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Author: Goethe Institute (Atlanta, Ga.)
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 47
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Book Description
Author: Goethe Institute (Atlanta, Ga.)
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 47
Get Book Here
Book Description
Author: Germany. Konsulat (Atlanta, Ga.)
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 44
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Book Description
Author: Germany (West). Consulate (Atlanta, Ga.)
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 41
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Book Description
Author: Robert C. Reimer
Publisher: Hackett Publishing
ISBN: 158510857X
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
Author: Nick Hodgin
Publisher: Berghahn Books
ISBN: 0857451294
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
Screening the East considers German filmmakers’ responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films’ historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans’ confrontation with the past.
Author: Leonie Naughton
Publisher: University of Michigan Press
ISBN: 9780472088881
Category : Business & Economics
Languages : en
Pages : 296
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Book Description
An illuminating exploration of the cultural politics of the East-West unification and its subsequent impact upon German filmmaking
Author: Caroline Moine
Publisher: Berghahn Books
ISBN: 1785339109
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.
Author: Nora M. Alter
Publisher: University of Michigan Press
ISBN: 0472022571
Category : Social Science
Languages : en
Pages : 233
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Book Description
Between 1967 and 2000, film production in Germany underwent a number of significant transformations, including the birth and death of New German Cinema as well as the emergence of a new transnational cinematic practice. In Projecting History, Nora M. Alter explores the relationship between German cinematic practice and the student protests in both East and West Germany against the backdrop of the U.S. war in Vietnam in the sixties, the outbreak of terrorism in West Germany in the seventies, West Germany's rise as a significant global power in the eighties, and German reunification in the nineties. Although a central tendency of New German Cinema in the 1970s was to reduce the nation's history to the product of individuals, the films addressed in Projecting History focus not on individual protagonists, but on complex socioeconomic structures. The films, by Rainer Werner Fassbinder, Harun Farocki, Alexander Kluge, Ulrike Ottinger, Wim Wenders and others, address basic problems of German history, including its overall "peculiarity" within the European context, and, in particular, the specific ways in which the National Socialist legacy continues to haunt Germans. Nora M. Alter is Associate Professor of German, Film and Media Studies, and Women and Gender Studies at the University of Florida. A specialist in twentieth-century film, comparative literature, and cultural studies, Alter has been the recipient of a National Endowment for the Humanities Fellowship and a Howard Foundation Fellowship. She is also the author of Vietnam Protest Theatre: The Television War on Stage.
Author: Terri Ginsberg
Publisher: John Wiley & Sons
ISBN: 1405194367
Category : Performing Arts
Languages : en
Pages : 618
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Book Description
A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.
Author: Anna Sacco
Publisher: GRIN Verlag
ISBN: 3656663440
Category : Performing Arts
Languages : en
Pages : 53
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Book Description
Master's Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 75, University of Cape Town (Centre for Film and Media Studies), language: English, abstract: Documentary film, in the words of Linda Williams, always has the receding goal of finding “some form of truth”. Yet documentary film as an art also blurs the notions of fact and fiction and runs the risk to construct reality rather than merely show it. This dissertation paper is a Reflective Essay supporting the documentary film 'Cape of German Hopes' and aims, with special references from the director's and editor's perspective, to back up the documentary by explaining more in depth about the motivation, goals and achievements of the film. The documentary is a journey that explores life experiences of German families and people of German heritage who settled in Cape Town. It uncovers how they seek to find a balance between their cultural heritage and the culture they are living in. In selected scenes, the paper illustrates how the protagonists on the one hand open up to the South African culture, but on the other still manage to keep their typical 'Germanness'. As migration increases around the world, the studies of its cultural consequences concern more and more people. Exploring cultural aspects of other social groups implies dealing with anthropological terms like identity, transnationalism and acculturation. But it is difficult to define, what shows itself only in full play. Consequently, the documentary film wants to serve not only the German community in Cape Town, but also function as a blueprint for other immigration groups living all over the world.
