Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Georg Herold, Albert Oehlen, Christopher Wool
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Christopher Wool
Author: Christopher Wool
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 164
Book Description
Albert Oehlen - Painting
Author: Albert Oehlen
Publisher: Walther Konig Verlag
ISBN: 9783863353933
Category : Collage
Languages : en
Pages : 0
Book Description
Four decades after he first burst onto the international art scene in the early 1980s, Albert Oehlen (born 1954) remains among the most influential and controversial painters of the present. Operating between figuration and abstraction with vigor and energy, Oehlen relentlessly critiques painting's history, its clichés and its relationship to the imagery of the advertising and pop industries--all within the medium itself (rather than in another art form). Reproducing 110 works, this volume, designed by Heimo Zobernig, takes something of an artist's book approach to Oehlen's oeuvre, emphasizing its methodological complexity, vitality and conflicts. Alongside an interview between Oehlen and fellow painter Daniel Richter, this catalogue contains conversations on the implications of Oehlen's work between Rochelle Feinstein and Kerstin Stakemeier, and between Hal Foster and Achim Hochdörfer.
Publisher: Walther Konig Verlag
ISBN: 9783863353933
Category : Collage
Languages : en
Pages : 0
Book Description
Four decades after he first burst onto the international art scene in the early 1980s, Albert Oehlen (born 1954) remains among the most influential and controversial painters of the present. Operating between figuration and abstraction with vigor and energy, Oehlen relentlessly critiques painting's history, its clichés and its relationship to the imagery of the advertising and pop industries--all within the medium itself (rather than in another art form). Reproducing 110 works, this volume, designed by Heimo Zobernig, takes something of an artist's book approach to Oehlen's oeuvre, emphasizing its methodological complexity, vitality and conflicts. Alongside an interview between Oehlen and fellow painter Daniel Richter, this catalogue contains conversations on the implications of Oehlen's work between Rochelle Feinstein and Kerstin Stakemeier, and between Hal Foster and Achim Hochdörfer.
Jeff Koons
Author: Scott Rothkopf
Publisher: Yale University Press
ISBN: 0300195877
Category : Art
Languages : en
Pages : 306
Book Description
With over 200 illustrations of iconic works as well as preparatory studies and historic photographs, this book offers fresh insight into Koons’s polarizing and influential career.
Publisher: Yale University Press
ISBN: 0300195877
Category : Art
Languages : en
Pages : 306
Book Description
With over 200 illustrations of iconic works as well as preparatory studies and historic photographs, this book offers fresh insight into Koons’s polarizing and influential career.
Warhol Wool Newman
Author: Giuliana Bruno
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 208
Book Description
I Will Always Champion Good Painting
Author: Albert Oehlen
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 178
Book Description
Albert Oehlen's work focuses on the process of painting itself rather than any subjective expressionism or formal representation. This catalogue is published on the occasion of the exhibitions: 'I Will Always Champion Good Painting' at the Whitechapel Gallery, London, and 'I Will Always Champion Bad Painting' at Arnolfini in Bristol.
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 178
Book Description
Albert Oehlen's work focuses on the process of painting itself rather than any subjective expressionism or formal representation. This catalogue is published on the occasion of the exhibitions: 'I Will Always Champion Good Painting' at the Whitechapel Gallery, London, and 'I Will Always Champion Bad Painting' at Arnolfini in Bristol.
Contemporary artists in the Skulpturenpark Köln, anglais
Author: Gesellschaft der Freunde des Skulpturenparks Köln
Publisher:
ISBN:
Category : Outdoor sculpture
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : Outdoor sculpture
Languages : en
Pages : 230
Book Description
Guitars that are Not Called Gudrun
Author: Martin Kippenberger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
On 26 February 2003 Martin Kippenberger would have turned fifty. In commemoration of his birthday, the gallerist Max Hetzler has dedicated a book to him. "Gitarren, die nicht Gudrun heißen" rekindles our memories of an enfant terrible of the art world and explores the oeuvre of this outstanding artist, who died six years ago. Artists, critics, art historians and authors have written a series of highly personal testimonies to Martin Kippenberger, who was a friend, a role model and a source of irritation all in one. Albert Oehlen tells of the intense artistic debate that began at the Hamburg Art Academy in the late 1970s and persisted even after both artists had moved off in different stylistic directions. Peter Pakesch recalls his encounter in the 1980s with Kippenberger the "utopian campaigner", and explains how the artist was driven by his boundless desire to grapple with the world, with whatever company he was keeping, and above all with art. As the artist's former assistant, Merlin Carpenter describes the "Kippenberger system" through which all manner of alien ideas and creativity were constantly ploughed into Kippenberger's artistic production. Stephan Schmidt-Wulffen examines how public discourse forged the identity of this artist, who declared that role-playing and strategy were crucial components of his perception of art. For his part, Martin Prinzhorn wonders what place should be given to a body of art that has become so indistinguishable from the persona of the artist, but which at the same time appears almost to vanish inside the most diverse artistic identities. Elusive but omnipresent, Martin Kippenberger appears to his friend Mayo Thompson in a dream as a restless spirit who, as Werner Buttner says, couldn't even have resisted mocking his own funeral-"He would have turned that into art, too". Or, to use Rainald Goetz's words: "Ego-apotheosis: whoosh and away." Martin Kippenberger's vivid presence in the thoughts and writings of his friends is matched by the forceful presence of his work throughout this publication. Pictures, invitation cards, catalogues, snapshots-the book's design compounds this path through the labyrinth of his artistic output and lends Martin Kippenberger physical and visual presence on every page.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
Book Description
On 26 February 2003 Martin Kippenberger would have turned fifty. In commemoration of his birthday, the gallerist Max Hetzler has dedicated a book to him. "Gitarren, die nicht Gudrun heißen" rekindles our memories of an enfant terrible of the art world and explores the oeuvre of this outstanding artist, who died six years ago. Artists, critics, art historians and authors have written a series of highly personal testimonies to Martin Kippenberger, who was a friend, a role model and a source of irritation all in one. Albert Oehlen tells of the intense artistic debate that began at the Hamburg Art Academy in the late 1970s and persisted even after both artists had moved off in different stylistic directions. Peter Pakesch recalls his encounter in the 1980s with Kippenberger the "utopian campaigner", and explains how the artist was driven by his boundless desire to grapple with the world, with whatever company he was keeping, and above all with art. As the artist's former assistant, Merlin Carpenter describes the "Kippenberger system" through which all manner of alien ideas and creativity were constantly ploughed into Kippenberger's artistic production. Stephan Schmidt-Wulffen examines how public discourse forged the identity of this artist, who declared that role-playing and strategy were crucial components of his perception of art. For his part, Martin Prinzhorn wonders what place should be given to a body of art that has become so indistinguishable from the persona of the artist, but which at the same time appears almost to vanish inside the most diverse artistic identities. Elusive but omnipresent, Martin Kippenberger appears to his friend Mayo Thompson in a dream as a restless spirit who, as Werner Buttner says, couldn't even have resisted mocking his own funeral-"He would have turned that into art, too". Or, to use Rainald Goetz's words: "Ego-apotheosis: whoosh and away." Martin Kippenberger's vivid presence in the thoughts and writings of his friends is matched by the forceful presence of his work throughout this publication. Pictures, invitation cards, catalogues, snapshots-the book's design compounds this path through the labyrinth of his artistic output and lends Martin Kippenberger physical and visual presence on every page.
On the Edge
Author: Robert Storr
Publisher:
ISBN: 9780810961784
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780810961784
Category :
Languages : en
Pages : 0
Book Description
Allegories of Modernism
Author: Bernice Rose
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description