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Author: Andrew Horton
Publisher: McFarland
ISBN: 9780786419319
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
As late as 1976, George Roy Hill was the first and only director to have two films on the all-time top ten box office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with a diverse background in music, drama and television, Hill proved to be a popular storyteller in a variety of genres. His films are tied to important American themes and reflect an ironic, bittersweet vision of life. The book begins with a discussion of the way Hill's films often make their most important statements on the subtextual level. The stories entertain, but the subtext is often disturbing, contradictory, unresolved. Hill felt that all of his major characters create an environment, a fantasy, an illusion, and then go on to make it happen. It continues by tracing the thematic characteristics that are consistent with Hill's depiction of protagonists who create their own environments and then attempt to inhabit them. Then, individual chapters study in detail the art, craft and style of each of his films, including Thoroughly Modern Millie, Slaughterhouse Five, A Little Romance, The World According to Garp, Little Drummer Girl and Hill's last film Funny Farm.
Author: Andrew Horton
Publisher: McFarland
ISBN: 9780786419319
Category : Performing Arts
Languages : en
Pages : 224
Get Book Here
Book Description
As late as 1976, George Roy Hill was the first and only director to have two films on the all-time top ten box office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with a diverse background in music, drama and television, Hill proved to be a popular storyteller in a variety of genres. His films are tied to important American themes and reflect an ironic, bittersweet vision of life. The book begins with a discussion of the way Hill's films often make their most important statements on the subtextual level. The stories entertain, but the subtext is often disturbing, contradictory, unresolved. Hill felt that all of his major characters create an environment, a fantasy, an illusion, and then go on to make it happen. It continues by tracing the thematic characteristics that are consistent with Hill's depiction of protagonists who create their own environments and then attempt to inhabit them. Then, individual chapters study in detail the art, craft and style of each of his films, including Thoroughly Modern Millie, Slaughterhouse Five, A Little Romance, The World According to Garp, Little Drummer Girl and Hill's last film Funny Farm.
Author: Andrew Horton
Publisher: McFarland
ISBN: 1476608725
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
As late as 1976, George Roy Hill was the first and only director to have two all-time, top-ten, box-office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with backgrounds in music, drama and television, he was a popular storyteller. His films reflect an ironic, bittersweet vision of life. The stories entertain, but the subtext is often disturbing. Hill felt that all of his major characters "create an environment, a fantasy, an illusion, and then go on to make it happen." Individual chapters study in detail the art, craft and style of each of his films, including Period of Adjustment, Toys in the Attic, The World of Henry Orient, Hawaii, The Great Waldo Pepper, Slap Shot, Thoroughly Modern Millie, Slaughterhouse Five, A Little Romance, The World According to Garp, The Little Drummer Girl and Hill's last, Funny Farm.
Author: Charles Leerhsen
Publisher: Simon & Schuster
ISBN: 1501117483
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
Charles Leerhsen brings the notorious Butch Cassidy to vivid life in this surprising and entertaining biography that goes beyond the movie Butch Cassidy and the Sundance Kid to reveal a more fascinating and complicated man than legend provides. For more than a century the life and death of Butch Cassidy have been the subject of legend, spawning a small industry of mythmakers and a major Hollywood film. But who was Butch Cassidy, really? Charles Leerhsen, bestselling author of Ty Cobb, sorts out facts from folklore and paints a brilliant portrait of the celebrated outlaw of the American West. Born into a Mormon family in Utah, Robert Leroy Parker grew up dirt poor and soon discovered that stealing horses and cattle was a fact of life in a world where small ranchers were being squeezed by banks, railroads, and cattle barons. Sometimes you got caught, sometimes you got lucky. A charismatic and more than capable cowboy—even ranch owners who knew he was a rustler said they would hire him again—he adopted the alias “Butch Cassidy,” and moved on to a new moneymaking endeavor: bank robbery. By all accounts, Butch was a smart and considerate thief, refusing to take anything from customers and insisting that no one be injured during his heists. His “Wild Bunch” gang specialized in clever getaways, stationing horses at various points along their escape route so they could outrun any posse. Eventually Butch and his gang graduated to train robberies, which were more lucrative. But the railroad owners hired the Pinkerton Agency, whose detectives pursued Butch and his gang relentlessly, until he and his then partner Harry Longabaugh (The Sundance Kid) fled to South America, where they replicated the cycle of ranching, rustling, and robbery until they met their end in Bolivia. In Butch Cassidy, Charles Leerhsen shares his fascination with how criminals such as Butch deftly maneuvered between honest work and thievery, battling the corporate interests that were exploiting the settlers, and showing us in vibrant prose the Old West as it really was, in all its promise and heartbreak.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: John Robert Allman
Publisher: Doubleday Books for Young Readers
ISBN: 0593377877
Category : Juvenile Nonfiction
Languages : en
Pages : 43
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Book Description
Broadway babies, it's never too early to learn about the great women of American musical theater! From Audra McDonald to Liza with a "Z," this is a showstopping alphabet board book featuring your favorite leading ladies of the Broadway stage. Step into the spotlight and celebrate a cavalcade of Broadway's legendary leading ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Carol Channing, Angela Lansbury, Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, and Liza Minnelli! With their signature voices and iconic roles, these talented women have created some of the greatest moments in musical theater history. Broadway fans and theater lovers everywhere will give a standing ovation to this one-of-a-kind tribute full of toe-tapping rhymes, with illustrations as bright and beautiful as the shining lights on any marquee.
