Author: Jeffrey Chipps Smith
Publisher:
ISBN: 9780691032375
Category : Art
Languages : en
Pages : 524
Book Description
Focusing on how sculptures adjusted to this cultural tumult, Jeffrey Chipps Smith offers the first comprehensive examination of the artistic response to the challenge of the Reformation in German lands. In so doing he exposes the years leading up to the Counter-Reformation as a period of surprising artistic vibrance
German Sculpture of the Later Renaissance, C. 1520-1580
Author: Jeffrey Chipps Smith
Publisher:
ISBN: 9780691032375
Category : Art
Languages : en
Pages : 524
Book Description
Focusing on how sculptures adjusted to this cultural tumult, Jeffrey Chipps Smith offers the first comprehensive examination of the artistic response to the challenge of the Reformation in German lands. In so doing he exposes the years leading up to the Counter-Reformation as a period of surprising artistic vibrance
Publisher:
ISBN: 9780691032375
Category : Art
Languages : en
Pages : 524
Book Description
Focusing on how sculptures adjusted to this cultural tumult, Jeffrey Chipps Smith offers the first comprehensive examination of the artistic response to the challenge of the Reformation in German lands. In so doing he exposes the years leading up to the Counter-Reformation as a period of surprising artistic vibrance
Art and Dis-illusion in the Long Sixteenth Century
Author: Larry Silver
Publisher: BRILL
ISBN: 9004504419
Category : Art
Languages : en
Pages : 417
Book Description
Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.
Publisher: BRILL
ISBN: 9004504419
Category : Art
Languages : en
Pages : 417
Book Description
Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.
Encyclopedia of Protestantism
Author: Hans J. Hillerbrand
Publisher: Routledge
ISBN: 1135960283
Category : Education
Languages : en
Pages : 4119
Book Description
This Encyclopedia is the definitive reference to the history and beliefs that continue to exert a profound influence on Western thought.
Publisher: Routledge
ISBN: 1135960283
Category : Education
Languages : en
Pages : 4119
Book Description
This Encyclopedia is the definitive reference to the history and beliefs that continue to exert a profound influence on Western thought.
The Ideology of Burgundy
Author: Jonathan Boulton
Publisher: BRILL
ISBN: 9047418492
Category : History
Languages : en
Pages : 324
Book Description
This book is a collection of eight essays on the ideology of Burgundy, dealing with the body of ideas, images, institutions and narrative fictions produced at the behest of the Valois dukes to create and maintain their incipient domanial state in the period from roughly 1364 to the 1560s. Nation building requires an ideological framework and the successive dukes, their officers and their court intellectuals all contributed to a self-determinative image of Burgundy which became visible in their literature, in their quest for a regal title, in the foundation of the Order of the Golden Fleece and in their propaganda. The essays approach the themes of the collection from the perspective of several disciplines, and together present a well-rounded picture of Burgundian nation-building. Contributors include: D’A.J.D. Boulton, Jan Dumolyn, Malte Prietzel, Graeme Small, Robert Stein, Bernhard Sterchi, Jan R. Veenstra, and David J. Wrisley.
Publisher: BRILL
ISBN: 9047418492
Category : History
Languages : en
Pages : 324
Book Description
This book is a collection of eight essays on the ideology of Burgundy, dealing with the body of ideas, images, institutions and narrative fictions produced at the behest of the Valois dukes to create and maintain their incipient domanial state in the period from roughly 1364 to the 1560s. Nation building requires an ideological framework and the successive dukes, their officers and their court intellectuals all contributed to a self-determinative image of Burgundy which became visible in their literature, in their quest for a regal title, in the foundation of the Order of the Golden Fleece and in their propaganda. The essays approach the themes of the collection from the perspective of several disciplines, and together present a well-rounded picture of Burgundian nation-building. Contributors include: D’A.J.D. Boulton, Jan Dumolyn, Malte Prietzel, Graeme Small, Robert Stein, Bernhard Sterchi, Jan R. Veenstra, and David J. Wrisley.
The Jesuits
Author: John W. O'Malley
Publisher: University of Toronto Press
ISBN: 1487511930
Category : Religion
Languages : en
Pages : 804
Book Description
In recent years scholars in a range of disciplines have begun to re-evaluate the history of the Society of Jesus. Approaching the subject with new questions and methods, they have reconsidered the importance of the Society in many sectors, including those related to the sciences and the arts. They have also looked at the Jesuits as emblematic of certain traits of early modern Europeans, especially as those Europeans interacted with 'the Other' in Asia and the Americas. Originating in an international conference held at Boston College in 1997, the thirty-five essays here reflect this new historiographical trend. Focusing on the Old Society- the Society before its suppression in 1773 by papal edict- they examine the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, and they give special attention to the Jesuits' interaction with non-European cultures, in North and South America, China, India, and the Philippines. A picture emerges not only of the individual Jesuit, who might be missionary, diplomat, architect, and playwright over the course of his life in the Society, but also of the immense and many-faceted Jesuit enterprise as forming a kind of 'cultural ecosystem'. The Jesuits of the Old Society liked to think they had a way of proceeding special to themselves. The question, Was there a Jesuit style, a Jesuit corporate culture? is the thread that runs through this interdisciplinary collection of studies.
