Author: Roberto Gerhard
Publisher: Routledge
ISBN: 1351779494
Category : Music
Languages : en
Pages : 334
Book Description
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, the author collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
Gerhard on Music
Author: Roberto Gerhard
Publisher: Routledge
ISBN: 1351779494
Category : Music
Languages : en
Pages : 334
Book Description
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, the author collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
Publisher: Routledge
ISBN: 1351779494
Category : Music
Languages : en
Pages : 334
Book Description
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, the author collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
Acoustic Masterclass
Author: Ed Gerhard
Publisher: Alfred Music Publishing
ISBN: 9780757920110
Category : Music
Languages : en
Pages : 76
Book Description
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are: Blue Highway * Crow * Duet * Farther Along * Homage * Promised Land * Shallow Brown * Si Bhig, Si Mhor * The Water Is Wide * Wild Mountain Thyme.
Publisher: Alfred Music Publishing
ISBN: 9780757920110
Category : Music
Languages : en
Pages : 76
Book Description
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are: Blue Highway * Crow * Duet * Farther Along * Homage * Promised Land * Shallow Brown * Si Bhig, Si Mhor * The Water Is Wide * Wild Mountain Thyme.
The Urbanization of Opera
Author: Anselm Gerhard
Publisher: University of Chicago Press
ISBN: 9780226288574
Category : History
Languages : en
Pages : 540
Book Description
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?
Publisher: University of Chicago Press
ISBN: 9780226288574
Category : History
Languages : en
Pages : 540
Book Description
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?
Theory of African Music, Volume I
Author: Gerhard Kubik
Publisher: University of Chicago Press
ISBN: 0226456919
Category : History
Languages : en
Pages : 465
Book Description
Vol. 1 previously published in 1994 by F. Noetzel.
Publisher: University of Chicago Press
ISBN: 0226456919
Category : History
Languages : en
Pages : 465
Book Description
Vol. 1 previously published in 1994 by F. Noetzel.
Theory of African Music, Volume I
Author: Gerhard Kubik
Publisher: University of Chicago Press
ISBN: 0226456927
Category : Social Science
Languages : en
Pages : 465
Book Description
Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time. Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.
Publisher: University of Chicago Press
ISBN: 0226456927
Category : Social Science
Languages : en
Pages : 465
Book Description
Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kubik draws on his extensive travels and three decades of study in many parts of the continent to compare and contrast a wealth of musical traditions from a range of cultures. In the first volume, Kubik describes and examines xylophone playing in southern Uganda and harp music from the Central African Republic; compares multi-part singing from across the continent; and explores movement and sound in eastern Angola. And in the second volume, he turns to the cognitive study of African rhythm, Yoruba chantefables, the musical Kachamba family of Malaŵi, and African conceptions of space and time. Each volume features an extensive number of photographs and is accompanied by a compact disc of Kubik’s own recordings. Erudite and exhaustive, Theory of African Music will be an invaluable reference for years to come.
Africa and the Blues
Author: Gerhard Kubik
Publisher: Univ. Press of Mississippi
ISBN: 160473728X
Category : Music
Languages : en
Pages : 262
Book Description
A narrative that explores the African genealogy of American Blues
Publisher: Univ. Press of Mississippi
ISBN: 160473728X
Category : Music
Languages : en
Pages : 262
Book Description
A narrative that explores the African genealogy of American Blues
Algorithmic Composition
Author: Gerhard Nierhaus
Publisher: Springer Science & Business Media
ISBN: 3211755403
Category : Mathematics
Languages : en
Pages : 294
Book Description
Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.
Publisher: Springer Science & Business Media
ISBN: 3211755403
Category : Mathematics
Languages : en
Pages : 294
Book Description
Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.
Listen to the Birds
Author: Ana Gerhard
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Simply Fantastic
Author: Ana Gerhard
Publisher:
ISBN: 9782924217214
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Winner of: Parents' Choice Gold Award 2014 National Parenting Publications Awards (NAPPA) Gold Award A children's guidebook to the fantastical characters and creatures found in classical music. The works of Mozart, Tchaikovsky, Verdi, and others are introduced to children through the magical beings from legends and classic tales--including gnomes, fairies, witches, goblins, elves, and wizards--that inspired the composers. An original and interesting way for younger listeners to discover classical music, this book pairs three centuries of music history with stunning and evocative illustrations and includes a glossary of musical terms, a short biography of each composer, and a brief presentation of each extraordinary character. The accompanying CD features 20 excerpts from various recordings performed by world-class luminaries, including the London Philharmonic Orchestra, La Scala Chorus and Orchestra, and the Academy of St. Martin in the Fields.
Publisher:
ISBN: 9782924217214
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Winner of: Parents' Choice Gold Award 2014 National Parenting Publications Awards (NAPPA) Gold Award A children's guidebook to the fantastical characters and creatures found in classical music. The works of Mozart, Tchaikovsky, Verdi, and others are introduced to children through the magical beings from legends and classic tales--including gnomes, fairies, witches, goblins, elves, and wizards--that inspired the composers. An original and interesting way for younger listeners to discover classical music, this book pairs three centuries of music history with stunning and evocative illustrations and includes a glossary of musical terms, a short biography of each composer, and a brief presentation of each extraordinary character. The accompanying CD features 20 excerpts from various recordings performed by world-class luminaries, including the London Philharmonic Orchestra, La Scala Chorus and Orchestra, and the Academy of St. Martin in the Fields.
Sound Figures of Modernity
Author: Jost Hermand
Publisher: Univ of Wisconsin Press
ISBN: 029921933X
Category : Music
Languages : en
Pages : 277
Book Description
The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in relation to individual composers including Beethoven, Wagner, Schönberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are altered when either attempts to express itself in terms defined by the other. Contributors: Albrecht Betz, Lydia Goehr, Beatrice Hanssen, Jost Hermand, David Farrell Krell, Ludger Lütkehaus, Margaret Moore, Rebekah Pryor Paré, Gerhard Richter, Hans Rudolf Vaget, Samuel Weber
Publisher: Univ of Wisconsin Press
ISBN: 029921933X
Category : Music
Languages : en
Pages : 277
Book Description
The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in relation to individual composers including Beethoven, Wagner, Schönberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are altered when either attempts to express itself in terms defined by the other. Contributors: Albrecht Betz, Lydia Goehr, Beatrice Hanssen, Jost Hermand, David Farrell Krell, Ludger Lütkehaus, Margaret Moore, Rebekah Pryor Paré, Gerhard Richter, Hans Rudolf Vaget, Samuel Weber