Gender and the Poetics of Reception in Poe's Circle PDF Download
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Author: Eliza Richards
Publisher: Cambridge University Press
ISBN: 9780521832816
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Author: Eliza Richards
Publisher: Cambridge University Press
ISBN: 9780521832816
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Author: J. Gerald Kennedy
Publisher: Oxford University Press, USA
ISBN: 0190641878
Category : Literary Criticism
Languages : en
Pages : 881
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Book Description
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Author: Ayendy Bonifacio
Publisher: Edinburgh University Press
ISBN: 1399523511
Category :
Languages : en
Pages : 225
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Book Description
Drawing examples from over 200 English-language and Spanish-language newspapers and periodicals published between January 1855 and October 1901, Paratextuality in Anglophone and Hispanophone Poems in the US Press, 1855-1901 argues that nineteenth-century newspaper poems are inherently paratextual. The paratextual situation of many newspaper poems (their links to surrounding textual items and discourses), their editorialisation through circulation (the way poems were altered from newspaper to newspaper) and their association and disassociation with certain celebrity bylines, editors and newspaper titles enabled contemporaneous poetic value and taste that, in the mid- to late-nineteenth century, were not only sentimental, Romantic and/or genteel. In addition to these important categories for determining a good and bad poem, poetic taste and value were determined, Bonifacio argues, via arbitrary consequences of circulation, paratextualisation, typesetter error and editorial convenience.
Author: D. Perry
Publisher: Springer
ISBN: 1137041986
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
Adapting Poe is a collection of essays that explores the way Edgar Allan Poe has been adapted over the last hundred years in film, comic art, music, and literary criticism. A major theme that pervades the study concerns the more recent re-imaginings of Poe in terms of identity construction in a postmodern era.
Author: Catherine Kunce
Publisher: Rowman & Littlefield
ISBN: 1611494397
Category : Literary Collections
Languages : en
Pages : 209
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Book Description
The eighty-one manuscript letters, drafts, notes, and fragments comprising the correspondence between Sarah Helen Whitman (Poe’s onetime fiancée) and Julia Deane Freeman span a tumultuous time in American history, 1856–1863. A veritable Who’s Who in literature during the period, the women’s letters reference works and writers such as Emerson, Hawthorne, Poe, Walt Whitman, and scores of women writers such as Margaret Fuller, Paulina Davis, Elizabeth Oakes Smith, Susan Warner, Julia Ward Howe, and E.D.E.N. Southworth, and their works. Comparing prominent publishers, critiquing famous journalists, discussing current events—including the impending Civil War, slavery, the spread of Spiritualism, the rising consciousness of women’s rights, and the prevailing tastes in theater, music, and art—the correspondence exposes an untapped vein of historical riches. Yet the letters offer more than a compendium of literary works and historical events. When viewed through the lens of contemporary critical theories, the letters shimmer with significance. The Whitman/Freeman correspondence witnesses the growth of a profound friendship, the genesis and development of which parallels, to a startling degree, Whitman’s affair with Poe. The letters additionally support, and in some instances, complicate, contemporary scholars’ perspectives regarding issues related to women. While scholars have rescued many nineteenth-century women writers from unmerited obscurity, Whitman and Freeman recount in “real time” their assessment of contemporary women writers. A well-informed abolitionist who bequeathed a portion of her estate to a black orphanage, Whitman has much to say about political viewpoints, both national and local, during a time that denied women the right to vote. How Whitman negotiates society’s strictures and her iconoclastic self-expression deserves careful study in itself. Well crafted and thoroughly engaging, the previously unpublished correspondence between Sarah Helen Whitman and Julia Deane Freeman provides scholars of numerous disciplines with fresh and fascinating material.
Author: Jennifer Putzi
Publisher: Cambridge University Press
ISBN: 1316033546
Category : Literary Criticism
Languages : en
Pages : 718
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Book Description
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches. Organized into three chronological sections, the essays examine multiple genres of poetry, consider poems circulated in various manuscript and print venues, and propose alternative ways of narrating literary history. From these essays, a rich story emerges about a diverse poetics that was once immensely popular but has since been forgotten. This History confirms that the field has advanced far beyond the recovery of select individual poets. It will be an invaluable resource for students, teachers, and critics of both the literature and the history of this era.
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author: Dorri Beam
Publisher: Cambridge University Press
ISBN: 1139489232
Category : Literary Criticism
Languages : en
Pages :
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Book Description
In this 2010 book, Dorri Beam presents an important contribution to nineteenth-century fiction by examining how and why a florid and sensuous style came to be adopted by so many authors. Discussing a diverse range of authors, including Margaret Fuller and Pauline Hopkins, Beam traces this style through a variety of literary endeavors and reconstructs the political rationale behind the writers' commitments to this form of prose. Beam provides both close readings of a number of familiar and unfamiliar works and an overarching account of the importance of this form of writing, suggesting new ways of looking at style as a medium through which gender can be signified and reshaped. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform. This illuminating account provides valuable new insights for scholars of American literature and women's writing.
Author: Gero Guttzeit
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311051818X
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
The Figures of Edgar Allan Poe is the first study to address the rhetorical dimensions of Poe’s textual and discursive practices. It argues that Poe is a figure and figurer of the emergence of the modern understanding of literature in the early nineteenth century that resulted from the birth of the romantic author and the so-called ‘death of rhetoric’. Building on accounts of Poe as a skilled navigator of American antebellum print culture, Gero Guttzeit reinterprets Poe as representative of the vital role that transatlantic rhetoric played in antebellum literature. He investigates rhetorical figures of the author in Poe’s critical writings, tales, poems, and lectures to give a new account of Poe’s significance for antebellum literary culture. In so doing, he also proposes a general rhetorical theory of theoretical, poetical, and performative figures of the author. Beyond Poe studies, the book intervenes in current debates on the romantic origins of the modern author and demonstrates that rhetorical theory offers new ways of exploring authorship beyond the nineteenth century.
Author: Kerry C. Larson
Publisher: Cambridge University Press
ISBN: 052176369X
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The first critical collection of its kind devoted solely to this subject, this Companion covers both well-known and lesser-known poets.
