Author: Meryle Secrest
Publisher: University of Chicago Press
ISBN: 9780226744148
Category : Architecture
Languages : en
Pages : 660
Book Description
Wright's family history, personal adventures, and colorful friends are explored in this evocative biography. Secrest had unprecedented access to an extensive archive of Wright's letters, photographs, drawings and books. "Secrest's achievement is to etch Wright's character in sharp relief. . . . (She) presents Wright in his every guise".--Blair Kamin, "Chicago Tribune". 121 photos.
Frank Lloyd Wright
Author: Meryle Secrest
Publisher: University of Chicago Press
ISBN: 9780226744148
Category : Architecture
Languages : en
Pages : 660
Book Description
Wright's family history, personal adventures, and colorful friends are explored in this evocative biography. Secrest had unprecedented access to an extensive archive of Wright's letters, photographs, drawings and books. "Secrest's achievement is to etch Wright's character in sharp relief. . . . (She) presents Wright in his every guise".--Blair Kamin, "Chicago Tribune". 121 photos.
Publisher: University of Chicago Press
ISBN: 9780226744148
Category : Architecture
Languages : en
Pages : 660
Book Description
Wright's family history, personal adventures, and colorful friends are explored in this evocative biography. Secrest had unprecedented access to an extensive archive of Wright's letters, photographs, drawings and books. "Secrest's achievement is to etch Wright's character in sharp relief. . . . (She) presents Wright in his every guise".--Blair Kamin, "Chicago Tribune". 121 photos.
Genius and the Mobocracy
Author: Frank Lloyd Wright
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 248
Book Description
Sullivanesque
Author: Ronald E. Schmitt
Publisher: University of Illinois Press
ISBN: 0252056280
Category : Architecture
Languages : en
Pages : 466
Book Description
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
Publisher: University of Illinois Press
ISBN: 0252056280
Category : Architecture
Languages : en
Pages : 466
Book Description
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
The Tender Detail
Author: Daniel E. Snyder
Publisher: Bloomsbury Publishing
ISBN: 1350099635
Category : Architecture
Languages : en
Pages : 305
Book Description
The Tender Detail tells a story about the repression of sentimentality through architectural ornament. The protagonists are Louis H. Sullivan and Frank Lloyd Wright, two of the most important architects and designers of ornament in American history. Interweaving close readings of their architecture and writings with wide-ranging discussions about sexuality, gender, and philosophy, the book explores how both men worked to solve the problem of late nineteenth-century ornamentation. It suggests that their solutions, while widely different, were both intimately rooted in the tender emotions of sentimentality. Viewing ornament in this way reveals much, not only about Sullivan and Wright's artistic intentions, but also about the role of affect, the value of beauty, and the agency and ontology of objects. Illuminated by personal stories from their respective autobiographies, which add a level of human interest unusual in an academic work, The Tender Detail is a readable, scholarly study which sheds fresh light on Sullivan and Wright's relationship, their work, and on the nature of ornament itself.
Publisher: Bloomsbury Publishing
ISBN: 1350099635
Category : Architecture
Languages : en
Pages : 305
Book Description
The Tender Detail tells a story about the repression of sentimentality through architectural ornament. The protagonists are Louis H. Sullivan and Frank Lloyd Wright, two of the most important architects and designers of ornament in American history. Interweaving close readings of their architecture and writings with wide-ranging discussions about sexuality, gender, and philosophy, the book explores how both men worked to solve the problem of late nineteenth-century ornamentation. It suggests that their solutions, while widely different, were both intimately rooted in the tender emotions of sentimentality. Viewing ornament in this way reveals much, not only about Sullivan and Wright's artistic intentions, but also about the role of affect, the value of beauty, and the agency and ontology of objects. Illuminated by personal stories from their respective autobiographies, which add a level of human interest unusual in an academic work, The Tender Detail is a readable, scholarly study which sheds fresh light on Sullivan and Wright's relationship, their work, and on the nature of ornament itself.
Carson Pirie Scott
Author: Joseph Siry
Publisher: University of Chicago Press
ISBN: 9780226761367
Category : Architecture
Languages : en
Pages : 322
Book Description
Long recognized as a Chicago landmark, the Carson Pirie Scott Building also represents a milestone in the development of architecture. The last large commercial structure designed by Louis Sullivan, the Carson building reflected the culmination of the famed architect's career as a creator of tall steel buildings. In this study, Joseph Siry traces the origins of the building's design and analyzes its role in commercial, urban, and architectural history.
Publisher: University of Chicago Press
ISBN: 9780226761367
Category : Architecture
Languages : en
Pages : 322
Book Description
Long recognized as a Chicago landmark, the Carson Pirie Scott Building also represents a milestone in the development of architecture. The last large commercial structure designed by Louis Sullivan, the Carson building reflected the culmination of the famed architect's career as a creator of tall steel buildings. In this study, Joseph Siry traces the origins of the building's design and analyzes its role in commercial, urban, and architectural history.
