Author: British Museum
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
This is a volume of the collected papers given by 30 specialist contributors at an international conference held in the British Museum in April 1995. The focus is on the materials, techniques, iconography, patronage and trade of gilded and enamelled glass of 13th-15th century Egypt and Syria, as well as the origins of the technique in the Byzantine and early Islamic periods and its influence on production in Venice and other European sites between the 14th and 19th centuries. Contributors include archaeologists, art historians, historians, scientists, and glassmakers from Cairo, Jerusalem, St Petersburg, New York, Berlin, Bonn, Hamburg, Granada, Venice, Dublin, Sheffield, Bristol, Edinburgh, and London.
Gilded and Enamelled Glass from the Middle East
Author: British Museum
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
This is a volume of the collected papers given by 30 specialist contributors at an international conference held in the British Museum in April 1995. The focus is on the materials, techniques, iconography, patronage and trade of gilded and enamelled glass of 13th-15th century Egypt and Syria, as well as the origins of the technique in the Byzantine and early Islamic periods and its influence on production in Venice and other European sites between the 14th and 19th centuries. Contributors include archaeologists, art historians, historians, scientists, and glassmakers from Cairo, Jerusalem, St Petersburg, New York, Berlin, Bonn, Hamburg, Granada, Venice, Dublin, Sheffield, Bristol, Edinburgh, and London.
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
This is a volume of the collected papers given by 30 specialist contributors at an international conference held in the British Museum in April 1995. The focus is on the materials, techniques, iconography, patronage and trade of gilded and enamelled glass of 13th-15th century Egypt and Syria, as well as the origins of the technique in the Byzantine and early Islamic periods and its influence on production in Venice and other European sites between the 14th and 19th centuries. Contributors include archaeologists, art historians, historians, scientists, and glassmakers from Cairo, Jerusalem, St Petersburg, New York, Berlin, Bonn, Hamburg, Granada, Venice, Dublin, Sheffield, Bristol, Edinburgh, and London.
The Arts of Fire
Author: Catherine Hess
Publisher: Getty Publications
ISBN: 089236758X
Category : Art, Islamic
Languages : en
Pages : 186
Book Description
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.
Publisher: Getty Publications
ISBN: 089236758X
Category : Art, Islamic
Languages : en
Pages : 186
Book Description
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.
Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Publisher: BRILL
ISBN: 9004170588
Category : Architecture
Languages : en
Pages : 1510
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Reimagining Jerusalem’s Architectural Identities in the Later Middle Ages
Author: Cathleen A. Fleck
Publisher: BRILL
ISBN: 9004525890
Category : History
Languages : en
Pages : 420
Book Description
This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.
Publisher: BRILL
ISBN: 9004525890
Category : History
Languages : en
Pages : 420
Book Description
This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.
The Arts of the Mamluks in Egypt and Syria
Author: Doris Behrens-Abouseif
Publisher: V&R unipress GmbH
ISBN: 3899719158
Category : Architecture
Languages : en
Pages : 353
Book Description
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Publisher: V&R unipress GmbH
ISBN: 3899719158
Category : Architecture
Languages : en
Pages : 353
Book Description
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Collecting Inspiration: Edward C. Moore at Tiffany & Co.
Author: Medill Higgins Harvey
Publisher: Metropolitan Museum of Art
ISBN: 1588396908
Category : Art
Languages : en
Pages : 313
Book Description
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.
Publisher: Metropolitan Museum of Art
ISBN: 1588396908
Category : Art
Languages : en
Pages : 313
Book Description
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore’s acquisitions. Included among them are the world-famous Bryant Vase drawing upon Greek examples, a love cup featuring ornate “Saracenic” decoration, and a chocolate pot incorporating novel techniques influenced by Japanese ceramics and lacquerware. The illuminating texts have been enriched by groundbreaking research into contemporary sources such as newspapers and periodicals, the Tiffany & Co. Archives, and a newly identified technical manual and supervisor’s diaries, all of which provide an intimate look at the firm’s design processes and Moore’s role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates both the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age.
