Betty Grable musical, "Down Argentine Way" (20th Century-Fox), 1940, to her final role with Martin and Lewis, "Scared Stiff" (Paramount), 1953, the irrepressible and irreplaceable Carmen Miranda sang and danced her way across the cinematic screen and into the hearts of an adoring public. Carmen was born in the small northern Portuguese town of Marco de Canavezes in approximately 1909. She was brought to Brazil as a young girl and it was there that she first entered show business. By 1939 she had made some four hundred recordings several Brazilian films, had become a household word throughout South America and a national idol in Brazil when she was "discovered" for the American stage. Her lively sambas, Carnival marches, unique stage presence, and highly demanding rapid-delivery numbers completely overwhelmed audiences. Hollywood immediately clamored for this four-foot, eight-inch dynamo of talent who wore three-inch platforms on her feet and an orchard on her head. Relive those exciting performances with a full-color Carmen Miranda paper doll figure and thirty-one gorgeous costumes from all fourteen American films, including: "Down Argentine Way, " 1940 "Week-End in Havana," 1941 "The Gang's All Here," 1943 "Greenwich Village, " 1944 "Doll Face, " 1945/6 "Copacabana," 1947 "Nancy Goes to Rio," 1948/50 "That Night in Rio," 1941 "Springtime in the Rockies," 1942 "Four Jills in a Jeep," 1943/4 "Something for the Boys ," 1944/5 "If I'm Lucky," 1946 "A Date withJudy," 1948 "Scared Stiff," 1953For film historians, nostalgia enthusiasts, or for a generation that has yet to discover the sheer joy of Carmen Miranda, noted artist Tom Tierney has accurately captured an extraordinary and unforgettable performer in all her mirthful and exotic splendor.
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Category :
Languages : en
Pages : 116
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
