Author: Mary Hill-Wagner
Publisher: Pact Press
ISBN: 9781646030781
Category :
Languages : en
Pages : 207
Book Description
Girlz in the Hood is the unsentimental, moving, and surprisingly humorous account of a girl and her ten siblings who grew up in one of the roughest neighborhoods in Los Angeles. Mary's mother was a fierce matriarch, a single mom who raised eleven children with the help of welfare checks and a fire arm hidden in her bra. Drugs, guns, and pregnancies were everyday occurrences, but Mary and her siblings took it all in stride, spying on the grown-ups, playing in the streets, and helping to take care of the new babies when they were born. The dubious yet colorful cast of characters that came into their lives (the Jehovah Witnesses, the whores, the addicts, the "fathers"), and the never-ending series of hardships (the jail terms, the knife fights, the mental illness, and homicides), couldn't shake the core of the family. This is the story of Mary, but, even more so, it's the story of her mother, a uniquely strong and extraordinary woman who was able to survive moments of pain and disappointment by laughing at the comedy of human missteps, miscalculations, and downright stupidity. This is also a story about race and of poverty and how, over time, it can wear you down and destroy you, because, although Mary got out okay, her sisters and brothers were not so lucky.
Girlz 'n the Hood
Author: Mary Hill-Wagner
Publisher: Pact Press
ISBN: 9781646030781
Category :
Languages : en
Pages : 207
Book Description
Girlz in the Hood is the unsentimental, moving, and surprisingly humorous account of a girl and her ten siblings who grew up in one of the roughest neighborhoods in Los Angeles. Mary's mother was a fierce matriarch, a single mom who raised eleven children with the help of welfare checks and a fire arm hidden in her bra. Drugs, guns, and pregnancies were everyday occurrences, but Mary and her siblings took it all in stride, spying on the grown-ups, playing in the streets, and helping to take care of the new babies when they were born. The dubious yet colorful cast of characters that came into their lives (the Jehovah Witnesses, the whores, the addicts, the "fathers"), and the never-ending series of hardships (the jail terms, the knife fights, the mental illness, and homicides), couldn't shake the core of the family. This is the story of Mary, but, even more so, it's the story of her mother, a uniquely strong and extraordinary woman who was able to survive moments of pain and disappointment by laughing at the comedy of human missteps, miscalculations, and downright stupidity. This is also a story about race and of poverty and how, over time, it can wear you down and destroy you, because, although Mary got out okay, her sisters and brothers were not so lucky.
Publisher: Pact Press
ISBN: 9781646030781
Category :
Languages : en
Pages : 207
Book Description
Girlz in the Hood is the unsentimental, moving, and surprisingly humorous account of a girl and her ten siblings who grew up in one of the roughest neighborhoods in Los Angeles. Mary's mother was a fierce matriarch, a single mom who raised eleven children with the help of welfare checks and a fire arm hidden in her bra. Drugs, guns, and pregnancies were everyday occurrences, but Mary and her siblings took it all in stride, spying on the grown-ups, playing in the streets, and helping to take care of the new babies when they were born. The dubious yet colorful cast of characters that came into their lives (the Jehovah Witnesses, the whores, the addicts, the "fathers"), and the never-ending series of hardships (the jail terms, the knife fights, the mental illness, and homicides), couldn't shake the core of the family. This is the story of Mary, but, even more so, it's the story of her mother, a uniquely strong and extraordinary woman who was able to survive moments of pain and disappointment by laughing at the comedy of human missteps, miscalculations, and downright stupidity. This is also a story about race and of poverty and how, over time, it can wear you down and destroy you, because, although Mary got out okay, her sisters and brothers were not so lucky.
Reading Race
Author: Norman K Denzin
Publisher: SAGE
ISBN: 9780803975453
Category : Social Science
Languages : en
Pages : 256
Book Description
In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination.