Louis Sullivan
Author: Robert C. Twombly
Publisher: W. W. Norton & Company
ISBN: 9780393048230
Category : Architecture
Languages : en
Pages : 466
Book Description
The architectural historians Twombly (CUNY, New York) and Menocal (U. Wisconsin, Madison) highlight the social implications of Sullivan's theories of architecture based on nature. The two lengthy essays, which are well illustrated with bandw photographs, are followed by Sullivan's previously unpublished "Study on Inspiration." The remainder of this sumptuous volume (slightly oversize: 8.75x10.5") features a complete catalog of Sullivan's drawings, reproduced in good quality bandw. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: W. W. Norton & Company
ISBN: 9780393048230
Category : Architecture
Languages : en
Pages : 466
Book Description
The architectural historians Twombly (CUNY, New York) and Menocal (U. Wisconsin, Madison) highlight the social implications of Sullivan's theories of architecture based on nature. The two lengthy essays, which are well illustrated with bandw photographs, are followed by Sullivan's previously unpublished "Study on Inspiration." The remainder of this sumptuous volume (slightly oversize: 8.75x10.5") features a complete catalog of Sullivan's drawings, reproduced in good quality bandw. Annotation copyrighted by Book News, Inc., Portland, OR
The Spiritual Dynamic in Modern Art
Author: C. Spretnak
Publisher: Springer
ISBN: 1137342579
Category : Religion
Languages : en
Pages : 460
Book Description
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.
Publisher: Springer
ISBN: 1137342579
Category : Religion
Languages : en
Pages : 460
Book Description
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.
Angels of Reality
Author: David Michael Hertz
Publisher: SIU Press
ISBN: 9780809317462
Category : Architecture
Languages : en
Pages : 392
Book Description
In this exciting new book, David Michael Hertz demonstrates how three major artists - Frank Lloyd Wright, Wallace Stevens, and Charles Ives - were influenced by Emerson's nineteenth-century transcendentalism. By focusing on the relative statements of the artists themselves, Hertz shows that Emerson's belief that all things are in flux, including matter and spirit, had direct bearing on the form and content of their works. Hertz writes the book as a meditation on the condition of the artist in America, including biographical and historical information as well as his own interpretations of the three artists' works. In Part 1 he examines the emerging creative mind of the architect, poet, and composer, citing Emerson as the central figure who, through his essays, influenced each of them. By tracing their development as powerful and original thinkers, Hertz examines the processes that enabled them to become unique. In Part 2 he connects Emerson, Wright, Stevens, and Ives through a shared ideology, evident both in their critical statements and in their creative work. He shows how all three artists had specific documented knowledge of Emerson's major works. Their pragmatism, their preoccupation with the primacy of the senses, their predilection for analogy and loose metaphor, their dedication to individuality and self-reliance, and their eclecticism and conception of originality were shared traits and beliefs gleaned from Emerson. Hertz is the first writer to bring these four major American figures together in a single work. He makes it clear that Emersonianism reaches far into twentieth-century American culture and into the realms of art and music as well as literature. This book willinterest not only Emerson, Wright, Stevens, and Ives scholars but other individuals involved in the arts, the humanities, and interdisciplinary studies as well.
Publisher: SIU Press
ISBN: 9780809317462
Category : Architecture
Languages : en
Pages : 392
Book Description
In this exciting new book, David Michael Hertz demonstrates how three major artists - Frank Lloyd Wright, Wallace Stevens, and Charles Ives - were influenced by Emerson's nineteenth-century transcendentalism. By focusing on the relative statements of the artists themselves, Hertz shows that Emerson's belief that all things are in flux, including matter and spirit, had direct bearing on the form and content of their works. Hertz writes the book as a meditation on the condition of the artist in America, including biographical and historical information as well as his own interpretations of the three artists' works. In Part 1 he examines the emerging creative mind of the architect, poet, and composer, citing Emerson as the central figure who, through his essays, influenced each of them. By tracing their development as powerful and original thinkers, Hertz examines the processes that enabled them to become unique. In Part 2 he connects Emerson, Wright, Stevens, and Ives through a shared ideology, evident both in their critical statements and in their creative work. He shows how all three artists had specific documented knowledge of Emerson's major works. Their pragmatism, their preoccupation with the primacy of the senses, their predilection for analogy and loose metaphor, their dedication to individuality and self-reliance, and their eclecticism and conception of originality were shared traits and beliefs gleaned from Emerson. Hertz is the first writer to bring these four major American figures together in a single work. He makes it clear that Emersonianism reaches far into twentieth-century American culture and into the realms of art and music as well as literature. This book willinterest not only Emerson, Wright, Stevens, and Ives scholars but other individuals involved in the arts, the humanities, and interdisciplinary studies as well.
