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Author: Richard Dove
Publisher: Springer
ISBN: 134911815X
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Political changes between 1918 and 1939 had important implications for German writers. The essays in this volume focus on questions such as the writers' relationship to political parties and ideology, their treatment of the legacy of World War I, and their response to the rise of fascism.
Author: Richard Dove
Publisher: Springer
ISBN: 134911815X
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Political changes between 1918 and 1939 had important implications for German writers. The essays in this volume focus on questions such as the writers' relationship to political parties and ideology, their treatment of the legacy of World War I, and their response to the rise of fascism.
Author: F. L. Carsten
Publisher: Univ of California Press
ISBN: 9780520024922
Category : Political Science
Languages : en
Pages : 444
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Book Description
Studies the influence of the German military's growth and political power on the unstable Weimar government, rearmament, and the nationalistic spirit which led to Hitler's rise to power
Author: Brian Murdoch
Publisher: Routledge
ISBN: 1317128435
Category : History
Languages : en
Pages : 329
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Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
Author: Christiane Schönfeld
Publisher: Bloomsbury Publishing USA
ISBN: 162892375X
Category : Literary Criticism
Languages : en
Pages : 721
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Book Description
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
Author: Robert Ellis
Publisher: Rowman & Littlefield
ISBN: 1611476364
Category : Biography & Autobiography
Languages : en
Pages : 253
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Book Description
During the years of Weimar and the Third Reich, Toller was one of the more active of the "other Germany's" left-wing intellectuals. A leader of the Bavarian Soviet of 1919, he had in addition won the Kleist prize and was recognized as one of Germany's best playwrights. Indeed, during the years of the Weimar Republic, the popularity of his works was unquestioned. His first play, Die Wandlung, was soon sold out and required a second edition; his dramatic works and poems were translated into twenty-seven languages. During the 1920’s it was said that he "dominated the German and Russian theatre" and that he was the "most spectacular personality in modern German literature." It was common for contemporaries to classify him as one of the foremost German writers of the Weimar era. During the 1930s, as an exile, he popularized to foreign audiences the idea of “the other Germany”and became a leading spokesman against Hitler. However, it is Toller the social critic rather than Toller the dramatist with which thisbook is concerned, his ideas, his visions for Germany and Europe as transmitted in his works of fiction and prose. The book reflects on the responsibility an intellectual-critic has when writing about a democratic society (the Weimar Republic) that is unsuccessfully balancing between survival and annihilation. Toller was furthermore a Jewish intellectual. How did his religious traditions shape his views? He was also German and this raises a whole host of specifically Germanic patterns of looking at the world. He was also a left-wing intellectual and Toller is set in the broader context of left-wing intellectuals in Weimar and the Nazi era. A related reflection is to ask: so what? What difference did it make? How much of an influence do intellectuals have in the development of society? What is the relationship between intellectuals and their readers in a troubled society?
Author: Stephanie Burrows
Publisher: MHRA
ISBN: 9781902653624
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
In his final 'Q-Tagebuch' report to Hedwig Muller dated 19 December 1935 Tucholsky declared: 'Dass ich mein Leben zerhauen habe, weiss ich. Dass ich nicht allein daran schuld bin, weiss ich aber auch. Mein Gott, ware ich in Frankreich geboren...!' Combining biographical investigation with an analysis of Tucholsky's published journalism, this study sets out to assess the significance of the contact with France and French culture in Tucholsky's life and work It shows the extent to which he was influenced by the French cultural and intellectual tradition, and by his first-hand experience of France. It provides new insights into Tucholsky's life in France, notably his involvement with French freemasonry and the importance of his contacts in French literary, pacifist, and political circles. This study also considers the role Tucholsky played, or attempted to play, in improving Franco-German relations, and reveals the extent of his efforts to promote rapprochment, not only in Germany, but also in France, through behind-the-scenes contact with politicians and diplomats, through lectures, and through his published journalism.
Author: Brian Murdoch
Publisher: Camden House
ISBN: 9781571133281
Category : Fiction
Languages : en
Pages : 272
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Book Description
New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.
Author: W J McCormack
Publisher: Random House
ISBN: 1446444244
Category : Biography & Autobiography
Languages : en
Pages : 502
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Book Description
In June 1934, W. B. Yeats gratefully received the award of a Goethe-Plakette from Oberburgermeister Krebs, four months after his early play The Countess Cathleen had been produced in Frankfurt by SS Untersturmfuhrer Bethge. Four years later, the poet publicly commended Nazi legislation before leaving Dublin to die in southern France. These hitherto neglected, isolated and scandalous details stand at the heart of this reflective study of Yeats's life, his attitudes towards death, and his politics. Blood Kindred identifies an obsession with family as the link connecting Yeats's late engagement with fascism to his Irish Victorian origins in suburban Dublin and industrializing Ulster. It carefully documents and analyses his involvement with both Maud Gonne and her daughter Iseult, his secretive consultations with Irish army officers during his Senate years, his incidental anti-Semitism, and his approval of the right-wing royalist group L'Action Française in the 1920s. The familiar peaks and troughs of Irish history, such as the 1916 Rising and the death of Parnell, are re-oriented within a radical new interpretation of Yeats's life and thought, his poetry and plays. As far as possible Bill McCormack lets Yeats speak for himself through generous quotation from his newly accessible correspondence. The result is a combative, entertaining biography which allows Ireland's greatest literary figure to be seen in the round for the first time.
Author: Margaretta Jolly
Publisher: Routledge
ISBN: 1136787445
Category : Literary Criticism
Languages : en
Pages : 1141
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Thomas W. Goldstein
Publisher: Boydell & Brewer
ISBN: 1571139206
Category : Business & Economics
Languages : en
Pages : 368
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Book Description
In the German Democratic Republic words and ideas mattered, both for legitimizing and criticizing the regime. No wonder, then, that the ruling SED party created a Writers Union to mold what writers publicly wrote and said. Its chief task was ideological: creating a socialist and antifascist culture. But it was also supposed to advance its members' professional interests and enable them to act as public intellectuals with a say in the direction of socialism. Many writers demanded that it pursue this second function as well, which brought it into conflict with the SED. This book explores how the union became a site for the contestation of writers' roles in GDR society with consequences well beyond the literary community. Union leaders, pressured by the SED or the secret police, usually acquiesced in enforcing regime demands, but by the 1980s many authors had adapted to the rules of the game, exploiting their union membership to insulate themselves from reprisal for their carefully worded critiques and in so doing beginning to break down limitations on public speech. The book explores how and why in the 1970s the Writers Union helped normalize relations between writers and state, yet over the course of the 1980s inadvertently aided the expansion of permissible speech, ultimately helping destabilize the East German system. Thomas W. Goldstein is Assistant Professor of History at the University of Central Missouri.
