Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 0521464943
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Gender and Genre in Medieval French Literature
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 0521464943
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Publisher: Cambridge University Press
ISBN: 0521464943
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Gender and Voice in Medieval French Literature and Song
Author: Rachel May Golden
Publisher: University Press of Florida
ISBN: 0813057922
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky
Publisher: University Press of Florida
ISBN: 0813057922
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky
The Cambridge Companion to Medieval French Literature
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 9781139827874
Category : Literary Criticism
Languages : en
Pages :
Book Description
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
Publisher: Cambridge University Press
ISBN: 9781139827874
Category : Literary Criticism
Languages : en
Pages :
Book Description
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
Women and the City in French Literature and Culture
Author: Siobhán McIlvanney
Publisher: University of Wales Press
ISBN: 1786834340
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
Interdisciplinarity: this book covers a range of media and genres from cinema to journalism to novels and a range of disciplines from feminism, film studies, Francophone studies, history, etc., which allows readers to access a particularly extensive range of disciplines within one volume and to make informed comparisons. Transhistoricism: the chronological range of essays included in this journal from the medieval period through the nineteenth and twentieth centuries to the present demonstrates that women have always managed to access their own territory within the masculinised urban environment and this encourages readers to rethink previous gendered assumptions about women and the city. Feminism: the essays here form part of the wider movement in academic research to redress the gendered imbalance of perspectives on a range of subjects: here allowing us to look anew at French and Francophone culture and history as part of this feminist rewriting.
Publisher: University of Wales Press
ISBN: 1786834340
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
Interdisciplinarity: this book covers a range of media and genres from cinema to journalism to novels and a range of disciplines from feminism, film studies, Francophone studies, history, etc., which allows readers to access a particularly extensive range of disciplines within one volume and to make informed comparisons. Transhistoricism: the chronological range of essays included in this journal from the medieval period through the nineteenth and twentieth centuries to the present demonstrates that women have always managed to access their own territory within the masculinised urban environment and this encourages readers to rethink previous gendered assumptions about women and the city. Feminism: the essays here form part of the wider movement in academic research to redress the gendered imbalance of perspectives on a range of subjects: here allowing us to look anew at French and Francophone culture and history as part of this feminist rewriting.
Roman de Silence
Author: Heldris (de Cornuälle.)
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 414
Book Description
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 414
Book Description
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Gender and Genre
Author: Stephanie M. Hilger
Publisher: Rowman & Littlefield
ISBN: 161149530X
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
In the wake of the French Revolution, history was no longer imagined as a cyclical process in which the succession of ruling dynasties was as predictable as the change in the seasons. Contemporaries wrestled with the meaning of this historical rupture, which represented both the progress of the Enlightenment and the darkness of the Terreur. French authors discussed the political events in their country, but they were not the only ones to do so. As the effects of the French Revolution became more palpable across the border, German authors pondered their implications in newspapers, political pamphlets, and historiographical treatises. German women also participated in these debates, but they often embedded their political commentary in literary texts because they were discouraged, and sometimes even barred, from publishing in explicitly political and public venues. As such, literature, in the sense of belles lettres, had a compensatory function for women: it allowed them to engage in political discussion without explicitly encroaching on certain domains that were perceived as a male preserve. As women writers explored the uses of literature for political commentary they adapted major literary genres in order to consolidate their position in the late eighteenth- and early nineteenth-century literary sphere. Those genres included domestic fiction, the historical novel, historical tragedy, autobiography, the Robinsonade,and the Bildungsroman. Women writers challenged the images of women traditionally portrayed in these genres: dutiful daughter, submissive wife, caring mother, tantalizing mistress, angelic figure, and passive victim. Gender and Genre discusses six women writers who replaced these traditional female types with women warriors and emigrants as protagonists in texts published between 1795 and 1821: Therese Huber, Caroline de la Motte Fouqué, Christine Westphalen, Regula Engel, Sophie von La Roche, and Henriette Frölich. These authors’ protagonists question traditional images of passive femininity, yet their battered bodies also depict the precarious position of women in general, and women writers in particular, during this period. Because women writers were attacked by their male counterparts who attempted to halt their foray into the literary marketplace, these texts are as much about power dynamics in the German literary establishment as they are about French politics.
Publisher: Rowman & Littlefield
ISBN: 161149530X
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
In the wake of the French Revolution, history was no longer imagined as a cyclical process in which the succession of ruling dynasties was as predictable as the change in the seasons. Contemporaries wrestled with the meaning of this historical rupture, which represented both the progress of the Enlightenment and the darkness of the Terreur. French authors discussed the political events in their country, but they were not the only ones to do so. As the effects of the French Revolution became more palpable across the border, German authors pondered their implications in newspapers, political pamphlets, and historiographical treatises. German women also participated in these debates, but they often embedded their political commentary in literary texts because they were discouraged, and sometimes even barred, from publishing in explicitly political and public venues. As such, literature, in the sense of belles lettres, had a compensatory function for women: it allowed them to engage in political discussion without explicitly encroaching on certain domains that were perceived as a male preserve. As women writers explored the uses of literature for political commentary they adapted major literary genres in order to consolidate their position in the late eighteenth- and early nineteenth-century literary sphere. Those genres included domestic fiction, the historical novel, historical tragedy, autobiography, the Robinsonade,and the Bildungsroman. Women writers challenged the images of women traditionally portrayed in these genres: dutiful daughter, submissive wife, caring mother, tantalizing mistress, angelic figure, and passive victim. Gender and Genre discusses six women writers who replaced these traditional female types with women warriors and emigrants as protagonists in texts published between 1795 and 1821: Therese Huber, Caroline de la Motte Fouqué, Christine Westphalen, Regula Engel, Sophie von La Roche, and Henriette Frölich. These authors’ protagonists question traditional images of passive femininity, yet their battered bodies also depict the precarious position of women in general, and women writers in particular, during this period. Because women writers were attacked by their male counterparts who attempted to halt their foray into the literary marketplace, these texts are as much about power dynamics in the German literary establishment as they are about French politics.
