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Author: Philip Conisbee
Publisher:
ISBN: 9780300069488
Category :
Languages : en
Pages : 318
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Book Description
Author: Philip Conisbee
Publisher:
ISBN: 9780300069488
Category :
Languages : en
Pages : 318
Get Book Here
Book Description
Author: Dalia Judovitz
Publisher: Fordham Univ Press
ISBN: 0823277453
Category : Religion
Languages : en
Pages : 192
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Book Description
Not rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period. By exploring the representations of light, vision, and the visible in La Tour’s works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical implications. In the wake of iconoclastic outbreaks and consequent Catholic call for the revitalization of religious imagery, La Tour paints familiar objects of visible reality that also serve as emblems of an invisible, spiritual reality. Like the books in his paintings, asking to be read, La Tour’s paintings ask not just to be seen as visual depictions but to be deciphered as instruments of insight. In figuring faith as spiritual passion and illumination, La Tour’s paintings test the bounds of the pictorial image, attempting to depict what painting cannot ultimately show: words, hearing, time, movement, changes of heart. La Tour’s emphasis on spiritual insight opens up broader artistic, philosophical, and conceptual reflections on the conditions of possibility of the pictorial medium. By scrutinizing what is seen and how, and by questioning the position of the beholder, his works revitalize critical discussion of the nature of painting and its engagements with the visible world.
Author: Dalia Judovitz
Publisher:
ISBN: 9780823277445
Category : ART
Languages : en
Pages : 158
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Book Description
"Not rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. Their veritable celebration of light and the familiar, visible world, blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period"--
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556
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Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.
Author: Annick Lemoine
Publisher: Metropolitan Museum of Art
ISBN: 1588396029
Category : Art
Languages : en
Pages : 290
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Book Description
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588391175
Category : Naturalism in art
Languages : en
Pages : 273
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Book Description
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Author: Henri Riviere
Publisher: Chronicle Books
ISBN: 9780811876988
Category : Art
Languages : en
Pages : 0
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Book Description
Thirty-Six Views of the Eiffel Tower is an eminently giftable tribute to the greatest sight in the City of Light. A gorgeous re-creation of Henri Rivire's original 1902 volume offers a stunning view of turn-of-the-century Paris. Sometimes looming in the foreground, sometimes a tiny detail on the horizon, the tower is always present: piercing the sky above a teeming street scene; populated with daring construction workers far above the earth; and peacefully distant above a tranquil Seine. Published in association with the Fine Arts Museums of San Francisco, this enchanting collection is sure to be cherished by Francophiles the world over.
Author: Maria Tsaneva
Publisher: CreateSpace
ISBN: 9781506189451
Category :
Languages : en
Pages : 78
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Book Description
Georges de La Tour was a French Baroque artist, who painted mostly religious scenes in chiaroscuro style, lit by pale candlelight. La Tour's s early paintings shows influences from Caravaggio, and probably also from Jacques Bellange, but unlike Caravaggio his religious paintings lack dramatic effects. He painted using chiaroscuro, careful geometrical compositions, and very simplified depicting of forms. His painting method moves during his career towards greater simplicity and stillness. La Tour often painted several variations on the same subjects, and his surviving production is relatively small. After his death La Tour's work was forgotten until rediscovered by Hermann Voss, a German scholar, in the beginning of 20-th century. In the twentieth century a number of his works were recognized once more, but many aspects of his work remain controversial.
Author: Maria Tsaneva
Publisher: Createspace Independent Publishing Platform
ISBN: 9781506127996
Category :
Languages : en
Pages : 0
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Book Description
Georges de La Tour was a French Baroque artist, who painted mostly religious scenes in chiaroscuro style, lit by pale candlelight. La Tour's s early paintings shows influences from Caravaggio, and probably also from Jacques Bellange, but unlike Caravaggio his religious paintings lack dramatic effects. He painted using chiaroscuro, careful geometrical compositions, and very simplified depicting of forms. His painting method moves during his career towards greater simplicity and stillness. La Tour often painted several variations on the same subjects, and his surviving production is relatively small. After his death La Tour's work was forgotten until rediscovered by Hermann Voss, a German scholar, in the beginning of 20-th century. In the twentieth century a number of his works were recognized once more, but many aspects of his work remain controversial.
Author: Raya Yotova
Publisher:
ISBN: 9781983493782
Category :
Languages : en
Pages : 70
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Book Description
Georges de La Tour was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight.La Tour's early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats-as in The Fortune Teller -and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career.La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness-taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did.He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult.
