Geoffrey Chaucer's Influence on English Literature PDF Download
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Author: Alfred Tobler
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 138
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Book Description
Author: Alfred Tobler
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 138
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Book Description
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 658
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Book Description
Author: David Biggs
Publisher: University of Toronto Press
ISBN: 9780802008749
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
An annotated bibliography describing editing and critical works on three of Chaucer's tales. The authors make extensive use of the standard bibliographies of English literature, medieval studies, and Chaucerian studies.
Author: Geoffrey Chaucer
Publisher: Boydell & Brewer Ltd
ISBN: 0859913090
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This collection of 32 modernised versions of The Canterbury Tales which appeared in the 18th century offers basic material for studying the history of attitudes to Chaucer, and Chaucer scholarship, duringthe period. Reception data so precise and extensive is available only for Chaucer among English authors. At least seventeen known and anonymous writers produced thirty-two modernised Canterbury tales during the century, plus tale links and adaptations of each other's work. The present collection contains only modernisations that have not seen print since 1796, thus excluding those by Pope and Dryden. Although most works in this collection may be examined further in several British and American libraries, others cannot. Apparently only one copy has survived of an anonymous Miller's Tale (1791) with a thoughtful preface justifying the tale's overt sexuality published just as William Lipscomb was completing his 1795 edition that, in its preface, justifies exclusion from the pilgrimage of the notorious tales of Miller and Reeve. Such contrasting attitudes illustrate the dangers of generalisation about the usual reception or interpretation of Chaucer during this or any other socio-historic period; instead, the collection provides an untapped reservoir of material with which to investigate anew the rich complexity of his poetry and its enduring appeal. BETSY BOWDEN is Professor of English at Rutgers University, New Jersey.
Author: Ada Pearl Stearns
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
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Book Description
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
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Book Description
Author: Harvard University. Library
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 624
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Book Description
Author: Monica E. McAlpine
Publisher: University of Toronto Press
ISBN: 9780802059130
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
As the first of the Canterbury Tales, the Knight's Tale has been the subject of a vast body of comment by scholars and lay readers. Monica McAlpine provides access to this material in the first of the Chaucer Bibliographies series to deal with a narrative portion of that author's best-known work.
Author: Richard J. Utz
Publisher: Brepols Publishers
ISBN:
Category : History
Languages : en
Pages : 476
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Book Description
In the nineteenth and early twentieth century, German-speaking scholars played a decisive role in founding and shaping the study of medieval and early modern English language and culture. During this process, aesthetic and literary enthusiasms were gradually replaced, first by broadly comparative and then by increasingly narrow scientistic practices, all confusingly subsumed under the term 'philology'. Towards 1871, German and Austrian Anglicists were successful at imposing-- for about 30 years -- many of their philological discoursive practices on their English-speaking counterparts by focusing on strict textual criticism, chronology, historical linguistics, prosody, and literary history. After World War I, these philological practices were rejected in the U.K. and the United States because they were 'Made in Germany', but have remained essential features of German medieval scholarship until the present day. This book offers a case study of these foundational developments by investigating the reception of Geoffrey Chaucer by eminent scholars such as V.A. Huber, W. Hertzberg, B. ten Brink, J. Zupitza, E. Fluegel, and J. Koch. The narrative of their nationalist, scientist, and self-fashioning efforts is complemented by a comprehensive annotated bibliography of German Chaucer criticism between 1793 and 1948.
Author: Geoffrey Chaucer
Publisher: University of Oklahoma Press
ISBN: 9780806121543
Category : Fiction
Languages : en
Pages : 310
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Book Description
Part Twelve In the list of scholarly problems it presents, The Squire’s Tale ranks among the highest in The Canterbury Tales. Being incomplete and coming to a halt on a baffling note-was it in fact evolving into a tale of incest?-the tale has undergone the most remarkable shift in critic acceptance of any of Chaucer’s works. This tale of oriental wonder, with its strong base in magic, excited the admiration of Chaucer’s contemporaries and inspired Spenser’s imitative speculation and Milton’s famous desire that the old poet be summoned up to finish his task. It retained for the eighteenth and most of the nineteenth centuries its Gothic fascination, being ranked with the very best of Chaucer’s work. In the second half of the twentieth century, it has been seen from a number of provocative perspectives. Is it a parody of the long Eastern romance? Is it a satire on the values of an aristocracy whose time is past? Is it a rhetorical joke on Chaucer’s part, extending the character of the young Squire into an earnest and somewhat naïve competition with his father, the Knight? The concerns of contemporary scholarship reveal as much about the critical temper of the time as about the work itself. On its own merits The Squire’s Tale compels our attention as an example of Chaucer’s wide-ranging and sometimes inscrutable genius. It provides us with an exotic literary type not otherwise represented in the Tales. It reverberates, in its discussion of ’gentilesse’ with other such discussions in Chaucer’s poetry; it demonstrates, in its use of the love-vision and the complaint, the experimental ways in which Chaucer handles the conventions of French poetry. Perhaps most fascinating is the range of Chaucer’s mind revealed by the casual uses of the science of his time: its knowledge of meteorology, optics, glass and metal work, astrology, and astronomy. The tale offers yet one more example of Chaucer’s genius at work, speaking to us in a voice that is at once suggestive, provocative, and mystifying as always.