Author: Janet L. Meyer
Publisher: McFarland
ISBN: 1476609799
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Jeremiah Johnson, The Way We Were, Absence of Malice, Out of Africa, Tootsie, The Firm, Searching for Bobby Fischer--Sydney Pollack has produced, directed or appeared in some of the biggest and most influential films of the last quarter century. His emergence in Hollywood coincided with those of such other innovative directors as John Frankenheimer, George Roy Hill and Sidney Lumet, and with them he helped develop a contemplative style of filmmaking that was almost European in its approach but retained its commercial viability. Film-by-film, this work examines the directorial career of Sydney Pollack. One finds that his style is marked by deliberate pacing, ambiguous endings and metaphorical love stories. Topically, Pollack's films reflect social, culture and political dilemmas that hold some fascination for him, with multidimensional characters in place that generally break the stereotypical molds of the situations. Pollack's directing efforts on television are also detailed, as are his production and acting credits.
Author: Matthew Specktor
Publisher: Catapult
ISBN: 1593764545
Category : Social Science
Languages : en
Pages : 129
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Book Description
From Melville to Madoff, the Confidence Man is an essential American archetype. George Roy Hill’s 1973 film The Sting treats this theme with a characteristic dexterity. The movie was warmly received in its time, winning seven Academy Awards, but there were some who thought the movie was nothing more than a slight throwback. Pauline Kael, among others, felt Hill’s film was mechanical and contrived: a callow and manipulative attempt to recapture the box-office success of Robert Redford and Paul Newman’s prior pairing, Butch Cassidy & The Sundance Kid. Matthew Specktor’s passionate, lyric meditation turns The Sting on its head, on its side, and right-side-up in an effort to unpack the film’s giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opens The Sting up to disclose the subtle and stunning dimensions—sexual, political, and aesthetic—of Hill’s best film. Through Specktor’s lens, The Sting reveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.
Author: Jonathon Jackson
Publisher: John Wiley & Sons
ISBN: 0470678003
Category : Sports & Recreation
Languages : en
Pages : 321
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Book Description
How a movie about minor league hockey became a box office hit-and an international cult classic Even thirty-odd years after Slap Shot's release, diehard hockey fans can still recite scenes of dialogue by heart, making lines like "putting on the foil" just common argot for the devoted. Yet many may be surprised to learn that the true story behind the making of the film is as captivating as the film itself. In The Making of Slap Shot, veteran sports writer Jonathon Jackson lets fans not only relive just how the film was made, but brings to light surprising facts (i.e., Al Pacino was the first choice for the role of Reggie Dunlop; almost every scene-even the absurd and unbelievable ones-depicts a real life event). With access to those involved in the making of the film, he brings to life some of the magic behind the creation of memorable scenes and characters, especially the Charleston Chiefs, one of the most popular fictional sports teams in history. Based on interviews with over 50 cast members, production staff, and anyone of note involved in the film's creation Destined to be a collectible and keepsake (along with the jerseys, bobbleheads, and other paraphernalia associated with the film), The Making of Slapshot is a must for fans eager to learn even more about their favorite film.
Author: John Irving
Publisher: Random House Digital, Inc.
ISBN: 0345418018
Category : Fiction
Languages : en
Pages : 530
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Book Description
T.S. Garp, a man with high ambitions for an artistic career and with obsessive devotion to his wife and children, and Jenny Fields, his famous feminist mother, find their lives surrounded by an assortment of people including teachers, whores, and radicals
Author: Michael Feeney Callan
Publisher: Vintage
ISBN: 0307272974
Category : Biography & Autobiography
Languages : en
Pages : 521
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Book Description
The long-anticipated biography of Robert Redford. Among the most widely admired Hollywood stars of his generation, Redford has appeared onstage and on-screen, in front of and behind the camera, earning Academy, Golden Globe, and a multitude of other awards and nominations for acting, directing, and producing, and for his contributions to the arts. His Sundance Film Festival transformed the world of filmmaking; his films defined a generation. America has come to know him as the Sundance Kid, Bob Woodward, Johnny Hooker, Jay Gatsby, and Roy Hobbs. But only now, with this revelatory biography, do we see the surprising and complex man beneath the Hollywood façade. From Redford’s personal papers—journals, script notes, correspondence—and hundreds of hours of taped interviews, Michael Feeney Callan brings the legendary star into focus. Here is his scattered family background and restless childhood, his rocky start in acting, the death of his son, his star-making relationship with director Sydney Pollack, the creation of Sundance, his political activism, his artistic successes and failures, his friendships and romances. This is a candid, surprising portrait of a man whose iconic roles on-screen (Butch Cassidy and the Sundance Kid, All the President’s Men, The Natural) and directorial brilliance (Ordinary People, Quiz Show) have both defined and obscured one of the most celebrated, and, until now, least understood, public figures of our time.
