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Author: Adriano Pedrosa
Publisher: Museu de Arte de Sao Paulo / Kmec Books
ISBN: 9786557770122
Category : Photography
Languages : en
Pages : 224
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Book Description
The debut monograph on the Brazilian fotoclubismo photographer This is the first monograph dedicated to the work of the trailblazing German Brazilian photographer Gertrudes Altschul (1904-62). Featuring an elegant uncoated paper cover with stamped lettering, it reproduces all 70 of the artist's known vintage prints, exploring her main themes: modern Brazilian architecture, botanical motifs and still lifes. The volume includes a selection of the artist's archival material, such as contact sheets. Of Jewish origin, Altschul migrated in 1939 from her hometown, Berlin, to Brazil with her husband, fleeing the Nazi regime. She settled in São Paulo, where she divided her time between photography and the production of flowers for hats in a factory run by the couple. Altschul was one of the few women to be part of the well-known Foto Cine Clube Bandeirante (FCCB) in São Paulo, an important group that brought together photographers aligned with modernist photography in Brazil.
Author: Adriano Pedrosa
Publisher: Museu de Arte de Sao Paulo / Kmec Books
ISBN: 9786557770122
Category : Photography
Languages : en
Pages : 224
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Book Description
The debut monograph on the Brazilian fotoclubismo photographer This is the first monograph dedicated to the work of the trailblazing German Brazilian photographer Gertrudes Altschul (1904-62). Featuring an elegant uncoated paper cover with stamped lettering, it reproduces all 70 of the artist's known vintage prints, exploring her main themes: modern Brazilian architecture, botanical motifs and still lifes. The volume includes a selection of the artist's archival material, such as contact sheets. Of Jewish origin, Altschul migrated in 1939 from her hometown, Berlin, to Brazil with her husband, fleeing the Nazi regime. She settled in São Paulo, where she divided her time between photography and the production of flowers for hats in a factory run by the couple. Altschul was one of the few women to be part of the well-known Foto Cine Clube Bandeirante (FCCB) in São Paulo, an important group that brought together photographers aligned with modernist photography in Brazil.
Author: José Esparza Chong Cuy
Publisher: National Geographic Books
ISBN: 3791359649
Category : Architecture
Languages : en
Pages : 0
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Book Description
From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi's multidisciplinary work is showcased in this richly illustrated book. Lina Bo Bardi is regarded as one of the most important architects in Brazil's history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed "Casa de Vidro" ("Glass House"), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de São Paulo (São Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi's overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi's life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator's projects. Published with MASP, Museo Jumex, and Museum of Contemporary Art Chicago
Author: André Mesquita
Publisher: Museu de Arte de Sao Paulo / Kmec Books
ISBN: 9786557770092
Category : Art
Languages : en
Pages : 256
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Book Description
Erika Verzutti (São Paulo, 1971) is a key artist for understanding sculpture practice today, both in the Brazilian panorama and internationally. Her thought- provoking forms explore new routes for the medium, with renewed attention to the origin and materiality of sculpture, its varied references, and its formal intelligence. Using different materials, such as bronze, concrete, stone, and papier-maché, Verzuttiœs works are sensual and tactile, both rough and refined, evoking animals and plants, landscapes and minerals, everyday objects and objects of artfrom Tarsila do Amaral to Constantin Brancusi, from René Magritte to Piero Manzoni. Often with an uncanny character, Verzuttiœs sculptures give themselves up to unpredictability, sometimes with a certain degree of humor, refusing to accept pre-established definitions or traditionshence the catalogueœs subtitle: The Indiscipline of Sculpture. This is the most thorough publication dedicated to Verzuttiœs oeuvre, which accompanies her first exhibition in a Brazilian museumthe Museu de Arte de São Paulo Assis Chateaubriand. The book is divided into seven chapters organizing the artistœs practice, spanning her entire career since 2003: Becoming-Animalʺ, Tropical Pathwayʺ, World Metaphorʺ, Totemize the Tabooʺ, Wild Modernismʺ, Under Tarsilaœs Sun (and Other Stories),ʺ and Strangely Familiar.ʺ With texts written by curators, art critics, and historians, this is a fundamental book for understanding Erika Verzuttiœs work as one of the most singular contributions to the field of sculpture today.
Author: Adriano Pedrosa
Publisher: Delmonico Books
ISBN: 9781636810027
Category : Art
Languages : en
Pages : 400
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Book Description
A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of "histórias" is also of note; unlike the English "histories," the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.
Author: Seymour de Ricci
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages :
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Book Description
Author: Djanira Da Motta E Silva
Publisher: Masp
ISBN: 9788531000652
Category : Art, Brazilian
Languages : en
Pages : 312
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Book Description
Most comprehensive monograph dedicated to Djanira da Motta e Silva (Avaré, São Paulo, 1914 - Rio de Janeiro, 1979) since her death forty years ago. The title "Djanira: The Memory of Her People" - borrowed from a 1970s story by Mary Ventura - refers to the artist's trajectory, her life story and her many trips through Brazil, as well as her painting based on daily life, landscapes and Brazilian popular culture, around subjects often marginalized by elites. This exhibition includes works from all periods of Djanira's production, from the early 1940s to the late 1970s, and follows a chronological order while bringing together works from the artist's main themes: portraits and self-portraits, popular fun and celebrations, work and workers, Afro-Brazilian and Catholic religiosity, the indigenous Canela do Maranhão, among diverse Brazilian peoples and landscapes.
Author: Lilia Moritz Schwarcz
Publisher: Museu de Arte de Sao Paulo / Kmec Books
ISBN: 9788531000751
Category : Art
Languages : en
Pages : 310
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Book Description
Author: Amon Carter Museum of American Art
Publisher: University of Texas Press
ISBN: 9780292753013
Category : Photography
Languages : en
Pages : 0
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Book Description
Capturing the world in color was one of photography’s greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston’s photographs at the Museum of Modern Art, did the art world embrace color. By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography’s documentary foundations with the creative flexibility of painting. Sylvie Pénichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.
Author: Adriano Pedrosa
Publisher:
ISBN: 9788531000546
Category :
Languages : en
Pages : 288
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Book Description
Construções afro-atlânticas [Afro-Atlantic Constructions] reproduces 99 artworks by the painter, sculptor and engraver Rubem Valentim's (Salvador, Brazil, 1922 - São Paulo, Brazil, 1991), a key figure in 20th century Brazilian art and Afro-Atlantic Histories. From the 1950s onward, Valentim incorporated the language of geometric abstraction to create complex compositions that redesigned and reconfigured Afro-Atlantic symbols, emblems and references. In this process, Valentim transformed the European artistic languages that dominated most of the art production in Brazil and worldwide during the 1950-60s (geometric abstraction, constructivism and concretism), blending them with African references, mostly through drawings and diagrams representing the deities of Afro-Brazilian religions-known as orishas-such as Shango's double-edged axe, Oshoosi's arrow and Osanyin's rods.
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 0870995685
Category : Art
Languages : en
Pages : 369
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Book Description
Published in conjunction with the exhibition held at The Metropolitan Museum of Art, NYC, Dec. 1989-Apr. 1990. The last great private collection of the art of the School of Paris--81 paintings drawings, and bronzes by Bonnard, Braque, Dali, Dubuffet, Matisse, Miro, Picasso, and Giacometti, among others. With accompanying essays and additional illustrations (a total of 281, 95 in color). 10x121/4". Annotation copyrighted by Book News, Inc., Portland, OR
