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Author: Giorgio Bordin
Publisher: Getty Publications
ISBN: 1606060449
Category : Art
Languages : en
Pages : 387
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Book Description
Fully illustrated with hundreds of artworks, this guide explores depictions of illness and healing in Western art.
Author: Giorgio Bordin
Publisher: Getty Publications
ISBN: 1606060449
Category : Art
Languages : en
Pages : 387
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Book Description
Fully illustrated with hundreds of artworks, this guide explores depictions of illness and healing in Western art.
Author: Davide Gasparotto
Publisher: Getty Publications
ISBN: 1606068385
Category : Art
Languages : en
Pages : 132
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Book Description
A thoughtful look at representations of people experiencing poverty in early modern Europe. The northern Italian artist Giacomo Ceruti (1698–1767) was born in Milan and active in Brescia and Bergamo. For his distinctive, large-scale paintings of low-income tradespeople and individuals experiencing homelessness, whom he portrayed with dignity and sympathy, Ceruti came to be known as Il Pitocchetto (the little beggar). Accompanying the first US exhibition to focus solely on Ceruti, this publication explores relationships between art, patronage, and economic inequality in early modern Europe, considering why these paintings were commissioned and by whom, where such works were exhibited, and what they signified to contemporary audiences. Essays and a generous plate section contextualize and closely examine Ceruti’s pictures of laborers and the unhoused, whom he presented as protagonists with distinct stories rather than as generic types. Topics include depictions of marginalized subjects in the history of early modern European art, the career of the artist and his significance in the history of European painting, and period discourses around poverty and social support. A detailed exhibition checklist, complete with provenance, exhibition history, and bibliography, provides information critical for the further understanding of Ceruti’s oeuvre. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from July 18 to October 29, 2023.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588391175
Category : Naturalism in art
Languages : en
Pages : 273
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Book Description
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 9780226063362
Category : Art
Languages : en
Pages : 740
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Book Description
In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice
Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554115
Category : Art
Languages : en
Pages : 229
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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.
Author: Mary Hollingsworth
Publisher: Routledge
ISBN: 1317476514
Category : History
Languages : en
Pages : 542
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Book Description
This is a collection of two volumes covering the History of Art and its relationship with human development, religion and cultures. Volume One starts from the early civilisations and the origins of art in early artifacts, the kingdoms of Mesopotamia and Ancient Egypt, Eastern Mediterranean and the empire in China. It continues onto the sixteenth century, taking in Classical Greece and Rome; Byzantine Art, the Carolingian Empire, explain to the rise of Islamic African Art and the development of India Art around the religions of Buddhism, Jainism and Hinduism, as well as Chinese Art of Taoism and Confucianism. Much of art in the medieval age was influenced by the conquests, religion and faith as well as gothic and Italian City State art. The early renaissance of the fifteenth century is heavily steeped in the history of Florence and the Papacy as well as the princes and merchants of northern Europe; compassing Venetian art at the end of the sixteenth century. Volume Two continues until the twentieth century, looking at the themes of power and image in the European courts as well as the Muslim Courts. The strength of the Catholic church influences the Roman and Baroque art developments of the seventeenth century, as well as expeditions to the Americas, Spain and the Netherlands. The frivolity and extravagance dominates eighteenth century art with the arrival of Rococo and a return to neoclassicism, which moved to romanticism in the nineteenth century and the freedom of realism, impressionism, and the new materials of the industrial revolution in the twentieth century. Both volumes contain an index of names and places.
Author: Massimo Mazzotti
Publisher: JHU Press
ISBN: 1421410427
Category : Mathematics
Languages : en
Pages : 240
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Book Description
The fascinating true story of mathematician Maria Agnesi. She is best known for her curve, the witch of Agnesi, which appears in almost all high school and undergraduate math books. She was a child prodigy who frequented the salon circuit, discussing mathematics, philosophy, history, and music in multiple languages. She wrote one of the first vernacular textbooks on calculus and was appointed chair of mathematics at the university in Bologna. In later years, however, she became a prominent figure within the Catholic Enlightenment, gave up academics, and devoted herself to the poor, the sick, the hungry, and the homeless. Indeed, the life of Maria Agnesi reveals a complex and enigmatic figure—one of the most fascinating characters in the history of mathematics. Using newly discovered archival documents, Massimo Mazzotti reconstructs the wide spectrum of Agnesi's social experience and examines her relationships to various traditions—religious, political, social, and mathematical. This meticulous study shows how she and her fellow Enlightenment Catholics modified tradition in an effort to reconcile aspects of modern philosophy and science with traditional morality and theology. Mazzotti's original and provocative investigation is also the first targeted study of the Catholic Enlightenment and its influence on modern science. He argues that Agnesi's life is the perfect lens through which we can gain a greater understanding of mid-eighteenth-century cultural trends in continental Europe.
Author: Tom Nichols
Publisher: Routledge
ISBN: 1351555421
Category : Art
Languages : en
Pages : 471
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Book Description
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 770
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Book Description
Author: Daniela Tarabra
Publisher: Getty Publications
ISBN: 9780892369218
Category : Art
Languages : en
Pages : 390
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Book Description
"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.
