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Author: Davide Gasparotto
Publisher: Getty Publications
ISBN: 1606068385
Category : Art
Languages : en
Pages : 132
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Book Description
A thoughtful look at representations of people experiencing poverty in early modern Europe. The northern Italian artist Giacomo Ceruti (1698–1767) was born in Milan and active in Brescia and Bergamo. For his distinctive, large-scale paintings of low-income tradespeople and individuals experiencing homelessness, whom he portrayed with dignity and sympathy, Ceruti came to be known as Il Pitocchetto (the little beggar). Accompanying the first US exhibition to focus solely on Ceruti, this publication explores relationships between art, patronage, and economic inequality in early modern Europe, considering why these paintings were commissioned and by whom, where such works were exhibited, and what they signified to contemporary audiences. Essays and a generous plate section contextualize and closely examine Ceruti’s pictures of laborers and the unhoused, whom he presented as protagonists with distinct stories rather than as generic types. Topics include depictions of marginalized subjects in the history of early modern European art, the career of the artist and his significance in the history of European painting, and period discourses around poverty and social support. A detailed exhibition checklist, complete with provenance, exhibition history, and bibliography, provides information critical for the further understanding of Ceruti’s oeuvre. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from July 18 to October 29, 2023.
Author: Davide Gasparotto
Publisher: Getty Publications
ISBN: 1606068385
Category : Art
Languages : en
Pages : 132
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Book Description
A thoughtful look at representations of people experiencing poverty in early modern Europe. The northern Italian artist Giacomo Ceruti (1698–1767) was born in Milan and active in Brescia and Bergamo. For his distinctive, large-scale paintings of low-income tradespeople and individuals experiencing homelessness, whom he portrayed with dignity and sympathy, Ceruti came to be known as Il Pitocchetto (the little beggar). Accompanying the first US exhibition to focus solely on Ceruti, this publication explores relationships between art, patronage, and economic inequality in early modern Europe, considering why these paintings were commissioned and by whom, where such works were exhibited, and what they signified to contemporary audiences. Essays and a generous plate section contextualize and closely examine Ceruti’s pictures of laborers and the unhoused, whom he presented as protagonists with distinct stories rather than as generic types. Topics include depictions of marginalized subjects in the history of early modern European art, the career of the artist and his significance in the history of European painting, and period discourses around poverty and social support. A detailed exhibition checklist, complete with provenance, exhibition history, and bibliography, provides information critical for the further understanding of Ceruti’s oeuvre. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from July 18 to October 29, 2023.
Author: Giorgio Bordin
Publisher: Getty Publications
ISBN: 1606060449
Category : Art
Languages : en
Pages : 387
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Book Description
Fully illustrated with hundreds of artworks, this guide explores depictions of illness and healing in Western art.
Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 9780226063362
Category : Art
Languages : en
Pages : 740
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Book Description
In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice
Author: Heritage Auction Galleries (Dallas, Tex.)
Publisher: Heritage Capital Corporation
ISBN: 9781599670881
Category : Art auctions
Languages : en
Pages : 178
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Book Description
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588391175
Category : Naturalism in art
Languages : en
Pages : 273
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Book Description
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Author: Barbara Murovec
Publisher: Založba ZRC
ISBN: 9616568566
Category : Almanach" (Künstler)
Languages : en
Pages : 354
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Book Description
Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554115
Category : Art
Languages : en
Pages : 229
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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.
Author: Niall O’Flaherty
Publisher: Manchester University Press
ISBN: 1526166763
Category : History
Languages : en
Pages : 240
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Book Description
This collection of essays examines the ways in which poverty was conceptualised in the social, political, and religious discourses of eighteenth-century Europe. It brings together experts with a wide range of expertise to offer pathbreaking discussions of how eighteenth-century thinkers thought about the poor. Because the theme of poverty played important roles in many critical issues in European history, it was central to some of the key debates in Enlightenment political thought throughout the period, including the controversies about sovereignty and representation, public and private charity, as well as questions relating to crime and punishment. The book examines some of the most important contributions to these debates, while also ranging beyond the canonical Enlightenment thinkers, to investigate how poverty was conceptualised in the wider intellectual culture, as politicians, administrators and pamphlet writers grappled with the issue.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830343
Category : Literary Criticism
Languages : en
Pages : 550
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Rough Guides
Publisher: Rough Guides UK
ISBN: 0241217539
Category : Travel
Languages : en
Pages : 511
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Book Description
Now available as an epub, the Rough Guide to The Italian Lakes is the most authoritative guide to this exquisitely beautiful region. Clear maps and detailed coverage of every attraction, from dramatic Lake Garda and dreamy Lake Como to scenic journeys and unforgettable hideaways on charming Lake Maggiore and lesser-known lakes such as Orta, Iseo and Lugano. Discover the majestic beauty of Verona, as well as the best shopping in Milan and the finest art in Bergamo and Mantua (Mantova). Itineraries suggest tailored trips, while knowledgeable accounts bring the area's Baroque gardens and Renaissance palaces to life. Rely on up-to-date recommendations of the best restaurants, bars, cafés, shops and hotels for every budget and to suit every taste. Follow epic walks and cycle ways, explore lakeside villas, visit medieval villages. Relax, draw breath and lose yourself in the spectacular Italian Lakes, with sharp, intelligent writing from experienced authors. Make the most of your time on EarthTM with The Rough Guide to The Italian Lakes.