Publisher: University of Toronto Press
ISBN: 1487511930
Category : Religion
Languages : en
Pages : 804
Book Description
In recent years scholars in a range of disciplines have begun to re-evaluate the history of the Society of Jesus. Approaching the subject with new questions and methods, they have reconsidered the importance of the Society in many sectors, including those related to the sciences and the arts. They have also looked at the Jesuits as emblematic of certain traits of early modern Europeans, especially as those Europeans interacted with 'the Other' in Asia and the Americas. Originating in an international conference held at Boston College in 1997, the thirty-five essays here reflect this new historiographical trend. Focusing on the Old Society- the Society before its suppression in 1773 by papal edict- they examine the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, and they give special attention to the Jesuits' interaction with non-European cultures, in North and South America, China, India, and the Philippines. A picture emerges not only of the individual Jesuit, who might be missionary, diplomat, architect, and playwright over the course of his life in the Society, but also of the immense and many-faceted Jesuit enterprise as forming a kind of 'cultural ecosystem'. The Jesuits of the Old Society liked to think they had a way of proceeding special to themselves. The question, Was there a Jesuit style, a Jesuit corporate culture? is the thread that runs through this interdisciplinary collection of studies.
Sensuous Worship
Author: Jeffrey Chipps Smith
Publisher: Princeton University Press
ISBN: 9780691090726
Category : Art
Languages : en
Pages : 284
Book Description
It provides the first comprehensive treatment of the Jesuits' poorly understood but remarkable revitalization of German religious art and culture - an accomplishment that would guide the direction of both religious life and subsequent German Baroque art."--BOOK JACKET.
Publisher: Princeton University Press
ISBN: 9780691090726
Category : Art
Languages : en
Pages : 284
Book Description
It provides the first comprehensive treatment of the Jesuits' poorly understood but remarkable revitalization of German religious art and culture - an accomplishment that would guide the direction of both religious life and subsequent German Baroque art."--BOOK JACKET.
The Reformation of the Image
Author: Joseph Leo Koerner
Publisher: Reaktion Books
ISBN: 1861898320
Category : Art
Languages : en
Pages : 496
Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Publisher: Reaktion Books
ISBN: 1861898320
Category : Art
Languages : en
Pages : 496
Book Description
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
Cultural Exchange in Early Modern Europe
Author: Robert Muchembled
Publisher: Cambridge University Press
ISBN: 0521845491
Category : Art
Languages : en
Pages : 466
Book Description
This 2007 volume reveals how a first European identity was forged from the fifteenth to the seventeenth centuries. Cultural exchange played a central role in the elites' fashioning of self. The cultures they exchanged and often integrated with included palaces, dresses and jewellery but also gestures and dances.
Publisher: Cambridge University Press
ISBN: 0521845491
Category : Art
Languages : en
Pages : 466
Book Description
This 2007 volume reveals how a first European identity was forged from the fifteenth to the seventeenth centuries. Cultural exchange played a central role in the elites' fashioning of self. The cultures they exchanged and often integrated with included palaces, dresses and jewellery but also gestures and dances.
Military Ethos and Visual Culture in Post-Conquest Mexico
Author: M?aDom?uez Torres
Publisher: Routledge
ISBN: 1351558188
Category : Art
Languages : en
Pages : 587
Book Description
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, M?a Dom?uez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
Publisher: Routledge
ISBN: 1351558188
Category : Art
Languages : en
Pages : 587
Book Description
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, M?a Dom?uez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
Whitewash and the New Aesthetic of the Protestant Reformation
Author: Victoria George
Publisher: Pindar Press
ISBN: 1915837138
Category : Architecture
Languages : en
Pages : 506
Book Description
This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.
Publisher: Pindar Press
ISBN: 1915837138
Category : Architecture
Languages : en
Pages : 506
Book Description
This book is a reconsideration of the practice of whitewashing church interiors during the Protestant Reformation in the sixteenth and seventeenth centuries. It is the first detailed study of its kind which challenges the view that whitewash was always only a 'cheap coat of paint'. Victoria George pulls together several histories: of the colour white from the biblical period to the present, and ideas about the colour white in philosophy, theology, art, and architecture from antiquity to the present. She links them to case studies of the ways in which reformers Huldrych Zwingli and John Calvin thought about colour in a careful analysis of the role of colour-thinking in their theological writings. The social meanings embodied in the word, 'whitewash' as it entered the printed media in the 17th century is explored as part of a chapter on the history of whitewashing itself. The long-term symbolic and aesthetic implications of the practice of whitewashing are examined in the larger context of material culture; in terms of their value as a metaphor, for both the Reformed Protestant and the Catholic in opposition to them; and for the uses to which whitewash has been put over time. George proposes that the practice was not only visually transformative but held importance for religious aesthetics as an agent of change, and for an aesthetics of minimalism generally, especially evident in the twentieth and twenty-first centuries. Victoria George received an MFA from the Royal College of Art (London), an MA from The Architectural Association, and a Ph.D. from Cambridge. She has taught religion and the arts at the University of Richmond in Virginia.