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Author: Nigel Harkness
Publisher: Peter Lang
ISBN: 9783039119882
Category : Literary Collections
Languages : fr
Pages : 342
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Book Description
Les essais contenus dans ce volume poursuivent les réflexions entamées dans George Sand : Intertexualité et Polyphonie I. Là où le premier volume a mis en valeur la polysémie intertextuelle du roman sandien, les articles réunis dans ce volume soulignent la centralité du dialogue et du dialogisme, de l'interdiscursivité, de la voix, de la musique et des arts visuels dans une écriture sandienne caractérisée par la pluralité. Si les connotations musicales de la polyphonie s'avèrent particulièrement pertinentes pour une lecture de l'oeuvre sandienne, le concept souligne aussi l'importance de la voix, de l'échange et du dialogue. En effet, le dialogue se révèle être un élément-clé : pour Sand, l'écriture est toujours une réécriture impliquant un engagement avec l'autre ; l'oralité n'est pas uniquement une caractéristique de ses romans champêtres, qui participent à la tradition du conte oral, mais elle sous-tend la totalité d'une oeuvre où la question 'qui parle ?' ne peut jamais être négligée ; et le concept de l'échange n'est pas limité au domaine de la politique, mais se manifeste aussi dans l'oeuvre fictive où le théâtre, la musique et les arts visuels occupent une position prééminente. Dans les dix-neuf articles sélectionnés ici - dont six en anglais - des spécialistes internationaux de George Sand analysent et répondent à ces questions en prenant en compte la diversité de l'oeuvre sandienne (romans, autobiographie, théâtre et correspondance).
Author: Nigel Harkness
Publisher: Peter Lang
ISBN: 9783039119882
Category : Literary Collections
Languages : fr
Pages : 342
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Book Description
Les essais contenus dans ce volume poursuivent les réflexions entamées dans George Sand : Intertexualité et Polyphonie I. Là où le premier volume a mis en valeur la polysémie intertextuelle du roman sandien, les articles réunis dans ce volume soulignent la centralité du dialogue et du dialogisme, de l'interdiscursivité, de la voix, de la musique et des arts visuels dans une écriture sandienne caractérisée par la pluralité. Si les connotations musicales de la polyphonie s'avèrent particulièrement pertinentes pour une lecture de l'oeuvre sandienne, le concept souligne aussi l'importance de la voix, de l'échange et du dialogue. En effet, le dialogue se révèle être un élément-clé : pour Sand, l'écriture est toujours une réécriture impliquant un engagement avec l'autre ; l'oralité n'est pas uniquement une caractéristique de ses romans champêtres, qui participent à la tradition du conte oral, mais elle sous-tend la totalité d'une oeuvre où la question 'qui parle ?' ne peut jamais être négligée ; et le concept de l'échange n'est pas limité au domaine de la politique, mais se manifeste aussi dans l'oeuvre fictive où le théâtre, la musique et les arts visuels occupent une position prééminente. Dans les dix-neuf articles sélectionnés ici - dont six en anglais - des spécialistes internationaux de George Sand analysent et répondent à ces questions en prenant en compte la diversité de l'oeuvre sandienne (romans, autobiographie, théâtre et correspondance).
Author: Kathryn A. Duys
Publisher: Boydell & Brewer Ltd
ISBN: 1843843919
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Much of our modern understanding of medieval society and cultures comes through the stories people told and the way they told them. Storytelling was, for this period, not only entertainment; it was central to the law, religious ritual and teaching, as well as the primary mode of delivering news. The essays in this volume raise and discuss a number of questions concerning the strategies, contexts and narratalogical features of medieval storytelling. They look particularly at who tells the story; the audience; how a story is told and performed; and the manuscript and social context for such tales. Laurie Postlewate is Senior Lecturer, Department of French, Barnard College; Kathryn Duys is Associate Professor, Department of English and Foreign Languages, University of St Francis; Elizabeth Emery is Professor of French, Montclair State University.
