Author: Ania Loomba
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 194
Book Description
Violent and recurrent confrontations between disorderly women and patriarchal power are a major feature of the tragedies of Shakespeare, Webster, and Middleton. In this study, Loomba interrelates racial and sexual differences to explore the construction of Renaissance authority and the politics of English studies, particularly Renaissance drama, in postcolonial education. These recurrent confrontations between women and the patriarchal status-quo are discussed in light of the historical and theoretical interweaving of race and gender. The book will be of interest to those studying the history of women and education as well as those interested in Renaissance drama.
Gender, Race, Renaissance Drama
Author: Ania Loomba
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 194
Book Description
Violent and recurrent confrontations between disorderly women and patriarchal power are a major feature of the tragedies of Shakespeare, Webster, and Middleton. In this study, Loomba interrelates racial and sexual differences to explore the construction of Renaissance authority and the politics of English studies, particularly Renaissance drama, in postcolonial education. These recurrent confrontations between women and the patriarchal status-quo are discussed in light of the historical and theoretical interweaving of race and gender. The book will be of interest to those studying the history of women and education as well as those interested in Renaissance drama.
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 194
Book Description
Violent and recurrent confrontations between disorderly women and patriarchal power are a major feature of the tragedies of Shakespeare, Webster, and Middleton. In this study, Loomba interrelates racial and sexual differences to explore the construction of Renaissance authority and the politics of English studies, particularly Renaissance drama, in postcolonial education. These recurrent confrontations between women and the patriarchal status-quo are discussed in light of the historical and theoretical interweaving of race and gender. The book will be of interest to those studying the history of women and education as well as those interested in Renaissance drama.
Gender, Race, Renaissance Drama
Author: A. Loomba
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Shakespeare Without Women
Author: Dympna Callaghan
Publisher: Routledge
ISBN: 1134633122
Category : Literary Collections
Languages : en
Pages : 240
Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1134633122
Category : Literary Collections
Languages : en
Pages : 240
Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Shakespeare and Race
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
ISBN: 9780521779388
Category : Drama
Languages : en
Pages : 254
Book Description
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.
Publisher: Cambridge University Press
ISBN: 9780521779388
Category : Drama
Languages : en
Pages : 254
Book Description
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.
Shakespearean Adaptation, Race and Memory in the New World
Author: Joyce Green MacDonald
Publisher: Springer Nature
ISBN: 3030506800
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.
Publisher: Springer Nature
ISBN: 3030506800
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
As readers head into the second fifty years of the modern critical study of blackness and black characters in Renaissance drama, it has become a critical commonplace to note black female characters’ almost complete absence from Shakespeare’s plays. Despite this physical absence, however, they still play central symbolic roles in articulating definitions of love, beauty, chastity, femininity, and civic and social standing, invoked as the opposite and foil of women who are “fair”. Beginning from this recognition of black women’s simultaneous physical absence and imaginative presence, this book argues that modern Shakespearean adaptation is a primary means for materializing black women’s often elusive presence in the plays, serving as a vital staging place for historical and political inquiry into racial formation in Shakespeare’s world, and our own. Ranging geographically across North America and the Caribbean, and including film and fiction as well as drama as it discusses remade versions of Othello, Romeo and Juliet, Antony and Cleopatra, and The Taming of the Shrew, Shakespearean Adaptation, Race, and Memory in the New World will attract scholars of early modern race studies, gender and performance, and women in Renaissance drama.
Barbarous Play
Author: Lara Bovilsky
Publisher: U of Minnesota Press
ISBN: 0816649642
Category : Social Science
Languages : en
Pages : 231
Book Description
"Exploring the similar underpinnings of early modern and contemporary ideas of difference, this book examines the English Renaissance understandings of race as depicted in drama. Reading plays by Shakespeare, Marlow, Webster, and Middleton, Lara Bovilskyoffers case studies of how racial meanings are generated by narratives of boundary crossing--especially miscegenation, religious conversion, class transgression, and moral and physical degeneracy. In the process, she reveals the parallels between the period's conceptions of race and gender"--From publisher description.
Publisher: U of Minnesota Press
ISBN: 0816649642
Category : Social Science
Languages : en
Pages : 231
Book Description
"Exploring the similar underpinnings of early modern and contemporary ideas of difference, this book examines the English Renaissance understandings of race as depicted in drama. Reading plays by Shakespeare, Marlow, Webster, and Middleton, Lara Bovilskyoffers case studies of how racial meanings are generated by narratives of boundary crossing--especially miscegenation, religious conversion, class transgression, and moral and physical degeneracy. In the process, she reveals the parallels between the period's conceptions of race and gender"--From publisher description.
Fashioning Femininity and English Renaissance Drama
Author: Karen Newman
Publisher: University of Chicago Press
ISBN: 0226577090
Category : Drama
Languages : en
Pages : 209
Book Description
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
Publisher: University of Chicago Press
ISBN: 0226577090
Category : Drama
Languages : en
Pages : 209
Book Description
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries. Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
English Ethnicity and Race in Early Modern Drama
Author: Mary Floyd-Wilson
Publisher: Cambridge University Press
ISBN: 9780521810562
Category : Drama
Languages : en
Pages : 280
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521810562
Category : Drama
Languages : en
Pages : 280
Book Description
Table of contents
Shakespeare Without Women
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Routledge Anthology of Renaissance Drama
Author: Simon Barker
Publisher: Routledge
ISBN: 1134661886
Category : Drama
Languages : en
Pages : 492
Book Description
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
Publisher: Routledge
ISBN: 1134661886
Category : Drama
Languages : en
Pages : 492
Book Description
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346