Love, Power, and Gender in Seventeenth-Century French Fairy Tales
Author: Bronwyn Reddan
Publisher: U of Nebraska Press
ISBN: 1496223950
Category : Fiction
Languages : en
Pages : 265
Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Publisher: U of Nebraska Press
ISBN: 1496223950
Category : Fiction
Languages : en
Pages : 265
Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Genre Choices, Gender Questions
Author: Mary Gerhart
Publisher:
ISBN: 9780806124506
Category : Literary Collections
Languages : en
Pages : 261
Book Description
Genre and gender share not only a common etymology but also a joint history of misreading, which ranges from their being completely ignored on the one hand to their being cast into unbreakable stereotypes on the other. Mary Gerhart's Genre Choices, Gender Questions opens these two concepts to inquiry and locates their changing relationships at the center of critical interpretation. Gerhart demonstrates that a theory of genre must move beyond mere categorizing. She summarizes the significant stages in the history of thinking about genre from Plato to Derrida and proposes a new role for genre that makes it pivotal in current discussions of critical theory. Developing a model of genre that is epistemological, historical, theoretical, and praxis oriented, she tests it in relation to such fields as religious studies, speech-act theory, cultural studies, and biblical hermeneutics, but above all by applying it to the interpretation of narrative fiction and film. Genre Choices, Gender Questions explores the complex and ambiguous relationship between genre and gender. Drawing on recent developments in gender studies, Gerhart examines the fluid relationship between the changing status of women authors in such genres as courtly love poetry, the novel, and biblical narrative and the legitimation or devaluation of those genres. Genre Choices, Gender Questions deals lucidly with complex concepts. focus is never narrow, but opens out consistently toward ancillary issues such as feminist readings and deconstructionism, which strengthen the author's argument. Gerhart convincingly suggests the profound implications of genre and gender, as she redefines them, for both literary criticism and religious studies. Genre Choices, Gender Questions is volume 9 of the Oklahoma Project for Discourse and Theory.
Publisher:
ISBN: 9780806124506
Category : Literary Collections
Languages : en
Pages : 261
Book Description
Genre and gender share not only a common etymology but also a joint history of misreading, which ranges from their being completely ignored on the one hand to their being cast into unbreakable stereotypes on the other. Mary Gerhart's Genre Choices, Gender Questions opens these two concepts to inquiry and locates their changing relationships at the center of critical interpretation. Gerhart demonstrates that a theory of genre must move beyond mere categorizing. She summarizes the significant stages in the history of thinking about genre from Plato to Derrida and proposes a new role for genre that makes it pivotal in current discussions of critical theory. Developing a model of genre that is epistemological, historical, theoretical, and praxis oriented, she tests it in relation to such fields as religious studies, speech-act theory, cultural studies, and biblical hermeneutics, but above all by applying it to the interpretation of narrative fiction and film. Genre Choices, Gender Questions explores the complex and ambiguous relationship between genre and gender. Drawing on recent developments in gender studies, Gerhart examines the fluid relationship between the changing status of women authors in such genres as courtly love poetry, the novel, and biblical narrative and the legitimation or devaluation of those genres. Genre Choices, Gender Questions deals lucidly with complex concepts. focus is never narrow, but opens out consistently toward ancillary issues such as feminist readings and deconstructionism, which strengthen the author's argument. Gerhart convincingly suggests the profound implications of genre and gender, as she redefines them, for both literary criticism and religious studies. Genre Choices, Gender Questions is volume 9 of the Oklahoma Project for Discourse and Theory.
Christian, Saracen and Genre in Medieval French Literature
Author: Lynn Tarte Ramey
Publisher: Routledge
ISBN: 113670048X
Category : Literary Criticism
Languages : en
Pages : 138
Book Description
This book explores the historical and imaginary representation of the Saracen, or Muslim, in French writings from 1100 to 1500.
Publisher: Routledge
ISBN: 113670048X
Category : Literary Criticism
Languages : en
Pages : 138
Book Description
This book explores the historical and imaginary representation of the Saracen, or Muslim, in French writings from 1100 to 1500.
Women and Gender in Medieval Europe
Author: Margaret C. Schaus
Publisher: Routledge
ISBN: 1135459606
Category : History
Languages : en
Pages : 985
Book Description
From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.
Publisher: Routledge
ISBN: 1135459606
Category : History
Languages : en
Pages : 985
Book Description
From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.