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Author: Stephen Sennitt
Publisher: Headpress
ISBN: 9781900486071
Category : Horror comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Traces the development of comics from the gross psychotic visions of the ultra-primitive 'pre-code' horrors, through to the relatively sophisticated graphic nightmares of Warren and Skywald. Fully illustrated throughout, this is a concise, entertaining and enlightening examination of this most popular and persecuted of comicbook genres.
Author: Stephen Sennitt
Publisher: Headpress
ISBN: 9781900486071
Category : Horror comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Traces the development of comics from the gross psychotic visions of the ultra-primitive 'pre-code' horrors, through to the relatively sophisticated graphic nightmares of Warren and Skywald. Fully illustrated throughout, this is a concise, entertaining and enlightening examination of this most popular and persecuted of comicbook genres.
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 444
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Book Description
Author: Alexandre Dumas
Publisher: e-artnow
ISBN:
Category : Fiction
Languages : en
Pages : 15164
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Book Description
In the period when the constraining customs and public scrutiny prevailed, there were still writers who wrote about the true nature of woman's passion. e-artnow presents to you the collection of the greatest tales of love, lust, pleasure and betrayal. _x000D_ Content:_x000D_ Fantomina (Eliza Haywood)_x000D_ The History of Miss Betsy Thoughtless (Eliza Haywood)_x000D_ The Fortunate Foundlings (Eliza Haywood)_x000D_ Powder and Patch (Georgette Heyer)_x000D_ The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer)_x000D_ Belinda (Maria Edgeworth)_x000D_ Patronage (Maria Edgeworth)_x000D_ Dangerous Liaisons (Pierre Choderlos de Laclos)_x000D_ Evelina (Fanny Burney)_x000D_ Cecilia (Fanny Burney)_x000D_ Camilla (Fanny Burney)_x000D_ The Wanderer (Fanny Burney)_x000D_ Mary: A Fiction (Mary Wollstonecraft)_x000D_ Pride and Prejudice (Jane Austen)_x000D_ Sense and Sensibility (Jane Austen)_x000D_ Mansfield Park (Jane Austen)_x000D_ Emma (Jane Austen)_x000D_ Persuasion (Jane Austen)_x000D_ Miss Marjoribanks (Mrs. Olifant)_x000D_ Phoebe, Junior (Mrs. Olifant)_x000D_ Vanity Fair (William Makepeace Thackeray)_x000D_ Pamela (Samuel Richardson)_x000D_ Anti-Pamela (Eliza Haywood)_x000D_ Shamela (Henry Fielding)_x000D_ The Lady of the Camellias (Alexandre Dumas)_x000D_ The Portrait of a Lady (Henry James)_x000D_ The Wings of the Dove (Henry James) _x000D_ Anna Karenina (Leo Tolstoy)_x000D_ The Age of Innocence (Edith Wharton)_x000D_ Jane Eyre (Charlotte Brontë)_x000D_ Wuthering Heights (Emily Brontë)_x000D_ The Tenant of Wildfell Hall (Anne Brontë)_x000D_ Tess of the d'Urbervilles (Thomas Hardy)_x000D_ Scarlet Letter (Nathaniel Hawthorne)_x000D_ The Miranda Trilogy (Grace Livingston Hill)
Author: WILLIAM MAKEPEACE THACKERAY
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 799
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Book Description
As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place. There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (OTHER quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?" A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. An episode of humour or kindness touches and amuses him here and there—a pretty child looking at a gingerbread stall; a pretty girl blushing whilst her lover talks to her and chooses her fairing; poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling; but the general impression is one more melancholy than mirthful. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business. I have no other moral than this to tag to the present story of "Vanity Fair." Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. There are scenes of all sorts; some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed; some love-making for the sentimental, and some light comic business; the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles. What more has the Manager of the Performance to say?—To acknowledge the kindness with which it has been received in all the principal towns of England through which the Show has passed, and where it has been most favourably noticed by the respected conductors of the public Press, and by the Nobility and Gentry. He is proud to think that his Puppets have given satisfaction to the very best company in this empire. The famous little Becky Puppet has been pronounced to be uncommonly flexible in the joints, and lively on the wire; the Amelia Doll, though it has had a smaller circle of admirers, has yet been carved and dressed with the greatest care by the artist; the Dobbin Figure, though apparently clumsy, yet dances in a very amusing and natural manner; the Little Boys' Dance has been liked by some; and please to remark the richly dressed figure of the Wicked Nobleman, on which no expense has been spared, and which Old Nick will fetch away at the end of this singular performance. And with this, and a profound bow to his patrons, the Manager retires, and the curtain rises...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 734
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
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Author: William Allan Neilson
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 420
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Author: Margaret Anne Curtois
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
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Book Description
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : British
Languages : en
Pages : 352
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Book Description
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
