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Author: Sarah Lees
Publisher: Clark Art Institute
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842-1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries--Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him--from the bustling streets and squares to caf�s, theaters, and concert halls--as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle �poque.
Author: Sarah Lees
Publisher: Clark Art Institute
ISBN:
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842-1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries--Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him--from the bustling streets and squares to caf�s, theaters, and concert halls--as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle �poque.
Author: Gabriel Badea-Päun
Publisher: Vendome Press
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
In a time that celebrates beauty and money over so much else, this book is a lesson in elegance, grace, and style. It draws together for the first time in a single volume a sumptuous gallery of portraits dating from the early nineteenth century to World War II. Some are well-known, others unfamiliar, but all capture the spirit of their age, throwing the society that produced them into sharp and vivid relief. "The Society Portrait" offers entertaining anecdotes and intriguing insights into the personalities of both the artists and their patrons, providing a panorama of the settings in which the portraits were created, from French chateaux and English country houses to American mansions and Russian palaces. From David to Ingres, from Sargent to Boldini, from Dali to Warhol, "The Society Portrait" presents a dazzling array of works of art, and discusses them in their art historical and social context in the most elegant and entertaining manner. Lavishly illustrated new book . . . . "Vogue" An impressive and seminal work, "The Society Portrait: From David To Warhol" is a critically important and essential addition for personal, professional, and academic library History of Art reference collections and supplemental reading lists. "Library Bookwatch" This book, a masterful examination of society portraits, is studded with amazing reproductions from the early 1800s to the 20th-century's nouveau riche. It's captivating and insightful, a catalogue of the various periods' aspirations and societal mores. "Washington Post" Lush and well researched, it's sure to please art lovers. "Southern Accents" "Society Portraits" reminds us that while society shapes art, perhaps the mark of true greatness is when art creates a portrait of society. "Brillant Magazine ""
Author: Michelle Gable
Publisher: A Thomas Dunne Book for St. Martin's Griffin
ISBN: 1250115906
Category : Fiction
Languages : en
Pages : 497
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Book Description
"I'll see you in Paris is based on the rich and storied real life of Gladys Spencer-Churchill, the Duchess of Marlborough. Nearly a century after Gladys' heyday, a young woman's quest to understand the legendary duchess takes her from a charming hamlet in the English countryside, to a dilapidated manse kept behind barbed wire, and ultimately to Paris. In the end, she not only solves the riddle of the duchess, but also uncovers the missing pieces in her own life." -- p.4 of cover.
Author: Sheldon Barr
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
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Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Author: Andreas Blühm
Publisher: Hirmer Verlag GmbH
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
One of the foremost artists of 19th century France, Alexandre Cabanel (1823 - 1889), will be featured in his first exhibition at the Wallraf in Spring 2011. In cooperation with Musée Fabre in Montpellier, the Wallraf in Cologne will present over 60 works by a man who rose from the rank of a lowly carpenter's son to become court painter to Napoleon III. In order to give these graceful works by the last of the great salon painters just the right ambience, the Wallraf has secured the services of a distinguished compatriot of Cabanel: Star designer Christian Lacroix has been commissioned to design a special interior exclusively for the exhibition. Lacroix studied at the Academy of Arts in Montpellier the hometown of Cabanel and regards the painter as one of his all-time favourites. Exhibition: Wallraf-Richartz Museum, Köln (4.2-15.5.2011).
Author: Newport Art Museum (R.I.)
Publisher: UPNE
ISBN: 9781584650188
Category : Art
Languages : en
Pages : 352
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Book Description
"In 1992, the Newport Art Museum assembled an exhibition of 223 portraits of Newporters painted over a period of three centuries. It presented not just a gallery of the Newport elite and some of its haute bourgeoisie, but also a showcase of the most famous portraitists and portrait styles throughout United States history. Artists represented in this collection range from the great colonial portraitists Gilbert Stuart, Robert Feke, and John Singleton Copley to such modern figures as Diego Rivera, Larry Rivers, and Andy Warhol."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Sarah Lehrer-Graiwer
Publisher: MIT Press
ISBN: 1846381363
Category : Art
Languages : en
Pages : 110
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Book Description
An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Author: Arron Adams
Publisher:
ISBN: 9781533023995
Category :
Languages : en
Pages : 50
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Book Description
Giovanni Boldini was known as the "Master of Swish" because of his flowing style of painting. His paintings and drawings showed his subject in soft-focus, elongated, in movement, alive, and sophisticated. He painted mostly portraits and also landscapes in the naturalistic style of his day, and worked on engravings, with pastels, watercolors and etchings. He became the most fashionable portrait painter in Paris in the late 19-th century, with a dashing style of painting which shows some Impressionist influence but which most closely resembles the work of his contemporaries John Singer Sargent and Paul Helleu. Only toward the end of his long life, did his style change, using mainly dark, rich colors.
Author: James A. Ganz
Publisher: Skira
ISBN: 0847835537
Category : Art
Languages : en
Pages : 242
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Book Description
Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.
Author: Maria Peitcheva
Publisher:
ISBN: 9781523761722
Category :
Languages : en
Pages : 64
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Book Description
Giovanni Boldini (1842 - 1931) was an Italian genre and portrait painter. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting. His paintings showed his subject in soft-focus, elongated, in movement, alive, and sophisticated. The brush work on his paintings was swift and bold. It is the masterful brushwork that gives his paintings the sense of motion. He painted mostly portraits and also landscapes in the naturalistic style of his day, influenced by the Macchiaioli schooled artists he knew in Florence, and worked on engravings, with pastels, watercolors and etchings. He became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Impressionist influence but which most closely resembles the work of his contemporaries John Singer Sargent and Paul Helleu. Only toward the end of his long life, did his style change, using mainly dark, rich colors.Giovanni Boldini enjoyed a long and successful artistic career. He was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known.Moving to London, Boldini attained success as a portraitist. He completed portraits of premier members of society including Lady Holland and the Duchess of Westminster. From 1872 he lived in Paris, where he became a friend of Edgar Degas. Boldini developed his own, distinct style, and his portraits grew in fame, helped greatly by a portrait commissioned by Giuseppe Verdi in 1886, the biggest celebrity of his day. He was nominated commissioner of the Italian section of the Paris Exposition in 1889, and received the Légion d'honneur for this appointment. He died of pneumonia while in Paris, and is buried in his hometown of Ferrara, Italy.
