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Author: Gerhard Richter
Publisher: Hatje Cantz Verlag
ISBN: 9783775735193
Category : Art
Languages : en
Pages : 0
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Book Description
After his paintings, Gerhard Richter's editions are now also attracting increasing interest from around the world. Editions are all of the artist's original works of art that have been produced in multiple. In his new catalogue raisonné Hubertus Butin presents all of the prints, photography editions, artist's books, multiples (objects), and painting editions from 1965 to 2013. Informative essays and numerous illustrations make it clear that the editions are an independent, major part of Richter's oeuvre. They offer the artist a chance to reach a larger audience while at the same time he can explore creative possibilities in especially diverse and experimental ways.
Author: Gerhard Richter
Publisher: Hatje Cantz Verlag
ISBN: 9783775735193
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
After his paintings, Gerhard Richter's editions are now also attracting increasing interest from around the world. Editions are all of the artist's original works of art that have been produced in multiple. In his new catalogue raisonné Hubertus Butin presents all of the prints, photography editions, artist's books, multiples (objects), and painting editions from 1965 to 2013. Informative essays and numerous illustrations make it clear that the editions are an independent, major part of Richter's oeuvre. They offer the artist a chance to reach a larger audience while at the same time he can explore creative possibilities in especially diverse and experimental ways.
Author: Gerhard Richter
Publisher:
ISBN: 9781935202998
Category : Art
Languages : en
Pages : 0
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Book Description
In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist's book War Cut. For this project, Richter photographed 216 details of his abstract painting "No. 648-2" (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war's outbreak (March 20 and 21, 2003). "My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below," Richter told an interviewer, for a New York Times feature on the publication. "I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes." Originally published only in German in 2004, this long-awaited English version of this important artist's book presents Richter's powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war's outbreak.
Author: Gerhard Richter
Publisher:
ISBN: 9783775726399
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
Gerhard Richter (*1932 in Dresden) has always dealt with the landscape. No other motif has fascinated him as much or kept him so occupied over the years: black-and-white landscapes based on images from magazines and amateur photos; views of mountains and parks painted in thick impasto; softly hued, transparent, illusionist lake scenes. Ever since the subtle Corsica paintings of 1968/69, landscapes have become an established, distinct group of works within the artist's oeuvre. Richter captures reality in a painterly way, such that landscape and abstraction manifest not as opposites but as related concepts. Containing outstanding illustrations and insightful texts, this volume examines Richter's landscapes from the early sixties to the present. (German edition ISBN 978-3-7757-2638-2)
Author: Gerhard Richter
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781935202981
Category : Art
Languages : en
Pages : 488
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Book Description
"Richter took an image of his work "Abstract Painting" (CR: 7244) and divided it vertically into strips: first 2, then 4, 8, 16, 32, 64, 128, 256, 512, 1,024, 2,048, up to 4,096 strips. This process, involving twelve stages of division, results in 8,190 strips, each of which is reproduced here at the height of the original image. With each stage of division, the strips become progressively thinner (a strip of the 12th division is just 0.08 millimeters; further divisions would only become visible by enlargement). Each strip is then mirrored and repeated, producing an incredibly detailed patterning. The number of repetitions increases with each stage of division in order to make patterns of consistent size. The resulting 221 patterns are reproduced here on landscape spreads"--Amazon.com
Author: Gerhard Richter
Publisher: Hatje Cantz
ISBN: 9783775722438
Category : Art and photography
Languages : en
Pages : 0
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Book Description
Louis Armstrong, also known as "Satchmo" and "Pops", became an American jazz legend in the 1920s. His voice and skill with instruments helped him become a popular musician in a time where America was racially divided. Watch as this skilled musician learns
Author: Hans Ulrich Obrist
Publisher:
ISBN: 9781912122592
Category :
Languages : en
Pages : 0
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Book Description
The Richter Interviewscollects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter's place within art history to artists' books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter's much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist's vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books. Obrist deftly guides the reader through a dazzling array of topics and offers an invaluable historical perspective on Richter's place within the art world of the 20th and 21st centuries. Illustrations of discussed artworks by Richter feature throughout the texts for visual reference - making this an indispensable guide to the thinking and creative processes of one of the world's most admired artists.
Author: Ortrud Westheider
Publisher: Hirmer Verlag GmbH
ISBN: 9783777450018
Category : Art and photography
Languages : en
Pages : 0
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Book Description
This volume presents and describes 50 of the artist's works with essays by leading Richter experts. It also includes personal testimonials in previously unpublished letters as well as a conversation between Gerhard Richter and Richter expert Uwe Schneede. This book provides new insight into the complexity of Richter's imagery in which banality and evil confront one another: the dreams and aspirations of the times, fast cars and new travel possibilities; personal memories; the oppressive past; contemporary politics; and both trivial and meaningful everyday objects. The cycle 18 Oktober 1977 (1988), which deals with the death of members of the Red Army Faction ('Baader-Meinhof gang') plays an important role in our understanding of the evocative power of these pictures from the 1960s. Richter's intense preoccupation with this event concludes this group of paintings from photographs. This cycle, which was loaned to the Bucerius Kunst forum in Hamburg by the New York Museum of Modern Art, has led to a new interpretation and positioning of Richter's work.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 15
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Book Description
Author: Paul Rabinow
Publisher: Duke University Press
ISBN: 0822372274
Category : Social Science
Languages : en
Pages : 140
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Book Description
In Unconsolable Contemporary Paul Rabinow continues his explorations of "a philosophic anthropology of the contemporary." Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow shows how an anthropological ethos of the contemporary can be realized by drawing on the work of art historians, cultural critics, social theorists, and others, thereby inventing a methodology he calls anthropological assemblage. He focuses on the work and persona of German painter Gerhard Richter, demonstrating how reflecting on Richter's work provides rich insights into the practices and stylization of what, following Aby Warburg, one might call "the afterlife of the modern." Rabinow opens with analyses of Richter's recent Birkenau exhibit: both the artwork and its critical framing. He then chronicles Richter's experiments in image-making as well as his subtle inclusion of art historical and critical discourses about the modern. This, Rabinow contends, enables Richter to signal his awareness of the stakes of such theorizing while refusing the positioning of his work by modernist critical theorists. In this innovative work, Rabinow elucidates the ways meaning is created within the contemporary.
Author: Stefan Gronert
Publisher: MIT Press
ISBN: 1846381843
Category : Art
Languages : en
Pages : 90
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Book Description
An illustrated exploration of Girlfriends (1965/66), one of Sigmar Polke's important early paintings. The artist Sigmar Polke (1941–2010) worked across a broad range of media—including photography, painting, printmaking, sculpture, and film—and in styles that varied from abstract expressionism to Pop. This volume in Afterall's One Work series offers an illustrated exploration of Freundinnen (Girlfriends 1965/66), one of Polke's important early paintings. Taken from a found image of two young women, and using the raster dots also found in mass media reproductions, Girlfriends offers a statement about the use and social function of images. Stefan Gronert approaches Girlfriends through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work's motivation and depth to become clearer. Gronert analyzes Polke's relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke's use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke's work, including some material that has not yet been translated into English.