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Publisher: BRILL
ISBN: 900429872X
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
Author: Françoise Ghillebaert
Publisher: Cambridge Scholars Publishing
ISBN: 1527524957
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This collection of essays highlights the importance of water imagery in the work of the renowned nineteenth-century French female author George Sand. It provides a complex picture of the polyvalent presence of water in Sand’s work that encompasses life and death imagery, ecocriticism, fluid kinship, homosocial ties, and artistic creativity. Drawing on Gaston Bachelard’s premise that the substance of water carries deep meaning, the articles in this volume explore the element of water and its symbolism in a selection of George Sand’s writings and art work, from her most famous novels (Indiana, Lélia, and Consuelo) to her later works, short stories, plays, and autobiographical writing (Teverino, Jean de la Roche, Les Maîtres sonneurs, La Reine Coax, L’Homme de neige, Le Drac, Un Hiver à Majorque, Marianne), and dendrite paintings.
Author: Loïc Guyon
Publisher: Cambridge Scholars Publishing
ISBN: 1443857564
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
If the eighteenth century was the age of reason and enlightenment, the nineteenth century was undeniably the age of movement. This tumultuous period in French history bore witness to the rise and fall of countless political movements, from revolutions and “coups d’état”, to popular protests and the first workers’ strikes. It was an age of economic movements as France embraced the new world of finance and banking, and underwent its own industrial revolution. Social mobility increased as a dynamic commercial bourgeoisie began to challenge the system of aristocratic privilege that neither the 1789 Revolution nor the Napoleonic Empire had dismantled entirely. The era was one of artistic ferment, as Romanticism gave way to Realism, Naturalism, Impressionism, and Symbolism. Intellectual and philosophical movements, from Liberalism to Saint-Simonianism, sought both to reconcile the country with its past and construct the framework for a progressive, more harmonious future. Through seventeen thematic essays, Aller(s)-Retour(s) seeks to understand nineteenth-century France as a society in perpetual motion. Recognising the instability that is key to the very concept of movement, this volume explores how the intellectual shifts and cross-currents of the nineteenth century responded to, and impacted upon, each other. Finally, it asks why questions of motion and movement dominated this period, as every sphere of French life confronted its own extremes of progress and renewal, stagnancy and regression.
Author: Jean Boase-Beier
Publisher: Routledge
ISBN: 1134935439
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
In their introduction to this collection of essays, the editors argue that constraints can be seen as a source of literary creativity, and given that translation is even more constrained than 'original' literary production, it thus has the potential to be even more creative too. The ten essays that follow outline ways in which translators and translations are constrained by poetic form, personal histories, state control, public morality, and the non-availability of comparable target language subcodes, and how translator creativity may-or may not-overcome these constraints. Topics covered are: Baudelaire's translation practices; bowdlerism in translations of Voltaire, Boccaccio and Shakespeare, among others; Leyris's translations of Gerard Manley Hopkins; ideology in English-Arabic translation; the translation of censored Greek poet Rhea Galanaki; theatre translation; Nabokov and translation; gay translation; Moratín's translation of Hamlet; and state control of translation production in Nazi Germany. The essays are mostly highly readable, and often entertaining.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 638
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Author:
Publisher: BRILL
ISBN: 9401204861
Category : Social Science
Languages : en
Pages : 260
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Book Description
This volume draws contributors from around the globe who represent the full range of approaches to scholarship in nineteenth-century French studies: historical, literary, cultural, art historical, philosophical, and comparative. The theme of the volume – Birth and Death – is one with particular resonance for nineteenth-century French studies, since the nineteenth century is commonly perceived as an age of new life and renovation. It is the epoch that witnessed an efflorescence of industrial and artistic progress, the birth of the individual and the birth of the novel, and the creation of an urban population in the major demographic shift from the rural provinces to Paris. At the same time, however, it is the century of Decadence and degeneration theory, marked by a prominent morbid aesthetic in the artistic sphere and a fascination with criminality, moral decay and the pathologization of racial and sexual minorities in the scientific discourses. It is also the century in which reflection on processes of artistic creation begins to problematize concepts of mimetic representation, the function of the author and the status of the text. In the context of the dialectical quality of nineteenth-century French culture, caught between an obsession with the new and innovative and a paranoid sense of its own encroaching decay, the twin themes of birth and death open onto a variety of issues – literary, social, historical, artistic – which are explored, interrogated and reassessed in the essays contained in this volume.
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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