The Encyclopaedia Britannica

The Encyclopaedia Britannica PDF Author: Thomas Stewart Traill
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 858

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The Encyclopaedia Britannica

The Encyclopaedia Britannica PDF Author: Thomas Stewart Traill
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 858

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Bibliograpy of Medieval Drama

Bibliograpy of Medieval Drama PDF Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434

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The Encyclopædia Britannica, Or, Dictionary of Arts, Sciences, and General Literature

The Encyclopædia Britannica, Or, Dictionary of Arts, Sciences, and General Literature PDF Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 842

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Bibliography of Medieval Drama

Bibliography of Medieval Drama PDF Author: Carl J. Stratman
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

A Gil Vicente Bibliography (2005–2015)

A Gil Vicente Bibliography (2005–2015) PDF Author: Constantin C. Stathatos
Publisher: Rowman & Littlefield
ISBN: 1611462770
Category : Reference
Languages : en
Pages : 127

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Book Description
This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.

Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries

Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries PDF Author: Henry Hallam
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 928

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Divination on stage

Divination on stage PDF Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311073480X
Category : Literary Criticism
Languages : en
Pages : 320

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Book Description
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.

The Modern Language Review

The Modern Language Review PDF Author: John George Robertson
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 394

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Book Description
Each number includes the section "Reviews."

A Companion to Early Modern Hispanic Theater

A Companion to Early Modern Hispanic Theater PDF Author: Hilaire Kallendorf
Publisher: BRILL
ISBN: 9004263012
Category : Literary Criticism
Languages : en
Pages : 404

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Book Description
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.

The Reinvention of Theatre in Sixteenth-century Europe

The Reinvention of Theatre in Sixteenth-century Europe PDF Author: T.F. Earle
Publisher: Routledge
ISBN: 1351541145
Category : Foreign Language Study
Languages : en
Pages : 389

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Book Description
The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.