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Author: Richard Younger
Publisher: University Alabama Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan. Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs. Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later. In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
Author: Richard Younger
Publisher: University Alabama Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
Get Book Here
Book Description
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan. Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs. Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later. In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
Author: Richard Younger
Publisher: University Alabama Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
Get Book Here
Book Description
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan. Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music infuenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fedgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs. Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later. In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
Author: Diane Pecknold
Publisher: Duke University Press
ISBN: 0822394979
Category : Music
Languages : en
Pages : 391
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Book Description
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Author: Charles L. Hughes
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277
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Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
Author: Adam White
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 534
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Book Description
Documents the history of rhythm and blues music by examining every song to top the Billboard R & B singles chart between 1965 and 1990 and offers inside stories from the singers, musicians, songwriters, arrangers, and producers who created the hits.
Author: Andre Millard
Publisher: Wesleyan University Press
ISBN: 0819576999
Category : Music
Languages : en
Pages : 377
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Book Description
This exploration of rock 'n' roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock 'n' roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider's view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.
Author: Edward M. Komara
Publisher: Psychology Press
ISBN: 0415926998
Category : Blues
Languages : en
Pages : 1274
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Book Description
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Author: Edward Komara
Publisher: Routledge
ISBN: 1135958327
Category : Art
Languages : en
Pages : 1279
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Book Description
The first full-length authoritative Encyclopedia on the Blues as a musical form. A to Z in format, this work covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues.
Author: Peter Guralnick
Publisher: Back Bay Books
ISBN: 0316055158
Category : Biography & Autobiography
Languages : en
Pages : 780
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Book Description
From the acclaimed author of Last Train to Memphis, this is the definitive biography of Sam Cooke, one of most influential singers and songwriters of all time. Sam Cooke was among the first to blend gospel music and secular themes -- the early foundation of soul music. He was the opposite of Elvis: a black performer who appealed to white audiences, who wrote his own songs, who controlled his own business destiny. No biography has previously been written that fully captures Sam Cooke's accomplishments, the importance of his contribution to American music, the drama that accompanied his rise in the early days of the civil rights movement, and the mystery that surrounds his death. Bestselling author Peter Guralnick tells this moving and significant story, from Cooke's childhood as a choirboy to an adulthood when he was anything but. With appearances by Martin Luther King Jr., Malcolm X, James Brown, Harry Belafonte, Aretha Franklin, Fidel Castro, The Beatles, Sonny and Cher, Bob Dylan, and other central figures of this explosive era, Dream Boogie is a compelling depiction of one man striving to achieve his vision despite all obstacles -- and an epic portrait of America during the turbulent and hopeful 1950s and 1960s. The triumph of the book is the vividness with which Peter Guralnick conveys the astonishing richness of the black America of this era -- the drama, force, and feeling of the story.
Author: Russell Reising
Publisher: Routledge
ISBN: 1351218689
Category : Music
Languages : en
Pages : 274
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Book Description
'Every Sound There Is': Revolver and the Transformation of Rock and Roll assesses and celebrates the Beatles' accomplishment in their 1966 masterpiece. The essays of Every Sound There Is examine Revolver from a large number of complementary starting points that help us to understand both the album's contemporary creation and reception and the ways in which it continues to shape the creation and reception of popular music in the twenty-first century. Responding to the incredible diversity of Revolver, this gathering of international scholars focuses on the Beatles' 1966 album as one of rock and roll history's threshold moments. Bringing to bear approaches from the disciplines of musicology, cultural studies, poetics, gender studies, these essays address matters as diverse as the influence of American R&B on Revolver as well as its influence on Pink Floyd, each Beatle‘s contributions to the album, the musicological significance of the Beatles' harmonies and chord progressions, its status and coherence as a work of art, the technological and marketing significance of Revolver's recording and distribution, and its influence on the development of rock music.