Publisher: SAGE
ISBN: 9780803975453
Category : Social Science
Languages : en
Pages : 256
Book Description
In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination.
The 'Hood Comes First
Author: Murray Forman
Publisher: Wesleyan University Press
ISBN: 0819501662
Category : Music
Languages : en
Pages : 413
Book Description
Publisher: Wesleyan University Press
ISBN: 0819501662
Category : Music
Languages : en
Pages : 413
Book Description
Black Film, White Money
Author: Jesse Algeron Rhines
Publisher: Rutgers University Press
ISBN: 9780813522678
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Why are there so few Black filmmakers who control their own work? Why are there scarcely any Black women behind the camera? What happens to Black filmmakers when they move from independent production to the mainstream? What does it mean for whites to control Black images and their distribution globally? And, was it always so? Could it be different? In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present. He illuminates his discussion by carefully linking the history of early Black filmmaking to the current success of African American filmmakers and examines how African Americans have been affected by changes that have taken place in the industry as a whole. He focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the Black community. Many well-known directors, including Spike Lee, Reginald Hudlin, and Grace Blake are interviewed in the book, allowing Rhines to give readers an inside look at how deal making does--or does not--work. Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of The Birth of a Nation, through the emergence of the Black-owned Lincoln Motion Picture Company, and the later introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television, and Blaxploitation movies that won audiences back. He brings the story up to date with present-day blockbusters and the success of Spike Lee, who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African African community if more African American filmmakers can come to the forefront in the business.
Publisher: Rutgers University Press
ISBN: 9780813522678
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Why are there so few Black filmmakers who control their own work? Why are there scarcely any Black women behind the camera? What happens to Black filmmakers when they move from independent production to the mainstream? What does it mean for whites to control Black images and their distribution globally? And, was it always so? Could it be different? In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present. He illuminates his discussion by carefully linking the history of early Black filmmaking to the current success of African American filmmakers and examines how African Americans have been affected by changes that have taken place in the industry as a whole. He focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the Black community. Many well-known directors, including Spike Lee, Reginald Hudlin, and Grace Blake are interviewed in the book, allowing Rhines to give readers an inside look at how deal making does--or does not--work. Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of The Birth of a Nation, through the emergence of the Black-owned Lincoln Motion Picture Company, and the later introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television, and Blaxploitation movies that won audiences back. He brings the story up to date with present-day blockbusters and the success of Spike Lee, who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African African community if more African American filmmakers can come to the forefront in the business.
Hip Hop around the World
Author: Melissa Ursula Dawn Goldsmith
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933
Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933
Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
Philosophy of Education
Author: Philosophy of Education Society (U.S.). Meeting
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 448
Book Description
Village
Author: LaTasha N. Nevada Diggs
Publisher: Coffee House Press
ISBN: 1566896622
Category : Poetry
Languages : en
Pages : 151
Book Description
Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement. In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.
Publisher: Coffee House Press
ISBN: 1566896622
Category : Poetry
Languages : en
Pages : 151
Book Description
Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement. In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.
Cultural Studies 11.2
Author: Lawrence Grossberg
Publisher: Routledge
ISBN: 1134719019
Category : Art
Languages : en
Pages : 188
Book Description
Papers featured in this issue offer an in-depth examination of the interaction of ethnicity, identity, and 'multiculturalism' with contemporary culture.
Publisher: Routledge
ISBN: 1134719019
Category : Art
Languages : en
Pages : 188
Book Description
Papers featured in this issue offer an in-depth examination of the interaction of ethnicity, identity, and 'multiculturalism' with contemporary culture.
Mexican Screen Fiction
Author: Paul Julian Smith
Publisher: John Wiley & Sons
ISBN: 0745681255
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamá también. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boasting internationally renowned directors like Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and mini-series. Mexican TV now stakes a claim to being the most dynamic and pervasive national narrative. This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter. Mexican Screen Fiction will be an invaluable resource for students and scholars and essential reading for anyone interested in one of the most vibrant audiovisual industries in the world today.