The Archaeology and History of the Church of the Redeemer and the Muristan in Jerusalem
Author: Dieter Vieweger
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914207
Category : Social Science
Languages : en
Pages : 322
Book Description
This monograph contains fifteen chapters written by leading scholars from around the world dealing with the archaeological and historical aspects of the Muristan from the Iron Age through to Ottoman times.
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914207
Category : Social Science
Languages : en
Pages : 322
Book Description
This monograph contains fifteen chapters written by leading scholars from around the world dealing with the archaeological and historical aspects of the Muristan from the Iron Age through to Ottoman times.
Islamic Calligraphy
Author: Sheila S. Blair
Publisher: Edinburgh University Press
ISBN: 1474464475
Category : Architecture
Languages : en
Pages : 720
Book Description
No detailed description available for "Islamic Calligraphy".
Publisher: Edinburgh University Press
ISBN: 1474464475
Category : Architecture
Languages : en
Pages : 720
Book Description
No detailed description available for "Islamic Calligraphy".
The Materiality of Color
Author: Andrea Feeser
Publisher: Routledge
ISBN: 1351542737
Category : Art
Languages : en
Pages : 440
Book Description
Although much has been written on the aesthetic value of color, there are other values that adhere to it with economic and social values among them. Through case studies of particular colors and colored objects, this volume demonstrates just how complex the history of color is by focusing on the diverse social and cultural meanings of color; the trouble, pain, and suffering behind the production and application of these colors; the difficult technical processes for making and applying color; and the intricacy of commercial exchanges and knowledge transfers as commodities and techniques moved from one region to another. By emphasizing color's materiality, the way in which it was produced, exchanged, and used by artisans, artists, and craftspersons, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation, and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts. This book captures color's global history with chapters on indigo plantations in India and the American South, cochineal production in colonial Oaxaca, the taste for brightly colored Chinese objects in Europe, and the thriving trade in vermilion between Europeans and Native Americans. To underscore the complexity of the technical knowledge behind color production, there are chapters on the 'discovery' of Prussian blue, Brazilian feather techn?and wallpaper production. To sound the depths of color's capacity for social and cultural meaning-making, there are chapters that explore the significance of black ink in Shakespeare's sonnets, red threads in women's needlework samplers, blues in Mayan sacred statuary, and greens and yellows in colored glass bracelets that were traded across the Arabian desert in the late Middle Ages. The purpose of this book is to recover color's complex-and sometimes morally troubling-past, and in doing so,
Publisher: Routledge
ISBN: 1351542737
Category : Art
Languages : en
Pages : 440
Book Description
Although much has been written on the aesthetic value of color, there are other values that adhere to it with economic and social values among them. Through case studies of particular colors and colored objects, this volume demonstrates just how complex the history of color is by focusing on the diverse social and cultural meanings of color; the trouble, pain, and suffering behind the production and application of these colors; the difficult technical processes for making and applying color; and the intricacy of commercial exchanges and knowledge transfers as commodities and techniques moved from one region to another. By emphasizing color's materiality, the way in which it was produced, exchanged, and used by artisans, artists, and craftspersons, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation, and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts. This book captures color's global history with chapters on indigo plantations in India and the American South, cochineal production in colonial Oaxaca, the taste for brightly colored Chinese objects in Europe, and the thriving trade in vermilion between Europeans and Native Americans. To underscore the complexity of the technical knowledge behind color production, there are chapters on the 'discovery' of Prussian blue, Brazilian feather techn?and wallpaper production. To sound the depths of color's capacity for social and cultural meaning-making, there are chapters that explore the significance of black ink in Shakespeare's sonnets, red threads in women's needlework samplers, blues in Mayan sacred statuary, and greens and yellows in colored glass bracelets that were traded across the Arabian desert in the late Middle Ages. The purpose of this book is to recover color's complex-and sometimes morally troubling-past, and in doing so,
Journal of Glass Studies
Author:
Publisher:
ISBN:
Category : Glass manufacture
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Glass manufacture
Languages : en
Pages : 276
Book Description