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Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
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Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
Author: Roni Neuer
Publisher:
ISBN: 9780711200210
Category : Art, Japanese
Languages : en
Pages : 390
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Book Description
A collection of nearly four hundred Japanese woodcuts from the seventeenth through nineteenth centuries is accompanied by technical and biographical data on the artist.
Author: Christie, Manson & Woods International Inc
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Woldemar von Seidlitz
Publisher: Parkstone International
ISBN: 1785259369
Category : Art
Languages : en
Pages : 425
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Book Description
Ukiyo-e (‘pictures of the floating world’) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily life, women, actors of kabuki theatre, or even sumo wrestlers. Landscape would also later establish itself as a favourite subject. Moronobu, the founder, Shunsho, Utamaro, Hokusai, and even Hiroshige are the most widely-celebrated artists of the movement. In 1868, Japan opened up to the West. The masterful technique, the delicacy of the works, and their graphic precision immediately seduced the West and influenced greats such as the Impressionists, Van Gogh, and Klimt. This is known as the period of ‘Japonisme’. Through a thematic analysis, Woldemar von Seidlitz and Dora Amsden implicitly underline the immense influence which this movement had on the entire artistic scene of the West. These magnificent prints represent the evolution of the feminine ideal, the place of the Gods, and the importance accorded to landscape, and are also an invaluable witness to a society now long gone.
Author: Tadashi Kobayashi
Publisher: Kodansha
ISBN: 9784770021823
Category : Art, Japanese
Languages : en
Pages : 474
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Book Description
A comprehensive survey of the history of Japanese woodblock prints, This works illustrated with an overview of social conditions, printing techniques,rtists, engravers, printers and details of the prints and subjects.
Author: Janice Katz
Publisher: Yale University Press
ISBN: 0300236913
Category : Art
Languages : en
Pages : 307
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Book Description
From the 17th through the 19th century, artists in Kyoto and Edo (now Tokyo) captured the metropolitan amusements of the floating world (ukiyo in Japanese) through depictions of subjects such as the beautiful women of the Yoshiwara pleasure quarters and performers of the kabuki theater. In contrast to ukiyo-e prints by artists such as Katsushika Hokusai, which were widely circulated, ukiyo-e paintings were specially commissioned, unique objects that displayed the maker’s technical skill and individual artistic sensibility. Featuring more than 150 works from the celebrated Weston Collection, the most comprehensive of its kind in private hands and published here for the first time in English, this lavishly illustrated and meticulously researched volume addresses the genre of ukiyo-e painting in all its complexity. Individual essays explore topics such as shunga (erotica), mitate-e (images that parody or transform a well-known story or legend), and poetic inscriptions, revealing the crucial role that ukiyo-e painting played in a sophisticated urban culture.
Author: Pie Books
Publisher: Pie
ISBN: 9784756242983
Category :
Languages : en
Pages : 204
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Book Description
This is a collection of the work of Kuniyoshi's works that feature cats.
Author: Andreas Marks
Publisher: Tuttle Publishing
ISBN: 1462905994
Category : Art
Languages : en
Pages : 994
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Book Description
Japanese woodblock prints, or ukiyo-e, are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full-color prints. Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favorite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.
Author: Frederick Harris
Publisher: Tuttle Publishing
ISBN: 9784805310984
Category : Art
Languages : en
Pages : 192
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Book Description
The art of Japanese woodblock printing, known as ukiyo-e ("pictures of the floating world"), reflects the rich history and way of life in Japan hundreds of years ago. Ukiyo-e: The Art of the Japanese Print takes a thematic approach to this iconic Japanese art form, considering prints by subject matter: geisha and courtesans, kabuki actors, sumo wrestlers, erotica, nature, historical subjects and even images of foreigners in Japan. An artist himself, author Frederick Harris—a well-known American collector who lived in Japan for 50 years—pays special attention to the methods and materials employed in Japanese printmaking. The book traces the evolution of ukiyo-e from its origins in metropolitan Edo (Tokyo) art culture as black and white illustrations, to delicate two-color prints and multicolored designs. Advice to admirers on how to collect, care for, view and buy Japanese ukiyo-e woodblock prints rounds out this book of charming, carefully selected prints.
Author: 金子信久
Publisher: Pie Books
ISBN: 9784756246691
Category :
Languages : en
Pages : 0
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Book Description
江戸の絵草紙屋にタイムスリップ。眺めて飾って細部を味わう60枚 絵草紙屋の店先で気に入った絵を選ぶように、1枚の絵をB5判の1ページ大で楽しむ趣向の「めでる国芳ブック」シリーズ。 第1弾の猫は、味わい深い美人画の猫、代表作の猫の当字、役者の似顔絵ほか、猫を描いためずらしい絵も収録。 「猫は、いわば人の掌の上で生きている小さな動物。人は、その掌の上の動物と、対等にやり合ったり、ときには下に敷かれたりしながら、この仲間との関係に喜びを感じるのである。猫のプライドの高さを味わい、時折みせるへまを、彼らのプライドを傷つけないよう口を塞ぎながら笑う。そして、そんな人と猫の独特の関係を絵の中でも堪能することこそ、国芳の描いた猫の味わい方だし、それこそが、国芳という画家と猫との関係を読み取ることでもあるだろう」。(本文より)