Publisher: John Wiley & Sons
ISBN: 0745681255
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamá también. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boasting internationally renowned directors like Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and mini-series. Mexican TV now stakes a claim to being the most dynamic and pervasive national narrative. This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter. Mexican Screen Fiction will be an invaluable resource for students and scholars and essential reading for anyone interested in one of the most vibrant audiovisual industries in the world today.
If You Ask Me
Author: Libby Gelman-Waxner
Publisher: Ballantine Books
ISBN: 9780449909911
Category : Humor
Languages : en
Pages : 260
Book Description
Hi. I'm Libby Gelman-Waxner, and I'm an assistant buyer in juniors' activewear. While I find my work both rewarding and creative, especially with the new knits coming in, I want more. And so I decided to become a film critic.... Move over, Siskel & Ebert. Watch out, Leonard Maltin. And just forget saving that aisle seat, Mr. Medved. Libby Gelman-Waxner has arrived -- in the critic's circle, that is -- and the silver screen may never be the same again. Witty, wicked, and scathingly honest -- If You Ask Me is a hilarious collection of her columns from Premiere magazine. Just listen to Libby on some recent films and film stars: Prince of Tides -- "Barbra's only spontaneous moment in Prince of Tides comes when Nick tosses her a football and she screams 'My nails!'" Diane Keaton -- "She's a pioneer; she takes that thing that hangs in the back of your closet, the thing that was too marked down to pass up, Diane takes that thing and she doesn't call Goodwill, she wraps it around her head a few times, pins on a Smurf brooch, and wins an Oscar...." The Last of the Mohicans -- "Daniel Day-Lewis makes American actors look like giggly junior high school boys playing Nintendo during the prom; at one point, Madeleine asks Daniel what he is looking at, and he says, I'm looking at you, Miss, and let me tell you, the usher had to conk me with his flashlight to make me stop whimpering...." Daryl Hannah -- "All men in America, my Josh included, they all want a date with Daryl Hannah. A girl like Daryl -- we're not talking about a Ph.D. in comparative literature; I think we're talking about hair in the eyes and not much in the way of lingerie...."
Publisher: Ballantine Books
ISBN: 9780449909911
Category : Humor
Languages : en
Pages : 260
Book Description
Hi. I'm Libby Gelman-Waxner, and I'm an assistant buyer in juniors' activewear. While I find my work both rewarding and creative, especially with the new knits coming in, I want more. And so I decided to become a film critic.... Move over, Siskel & Ebert. Watch out, Leonard Maltin. And just forget saving that aisle seat, Mr. Medved. Libby Gelman-Waxner has arrived -- in the critic's circle, that is -- and the silver screen may never be the same again. Witty, wicked, and scathingly honest -- If You Ask Me is a hilarious collection of her columns from Premiere magazine. Just listen to Libby on some recent films and film stars: Prince of Tides -- "Barbra's only spontaneous moment in Prince of Tides comes when Nick tosses her a football and she screams 'My nails!'" Diane Keaton -- "She's a pioneer; she takes that thing that hangs in the back of your closet, the thing that was too marked down to pass up, Diane takes that thing and she doesn't call Goodwill, she wraps it around her head a few times, pins on a Smurf brooch, and wins an Oscar...." The Last of the Mohicans -- "Daniel Day-Lewis makes American actors look like giggly junior high school boys playing Nintendo during the prom; at one point, Madeleine asks Daniel what he is looking at, and he says, I'm looking at you, Miss, and let me tell you, the usher had to conk me with his flashlight to make me stop whimpering...." Daryl Hannah -- "All men in America, my Josh included, they all want a date with Daryl Hannah. A girl like Daryl -- we're not talking about a Ph.D. in comparative literature; I think we're talking about hair in the eyes and not much in the way of lingerie...."