Author: Eleonora M. Beck
Publisher: EPAP
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
Giotto's Harmony explores the philosophical and cultural intersection of musicians, artists, and intellectuals in early Trecento Padua. Padua's unique intellectual fervor, with its prominent university and proximity to Venice, attracted such titan celebrities as Giotto, Dante, Marchetto da Padova, and Pietro d'Abano. The richness of their cross-disciplinary work places Padua at the forefront of pre-humanism. Both Giotto and Marchetto da Padova sought to reproduce natural phenomena as faithfully as possible in their respective métiers. Professor Beck argues that this return to nature is a reflection of the rebirth of the Aristotelian philosophy of nature found in the Physica and Metaphysica, taught at the University of Padua, and expounded in the theories of Pietro d'Abano. Paduan musical pre-humanist contributions are posited to be at the vanguard of musical development in Italy, rather than a footnote to the musical culture of Florence. Indeed, Giotto's Harmony makes the case that the musical Renaissance, which is often believed to have its origins in the much later work of Dunstable and Dufay, has its roots in Padua's pre-humanist tradition, as reflected in the work of Marchetto and contemporary theorists and composers.
Author: Henrike Christiane Lange
Publisher: Cambridge University Press
ISBN: 1009041657
Category : Art
Languages : en
Pages : 581
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Book Description
In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world – Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous “Assisi controversy” and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.
Author: Kelly Mass
Publisher: Efalon Acies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 30
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Book Description
In the annals of late-medieval artistry, Giotto di Bondone, affectionately known as Giottus, emerges as a luminary figure hailing from the vibrant city of Florence. His artistic endeavors unfolded during the epoch of Gothic/Proto-Renaissance, a period marked by a nuanced blend of traditions and emerging artistic expressions. Giovanni Villani, a contemporaneous banker and chronicler immersed in the cultural tapestry of Giotto's era, extolled him as "the most sovereign master of painting in his day." Villani marveled at Giotto's ability to draw figures and poses in harmony with nature, lauding his skill and excellence. Meanwhile, Giorgio Vasari, a later art historian, credited Giotto with initiating a paradigm shift in painting, laying the foundation for the art as we recognize it today. Vasari emphasized Giotto's groundbreaking approach, which involved drawing precisely from life, a method overlooked for over two centuries. Giotto's magnum opus, the Scrovegni Chapel, also known as the Arena Chapel, stands as a testament to his artistic prowess. Completed around 1305 in Padua, this masterpiece unfolds a narrative tapestry portraying the lives of the Virgin and Christ. Revered as one of the paramount achievements of the Early Renaissance, the chapel's fresco cycle resonates with the spirit of innovation and a departure from convention. Despite the acclaim surrounding Giotto's artistic contributions, the details of his life remain shrouded in ambiguity. While he is definitively credited with painting the Arena Chapel, his appointment by the Commune of Florence in 1334 to construct the new campanile of the Florence Cathedral underscores his broader impact. However, Giotto's birth date, birthplace, physical appearance, apprenticeship details, the chronological order of his works, and even the attribution of famous paintings in the Upper Basilica of Saint Francis in Assisi remain subjects of scholarly contention. In the kaleidoscope of Giotto's legacy, the interplay of art and mystery weaves a captivating narrative. The enigmatic facets of his life not only contribute to the allure surrounding his persona but also underscore the complex nature of artistic identity in a bygone era. As Giotto's brushstrokes echo through time, each stroke invites contemplation, inviting us to delve into the untold chapters of a masterful artist's journey.
Author: Harry Quilter
Publisher:
ISBN:
Category : Painting, Renaissance
Languages : en
Pages : 206
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Book Description
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Harry Quilter
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 148
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Book Description
"Giotto" by Harry Quilter is an essay about the facts of Giotto's life. The information has been taken from Vasari's Lives of the Painters and compared with those given by all later writers on the same subject. The descriptions of Padua, Assisi, and Florence were written on the spot, and the vignettes of the two former towns are reduced from sketches made by the author on purpose for the present work. The fresco of the Unknown Madonna, formerly attributed to Giotto, and still ascribed to him by the monks of Assisi, is reproduced here, by chromo-lithography, from a watercolor drawing made by the author at Assisi in the spring of last year—its only use is to show readers the kind of coloring prevalent in Giotto's work.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217330
Category : Art
Languages : en
Pages : 433
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Book Description
Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Osvald Sirén
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 310
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Book Description
Author: Jules Lubbock
Publisher: Yale University Press
ISBN: 9780300117271
Category : Art
Languages : en
Pages : 380
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Book Description
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery.
Author: Giotto di Bondone
Publisher: Delphi Classics
ISBN: 1786564971
Category : Art
Languages : en
Pages : 728
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Book Description
Revered as the father of European painting and the first of the great Italian masters, Giotto di Bondone was the leading Italian painter of the fourteenth century, whose pioneering works would lead on to the innovations and wonders of the High Renaissance. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Giotto’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Giotto — over 200 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Giotto’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Features three bonus biographies - discover Giotto's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights LIFE OF ST. FRANCIS — Assisi, Upper Church BADIA POLYPTYCH CRUCIFIX OF RIMINI SCENES FROM THE LIFE OF JOACHIM — Padua, Arena Chapel SCENES FROM THE LIFE OF THE VIRGIN — Padua, Arena Chapel SCENES FROM THE LIFE OF CHRIST — Padua, Arena Chapel VIRTUES AND VICES — Padua, Arena Chapel LAST JUDGMENT — Padua, Arena Chapel OGNISSANTI MADONNA SCENES FROM THE LIFE OF MARY MAGDALEN — Assisi, Lower Church SCENES FROM THE LIFE OF CHRIST — Assisi, Lower Church SCENES FROM THE LIFE OF ST. FRANCIS — Florence, Bardi Chapel SCENES FROM THE LIFE OF JOHN THE BAPTIST — Florence, Peruzzi Chapel STEFANESCHI ALTARPIECE MADONNA AND CHILD (WASHINGTON) BOLOGNA POLYPTYCH GIOTTO’S CAMPANILE The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Biographies GIOTTO by Giorgio Vasari GIOTTO AND HIS WORKS IN PADUA by John Ruskin GIOTTO by Harry Quilter Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
