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Author: Maria Rauschenberger
Publisher: John Benjamins Publishing
ISBN: 9789060322031
Category : Literary Criticism
Languages : en
Pages : 764
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Book Description
Author: Maria Rauschenberger
Publisher: John Benjamins Publishing
ISBN: 9789060322031
Category : Literary Criticism
Languages : en
Pages : 764
Get Book Here
Book Description
Author: Ouida
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Author: Norman Kreitman
Publisher: Routledge
ISBN: 0429764472
Category : Philosophy
Languages : en
Pages : 344
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Book Description
First published in 1999, this study begins with a review of basic biological functions, stressing the importance to the organism of various kinds of information. The 'biology of information' must consider how the brain reacts to new, as contrasted with expected, inputs; these differences are discussed chiefly in relation to language. In language processing predictability is of prime importance, but to clarify what this entails it is necessary to consider just how our concepts are organized. Personal construct theory throws considerable light on this question, but is less informative about fantasy, which requires separate exploration. The main chapter focuses on the origins and interpretation of metaphor, in which quite disparate concepts are united but which we understand nevertheless. Existing theories of metaphor are unsatisfactory, but personal construct theory again helps resolve the psychological-linguistic issues. Finally, the question is raised as to why a good metaphor produces a response which is recognizably aesthetic in character, and its implications for our aesthetic responses to other art forms are explored.
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1412
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Author: Jean-Louis CLARET
Publisher: Anthem Press
ISBN: 1839990619
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This study investigates the capacity of Shakespeare’s texts – obviously destined for stage performances – to generate images and mental colours in the readers’ and in the spectators’ minds. Such notions as Ut pictura poesis and the paragoneare discussed in the first part of this book, along with the function and nature of colours. After considering the sets of correspondences and the major differences between texts and images, the author presents and analyzes some of his own illustrations of Shakespearean characters. Jean-Louis Claret, both a university professor specialized in Shakespeare’s theatre and an illustrator, proposes to shed light on the process that led him from the perusal of the written text to the visualization of visages. The voice of poets is unconventionally called upon to shed light on the complex mechanisms he describes.
Author: Marie Louise De la Ramée
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Author: Philippa Pullar
Publisher: Hamish Hamilton
ISBN:
Category : History
Languages : en
Pages : 200
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Author:
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1436
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Author: John Bartlett
Publisher:
ISBN:
Category :
Languages : en
Pages : 1934
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Author: William Henry Davenport Adams
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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