Author: Martin Ignatius Gaughan
Publisher: Peter Lang
ISBN: 9783039109005
Category : Art
Languages : en
Pages : 358
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Book Description
This book examines the responses of visual artists, including architects, designers and photographers, to the technological and social modernisation of Germany during the first three decades of the twentieth century. It investigates how these aspects of the modernising process inform both the subject matter and formal innovations of their work. The study analyses how these visual practices were not just the concerns of isolated and enclosed art worlds but had wider social resonances, ranging from the debates concerning the reformist objectives of the Deutscher Werkbund (1907) to the National Socialist ideological onslaught on modernist culture culminating in the Entartete Kunst (Degenerate Art) exhibitions of 1937. Many of the artists encountered here were radicalised by the First World War, the Russian Revolution and the November 1918 Revolution in Germany, experiences which effected change in their conceptualising of cultural production and its social function: their modes of working, however, would also set challenging markers for what forms art might take for the twentieth century. The book is, therefore, both a study of art in complex political and sociocultural contexts and a reflection on how engagement with a social imagination can challenge a tradition based on the assumptions of individual imaginings.
Author: Richard J. Whitt
Publisher: Peter Lang
ISBN: 9783034301527
Category : Foreign Language Study
Languages : en
Pages : 256
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Book Description
Evidentiality, the linguistic encoding of a speaker's or writer's evidence for an asserted proposition, has begun to receive serious attention from linguists only in the last quarter century. Much of this attention has focused on languages that encode evidentiality in the grammar, while much less interest has been shown in languages that express evidentiality through means other than inflectional morphology. In English and German, for instance, the verbs of perception - those verbs denoting sight, sound, touch, smell, and taste - are prime carriers of evidential meaning. This study surveys the most prominent of the perception verbs in English and German across all five sensory modalities and accounts for the range of evidential meanings by examining the general polysemy found among perception verbs, as well as the specific complementation patterns in which these verbs occur.
Author: Denise Varney
Publisher: Peter Lang
ISBN: 9783039111107
Category : Drama
Languages : en
Pages : 342
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Book Description
This work's focus is on theatre at the intersection of culture and politics during and after German reunification and the evolution of the Berlin Republic. It contains the proceedings of a symposium that took place in Melbourne in September 2006.
Author: Ben Fowkes
Publisher: BRILL
ISBN: 9004515259
Category : Political Science
Languages : en
Pages : 504
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Book Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’
Author: David Jury
Publisher: Bloomsbury Publishing
ISBN: 1474262716
Category : Design
Languages : en
Pages : 446
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Book Description
With the rise of digital technology as a design tool and its acceptance as simply part of the tool chest for today's design studios, there has been a re-evaluation and return to exploring pre-digital typography. Design studios no longer flaunt their digital hardware, in fact quite the opposite. This attitudinal change toward digital technology has coincided with a growing fascination and re-evaluation of those pre-digital skills and processes that had been considered in recent years to be irrelevant. Mapping the rise of digital technology and examining the infinite possibilities it offers and the profound cultural and technical influence it has had in all aspects of visual communication. This text also focuses on our current post-digital age, in which the technology itself has become sufficiently common-place for us to fully recognize what it excels at and what it does less well. Reinventing Print focuses on those skills and processes which have been re-appropriated and irreverently liberated by a new generation of typographers, designers, and artists, raised with digital technology in their pockets and forever at their fingertips. In this post-digital age, traditional typographic craft is new, different and therefore exciting, potent and culturally subversive.
Author: Lucy Wasensteiner
Publisher: Routledge
ISBN: 1351004123
Category : Art
Languages : en
Pages : 286
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Book Description
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
Author: Ciara Kierans
Publisher: Routledge
ISBN: 1317377494
Category : Social Science
Languages : en
Pages : 266
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Book Description
Developments in health, science and technology have long provided fertile analytical ground for social science disciplines. This book focuses on the critical and enduring importance of core concepts in anthropology and sociology for interrogating and keeping pace with developments in the life sciences. The authors consider how transformations in medical and scientific knowledge serve to reanimate older controversies, giving new life to debates about relations between society, culture, knowledge and individuals. They reflect on the particular legacies and ongoing relevance of concepts such as ‘culture’, ‘society’, ‘magic’, ‘production’, ‘kinship’, ‘exchange’ and ‘the body’. The chapters draw on the work of key historical and contemporary figures across the social sciences and include a range of illustrative case studies to explore topics such as transplant medicine, genetic counselling, cancer therapy, reproductive health and addiction. Of particular interest to students and scholars of anthropology, sociology, and science and technology studies, this volume will also be a valuable resource for those working in the fields of health and medicine.
Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264
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Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Author: Matthias Bauer
Publisher: Taylor & Francis
ISBN: 1000987841
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy, or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a listener strategically perceives ambiguity, which may happen both synchronically (e.g. in conversations) as well as diachronically (e.g. when strategically ambiguating biblical texts in order to make them applicable to moral lessons). Another example is the question whether ambiguity awareness increases the strategic use of ambiguity in prosody. Moreover, the authors not only enquire into effects of ambiguous meanings but also into the strategic use of ambiguity as such, for example, as a response to censorship or as a means of provoking irritation. This volume brings together several contributions from linguistics, literary studies, rhetoric, psychology and theology, and aims at providing a systematic approach to the strategic production and perception of ambiguity in a variety of texts and contexts. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Kurt Beals
Publisher: Northwestern University Press
ISBN: 0810141078
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Wireless Dada: Telegraphic Poetics in the Avant-Garde demonstrates that the poetics of the Dada movement was profoundly influenced by the telegraph and the technological and social transformations that it brought about in the nineteenth and early twentieth centuries. While telegraphy’s impact on Italian Futurism and German Expressionism is widely acknowledged, its formative role in Dada poetics has been largely neglected. Drawing on media history and theory, avant-garde studies, and German literary studies, Kurt Beals shows how the telegraph and the cultural discourses that surrounded it shaped the radical works of this seminal avant-garde movement. The “nonsense” strain in Dada is frequently seen as a response to the senseless violence of the First World War. Beals argues that it was not just the war that turned Dada poetry into a jumble of senseless signals—it was also the wireless.
