Giovanni Battista Maldura and the Invention of the Roman Mandolin PDF Download
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Author: Lorenzo Lippi
Publisher:
ISBN: 9788831444217
Category : History
Languages : en
Pages : 0
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Book Description
Author: Lorenzo Lippi
Publisher:
ISBN: 9788831444217
Category : History
Languages : en
Pages : 0
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Book Description
Author: Lorenzo Lippi
Publisher: LeMus Edizioni
ISBN: 8831444247
Category : Biography & Autobiography
Languages : en
Pages : 166
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Book Description
THE BOOK. Giovanni Battista Maldura (1859–1905), a renowned musician and tireless entertainer of Rome’s musical life in the second half of the 19th century, was also an undisputed innovator of a new concept of mandolin making, an instrument of which he was recognised as a great virtuoso. The need to restore the legitimate role of the figure of Maldura arises at a time when the mandolin is regaining, after a few decades of oblivion, its rightful place in the musical and cultural history of Italy, finally freeing itself from the stigma of the second half of the 20th century that bound it predominantly, if not sometimes exclusively, to a mostly popular soundscape. This book – written in two voices – brings together Maldura’s two souls: that of a brilliant teacher and musician, and that of a luthier, two souls that were never too far apart. THE AUTHORS Lorenzo Lippi has been considered for a long time one of the most esteemed Italian luthier. He started his career mostly involved in building antique instruments and later, for years, also in classic guitars and mandolins. He is deeply experienced as teacher at the “Civica Scuola di Liuteria” in Milan, where, since 1979, he had an active role in training a big part of the current Italian luthiers and also several foreign luthiers. Well known also for his organologic and technologic studies, he is author of several releases; recently he has written some items for the new edition of Grove Dictionary of Musical Instruments; he is often invited to give lectures and master class overseas. First Prize and Gold Medal at the “Third International Instrument Making Competition” in Pisogne (Brescia). Several musicians all over the world (Japan, Netherlands, Norway, Italy, France, Austria, USA, Switzerland, China, Korea, Taiwan, Mexico and Greece) perform Lorenzo Lippi’s instruments. Donatella Melini Researcher (RTDa – sector L-ART/07) at the University of Pavia, she graduated in Disciplines of Music and Performing Arts from the University of Bologna where she later specialized in Renaissance Art History. In 2002, she received an advanced Master’s degree in “Philology of Musical Texts,” from the University of Pavia and in 2008 a PhD in Musicology from the University of Innsbruck. Master luthier, in 2016 she was included in the official national list of restoration technicians of Mic (Italian Ministry of Culture). A scholar of Musical Iconography and Organology she collaborates with the Associazione Liutaria Italiana (A.L.I.) and the Antonio Carlo Monzino Foundation in Milan. Since 2018, he has been a scientific consultant to the National Museum of Science and Technology in Milan for the study and preservation of the Emma Vecla collection of musical instruments.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 906
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Author: Dexter Smith
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 402
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Author: Karel Jalovec
Publisher: Hassell Street Press
ISBN: 9781014165206
Category :
Languages : en
Pages : 484
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ralf Leenen
Publisher:
ISBN: 9789073838314
Category : Mandolin
Languages : en
Pages : 149
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Book Description
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 678
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Book Description
Author: John Neylon Molony
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
An autobiographical account of an Australian childhood and young manhood spanning the years of the Great Depression.
Author: Woll Alfred
Publisher:
ISBN: 9783982226415
Category :
Languages : en
Pages :
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Author: Jeffrey Noonan
Publisher: Univ. Press of Mississippi
ISBN: 1604733020
Category : Electronic books
Languages : en
Pages : 239
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Book Description
The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .
