Author: David W. Barber
Publisher: Indent Publishing
ISBN: 9780987849212
Category :
Languages : en
Pages : 102
Book Description
Chances are you've probably heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, musical works in the standard repertoire. But if you thought you knew all there was to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. The first performance of Messiah took place not in London but in Dublin - and not with a huge choir and orchestra but with only a relative handful of musicians. Although church groups and clergy members now praise Messiah as a fine example of religious music at its best, Handel had to disguise his oratorio for its first performance in London in order to sneak it past the church authorities. The Hallelujah chorus wasn't originally called that at all, but had a different name. Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio is one hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true!) facts await your discovery as internationally bestselling author David W. Barber takes you on another delightful romp through the pages of music history - as it ought to be taught!
Getting a Handel on Messiah
Author: David W. Barber
Publisher: Indent Publishing
ISBN: 9780987849212
Category :
Languages : en
Pages : 102
Book Description
Chances are you've probably heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, musical works in the standard repertoire. But if you thought you knew all there was to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. The first performance of Messiah took place not in London but in Dublin - and not with a huge choir and orchestra but with only a relative handful of musicians. Although church groups and clergy members now praise Messiah as a fine example of religious music at its best, Handel had to disguise his oratorio for its first performance in London in order to sneak it past the church authorities. The Hallelujah chorus wasn't originally called that at all, but had a different name. Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio is one hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true!) facts await your discovery as internationally bestselling author David W. Barber takes you on another delightful romp through the pages of music history - as it ought to be taught!
Publisher: Indent Publishing
ISBN: 9780987849212
Category :
Languages : en
Pages : 102
Book Description
Chances are you've probably heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, musical works in the standard repertoire. But if you thought you knew all there was to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. The first performance of Messiah took place not in London but in Dublin - and not with a huge choir and orchestra but with only a relative handful of musicians. Although church groups and clergy members now praise Messiah as a fine example of religious music at its best, Handel had to disguise his oratorio for its first performance in London in order to sneak it past the church authorities. The Hallelujah chorus wasn't originally called that at all, but had a different name. Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio is one hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true!) facts await your discovery as internationally bestselling author David W. Barber takes you on another delightful romp through the pages of music history - as it ought to be taught!
Handel's Messiah
Author: Calvin Stapert
Publisher:
ISBN: 9781617935862
Category :
Languages : en
Pages : 0
Book Description
Handel's oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel's majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah's unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel's music beautifully interprets and illuminates the biblical text.
Publisher:
ISBN: 9781617935862
Category :
Languages : en
Pages : 0
Book Description
Handel's oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel's majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah's unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel's music beautifully interprets and illuminates the biblical text.
The Making of Handel's Messiah
Author: Andrew Gant
Publisher:
ISBN: 9781851245062
Category : Composers
Languages : en
Pages : 0
Book Description
The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel's best-known work in the context of its times, this vivid account charts the composer's working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel's varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel's own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel's collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today's 'come-and-sing' events.
Publisher:
ISBN: 9781851245062
Category : Composers
Languages : en
Pages : 0
Book Description
The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel's best-known work in the context of its times, this vivid account charts the composer's working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel's varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel's own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel's collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today's 'come-and-sing' events.
Handel
Author: Donald Burrows
Publisher: Cambridge University Press
ISBN: 9780521376204
Category : Music
Languages : en
Pages : 144
Book Description
This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.
Publisher: Cambridge University Press
ISBN: 9780521376204
Category : Music
Languages : en
Pages : 144
Book Description
This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.
Spiritual Lives of the Great Composers
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Tainted Glory in Handel's Messiah
Author: Michael Marissen
Publisher: Yale University Press
ISBN: 0300194587
Category : Music
Languages : en
Pages : 232
Book Description
Anti-Judaism in Handel's Messiah.
Publisher: Yale University Press
ISBN: 0300194587
Category : Music
Languages : en
Pages : 232
Book Description
Anti-Judaism in Handel's Messiah.
G. F. Handel: Messiah (SATB/Piano)
Author: Watkins Shaw
Publisher: Novello & Co Ltd.
ISBN: 1783230584
Category : Music
Languages : en
Pages : 274
Book Description
G. F. Handel: Messiah, a sacred oratorio arranged for SATB with piano part, is presented here by Novello, edited with piano reduction by Watkins Shaw.
Publisher: Novello & Co Ltd.
ISBN: 1783230584
Category : Music
Languages : en
Pages : 274
Book Description
G. F. Handel: Messiah, a sacred oratorio arranged for SATB with piano part, is presented here by Novello, edited with piano reduction by Watkins Shaw.
The Handel's Messiah Family Advent Reader
Author: Donna W. Payne
Publisher: Moody Publishers
ISBN: 9780802455741
Category : Advent
Languages : en
Pages : 0
Book Description
For families who yearn for Christmas to be a true celebration of Christ's birth on earth, the Handel's Messiah Family Advent Reader provides daily readings that are biblically-based and culturally rich. With intriguing stories explaining well-known Christmas customs, each reading features a different portion of the libretto from Handel's Messiah and offers a spiritual insight that links the story to an important principle. The book also includes a CD with portions of Handel's Messiah to enhance the experience.
Publisher: Moody Publishers
ISBN: 9780802455741
Category : Advent
Languages : en
Pages : 0
Book Description
For families who yearn for Christmas to be a true celebration of Christ's birth on earth, the Handel's Messiah Family Advent Reader provides daily readings that are biblically-based and culturally rich. With intriguing stories explaining well-known Christmas customs, each reading features a different portion of the libretto from Handel's Messiah and offers a spiritual insight that links the story to an important principle. The book also includes a CD with portions of Handel's Messiah to enhance the experience.
Getting Out - Excerpts From a Cat's Diary
Author:
Publisher: John Woodcock
ISBN:
Category :
Languages : en
Pages : 409
Book Description
Publisher: John Woodcock
ISBN:
Category :
Languages : en
Pages : 409
Book Description
The Funniest People in Books and Music
Author: David Bruce
Publisher: iUniverse
ISBN: 0595378986
Category : Humor
Languages : en
Pages : 135
Book Description
"The Funniest People Who Write Books and Make Music" contains such anecdotes as these: When Peg Bracken started writing, she would often type the first page of a famous short story for inspiration. Often, she discovered that the page did not look as impressive typed on a sheet of paper as it did printed on a page in a book, so sometimes she would imitate her English professor and write on the sheet of paper: 'You can do better than this, Mr. Faulkner." Andri Previn played jazz with a couple of American-African musicians. Afterwards, he went into a diner, where two white men asked him, 'Why the hell don't you play with your own kind?" Mr. Previn replied, 'To tell you the truth, I wanted to, but I couldn't find two other Jews who swing." Soccer and Cup Final day are important in England. Once, the noted conductor Sir Thomas Beecham held a rehearsal on Cup Final day. The rehearsal had been going on for only a short time when a giant television was delivered to the rehearsal area. Sir Thomas then said, 'Now, gentlemen, let's get down to the most important business of the day-watching the match."
Publisher: iUniverse
ISBN: 0595378986
Category : Humor
Languages : en
Pages : 135
Book Description
"The Funniest People Who Write Books and Make Music" contains such anecdotes as these: When Peg Bracken started writing, she would often type the first page of a famous short story for inspiration. Often, she discovered that the page did not look as impressive typed on a sheet of paper as it did printed on a page in a book, so sometimes she would imitate her English professor and write on the sheet of paper: 'You can do better than this, Mr. Faulkner." Andri Previn played jazz with a couple of American-African musicians. Afterwards, he went into a diner, where two white men asked him, 'Why the hell don't you play with your own kind?" Mr. Previn replied, 'To tell you the truth, I wanted to, but I couldn't find two other Jews who swing." Soccer and Cup Final day are important in England. Once, the noted conductor Sir Thomas Beecham held a rehearsal on Cup Final day. The rehearsal had been going on for only a short time when a giant television was delivered to the rehearsal area. Sir Thomas then said, 'Now, gentlemen, let's get down to the most important business of the day-watching the match."