Frank Lloyd Wright
Author: Jonathan Adams
Publisher: University of Wales Press
ISBN: 1786839148
Category : Architecture
Languages : en
Pages : 358
Book Description
The story of Frank Lloyd Wright’s life is no less astounding than his greatest architectural works. He enmeshed himself eagerly in myth and hearsay, and revelled in the extravagance of his creative persona. Throughout his long career, Wright strongly resisted the suggestion that his accomplishments owed anything to earthly influences. As much as he wanted his achievements to be recognised, he wanted them to be unaccountable – but they are not. This book reveals for the first time how his unbreakable self-belief and startling creative defiance both originated in the liberal religious and philosophical attitudes woven into his personality during his childhood – deliberately so by his mother and by his many aunts and uncles, to honour the fierce Welsh radicalism of their ancestors.
Publisher: University of Wales Press
ISBN: 1786839148
Category : Architecture
Languages : en
Pages : 358
Book Description
The story of Frank Lloyd Wright’s life is no less astounding than his greatest architectural works. He enmeshed himself eagerly in myth and hearsay, and revelled in the extravagance of his creative persona. Throughout his long career, Wright strongly resisted the suggestion that his accomplishments owed anything to earthly influences. As much as he wanted his achievements to be recognised, he wanted them to be unaccountable – but they are not. This book reveals for the first time how his unbreakable self-belief and startling creative defiance both originated in the liberal religious and philosophical attitudes woven into his personality during his childhood – deliberately so by his mother and by his many aunts and uncles, to honour the fierce Welsh radicalism of their ancestors.
Hut Pavilion Shrine: Architectural Archetypes in Mid-Century Modernism
Author: Miles David Samson
Publisher: Routledge
ISBN: 1317119312
Category : Architecture
Languages : en
Pages : 444
Book Description
The phase of American architectural history we call 'mid-century modernism,' 1940-1980, saw the spread of Modern Movement tenets of functionalism, social service and anonymity into mainstream practice. It also saw the spread of their seeming opposites. Temples, arcades, domes, and other traditional types occur in both modernist and traditionalist forms from the 1950s to the 1970s. Hut Pavilion Shrine examines this crossroads of modernism and the archetypal, and critiques its buildings and theory. The book centers on one particularly important and omnipresent type, the pavilion - a type which was the basis of major work by Louis I. Kahn, Paul Rudolph, Philip Johnson, Minoru Yamasaki, and other eminent architects. While focusing primarily on the architecture culture of the United States, it also includes the work of British, European Team X, and Scandinavian designers and writers. Making connections between formal analysis, historical context, and theory, the book continues lines of inquiry which have been pursued by Neil Levine and Anthony Vidler on representation, and by Sarah Goldhagen and Alice Friedman on modernism’s 'forbidden' elements of the honorific and the visually pleasurable. It highlights the significance of 'pavilionizing' mid-century designers such as Victor Lundy, John Johansen, Eero Saarinen, and Edward Durell Stone, and shows how frequently essentialist and traditionalist types appeared in the roadside vernacular of drive-in restaurants, gas stations, furniture and car showrooms, branch banks, and motels. The book ties together the threads in mid-century architectural theory that addressed aspects of type, 'essential' structure, and primal 'humanistic' aspects of environment-making and discusses how these concerns outlived the mid-century moment, and in the designs and writings of Aldo Rossi and others they paved the way for Post-Modernism.
Publisher: Routledge
ISBN: 1317119312
Category : Architecture
Languages : en
Pages : 444
Book Description
The phase of American architectural history we call 'mid-century modernism,' 1940-1980, saw the spread of Modern Movement tenets of functionalism, social service and anonymity into mainstream practice. It also saw the spread of their seeming opposites. Temples, arcades, domes, and other traditional types occur in both modernist and traditionalist forms from the 1950s to the 1970s. Hut Pavilion Shrine examines this crossroads of modernism and the archetypal, and critiques its buildings and theory. The book centers on one particularly important and omnipresent type, the pavilion - a type which was the basis of major work by Louis I. Kahn, Paul Rudolph, Philip Johnson, Minoru Yamasaki, and other eminent architects. While focusing primarily on the architecture culture of the United States, it also includes the work of British, European Team X, and Scandinavian designers and writers. Making connections between formal analysis, historical context, and theory, the book continues lines of inquiry which have been pursued by Neil Levine and Anthony Vidler on representation, and by Sarah Goldhagen and Alice Friedman on modernism’s 'forbidden' elements of the honorific and the visually pleasurable. It highlights the significance of 'pavilionizing' mid-century designers such as Victor Lundy, John Johansen, Eero Saarinen, and Edward Durell Stone, and shows how frequently essentialist and traditionalist types appeared in the roadside vernacular of drive-in restaurants, gas stations, furniture and car showrooms, branch banks, and motels. The book ties together the threads in mid-century architectural theory that addressed aspects of type, 'essential' structure, and primal 'humanistic' aspects of environment-making and discusses how these concerns outlived the mid-century moment, and in the designs and writings of Aldo Rossi and others they paved the way for Post-Modernism.